Anyone have the chord sequence for Crazy?
Moderator: Dave Mudgett
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Anyone have the chord sequence for Crazy?
It might have been done before - and I know there`s another thread on the title, but our singer/rhythm guy is adamant about there being a certain chord progression which to my big ears is missing a whole lot of minors.
Could anyone out there give it out in the key of "D" in chord symbols instead of the Nashville system.
I`m all eyes and ears!!!!
Many thanks.
Bob Mainwaring. Z.Bs. and other weird things.
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Could anyone out there give it out in the key of "D" in chord symbols instead of the Nashville system.
I`m all eyes and ears!!!!
Many thanks.
Bob Mainwaring. Z.Bs. and other weird things.
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- J D Sauser
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Well, I think it was originally written in C and C#, as it modulates.
Here's how I would write it out in D to Eb (I've also included the numbers):
<font face="monospace" size="3"><pre>
I I VI7 VI7 II- II- II- II-
D D B7 B7 Em Em7 Em7 Em7
Crazy, Crazy for feelin' so lonely.........
V7 V7 V7 V7 I bIIdim II- V7
A7 A7 A7 A7 D D#dim Em A7
I'm crazy, crazy for feelin' so blue
I I VI7 VI7 II- II- II- II-
D D B7 B7 Em Em7 Em7 Em7
I knew you'd love me as long as you wanted
V7 V7 V7 V7 I IV I I7
A7 A7 A7 A7 D G D D7
And then some day, you'd leave me for somebody new
IV IV IV IV I I I7 I7
G G G G D D D7 D7
Worry, why do I let myself worry?
II7 II7 II7 II7 V7 II-7 V7 V7
E7 E7 E7 E7 A7 E7 A7 A7
Wond'ring what in the world did I do?
I I VI VI I- II-(M7) II-7 II-7
D D B7 B7 Em Em(M7) Em7 Em7
Crazy for thinking that my love could hold you
IVM7 III-7 II-7 IM7
GM7 F#m7 Em7 DMaj7
I'm crazy for trying and crazy for crying
II-7 V7 I V# (Modulation! V# is V of the new key, Eb)
Em7 A7 D Bb
And I'm crazy for loving you </pre></font>
Then it continues following the same scheme in Eb...
<font color="red"><small>Please note: There was an error on the last line, which I wrote in the key of "C" instead of "D". This has been corrected now.</font></small>
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The future belongs to culture.
jaydee@bellsouth.net
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by J D Sauser on 11 December 2000 at 07:29 AM.]</p></FONT>
Here's how I would write it out in D to Eb (I've also included the numbers):
<font face="monospace" size="3"><pre>
I I VI7 VI7 II- II- II- II-
D D B7 B7 Em Em7 Em7 Em7
Crazy, Crazy for feelin' so lonely.........
V7 V7 V7 V7 I bIIdim II- V7
A7 A7 A7 A7 D D#dim Em A7
I'm crazy, crazy for feelin' so blue
I I VI7 VI7 II- II- II- II-
D D B7 B7 Em Em7 Em7 Em7
I knew you'd love me as long as you wanted
V7 V7 V7 V7 I IV I I7
A7 A7 A7 A7 D G D D7
And then some day, you'd leave me for somebody new
IV IV IV IV I I I7 I7
G G G G D D D7 D7
Worry, why do I let myself worry?
II7 II7 II7 II7 V7 II-7 V7 V7
E7 E7 E7 E7 A7 E7 A7 A7
Wond'ring what in the world did I do?
I I VI VI I- II-(M7) II-7 II-7
D D B7 B7 Em Em(M7) Em7 Em7
Crazy for thinking that my love could hold you
IVM7 III-7 II-7 IM7
GM7 F#m7 Em7 DMaj7
I'm crazy for trying and crazy for crying
II-7 V7 I V# (Modulation! V# is V of the new key, Eb)
Em7 A7 D Bb
And I'm crazy for loving you </pre></font>
Then it continues following the same scheme in Eb...
<font color="red"><small>Please note: There was an error on the last line, which I wrote in the key of "C" instead of "D". This has been corrected now.</font></small>
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The future belongs to culture.

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by J D Sauser on 11 December 2000 at 07:29 AM.]</p></FONT>
- Doug Beaumier
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I think the last line should go:
<font face="monospace" size="3"><pre>
G F#m Em
(I'm) Crazy for trying crazy for
B7 Em A7 D Bb
crying (and I'm) crazy for loving you
(mod.)D#
Crazy... </pre></font>
The V chord of the new key would be Bb.
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www.dougbsteel.com
<font face="monospace" size="3"><pre>
G F#m Em
(I'm) Crazy for trying crazy for
B7 Em A7 D Bb
crying (and I'm) crazy for loving you
(mod.)D#
Crazy... </pre></font>
The V chord of the new key would be Bb.
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www.dougbsteel.com
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Many thanks guys for the information and time you kindly put forth, I`ll be working on this for a while I can see. Funny thing is, we did it a good many years ago - at that time our female singer sang it in E but I kinda "fluffed" it with single string rundowns - now I`ll give it some full chordal sounds with a bit of luck.
Thanks too Russ for the e-mail part.
All the best.
Bob Mainwaring. Z.Bs. and other weird things.
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Thanks too Russ for the e-mail part.
All the best.
Bob Mainwaring. Z.Bs. and other weird things.
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- Jack Stoner
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- J D Sauser
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Sorry, I goofed on the last line and wrote it in the key of "C".... (the nubers were right, howerver) It was really time to go to bed...
I'm correcting this now... Thanks!
I think that the intro and the endings in this song are quite flexible. I worked these off a "Willie"-web site a while ago. It was written in "C", I had added the numbers and now, by request, had to write it out in "D" (which is always a good exercise, but it was too late at night
).
...J-D.
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The future belongs to culture.
jaydee@bellsouth.net
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by J D Sauser on 11 December 2000 at 07:35 AM.]</p></FONT>
I'm correcting this now... Thanks!
I think that the intro and the endings in this song are quite flexible. I worked these off a "Willie"-web site a while ago. It was written in "C", I had added the numbers and now, by request, had to write it out in "D" (which is always a good exercise, but it was too late at night

...J-D.
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The future belongs to culture.

<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by J D Sauser on 11 December 2000 at 07:35 AM.]</p></FONT>
- Bobby Lee
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- Bob Shilling
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Bobby wrote:
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>"The chords leading into the bridge are:
I ii Iº I7"</SMALL><HR></BLOCKQUOTE>
I thought I had the number system worked out, but there's always something I haven't seen before.
What is Iº? Is it a dim chord or something?
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Bob Shilling, Berkeley, CA--MSA S10
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>"The chords leading into the bridge are:
I ii Iº I7"</SMALL><HR></BLOCKQUOTE>
I thought I had the number system worked out, but there's always something I haven't seen before.

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Bob Shilling, Berkeley, CA--MSA S10
- Bobby Lee
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Bob,
I once fluffed the intro
("I'm crazy for trying and crazy for crying...") by playing it in the wrong key.
We went slowly thru the chords in two different keys, and it got weirder and weirder until
the band was laughing hysterically.
We then turned to the singer and said "Take it!" This was at a wedding reception.
The keys were related, so at the beginning it sounded like a hip harmonization. By the end,
it sounded like anarchy.
--Joel<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Joel Glassman on 12 December 2000 at 02:11 PM.]</p></FONT>
I once fluffed the intro
("I'm crazy for trying and crazy for crying...") by playing it in the wrong key.
We went slowly thru the chords in two different keys, and it got weirder and weirder until
the band was laughing hysterically.
We then turned to the singer and said "Take it!" This was at a wedding reception.
The keys were related, so at the beginning it sounded like a hip harmonization. By the end,
it sounded like anarchy.
--Joel<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Joel Glassman on 12 December 2000 at 02:11 PM.]</p></FONT>
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- Bob Shilling
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- Dave Van Allen
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I worked on it last week to get all the runs as all you guys have posted, then Saturday we finished the night off with Crazy (in D) I started by playing the run down for the intro and played a Bb chord to the resolve before kicking in to the melody, it worked out not sounding too bad.
Bob Mainwaring. Z.Bs. and other weird things.
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Bob Mainwaring. Z.Bs. and other weird things.
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