Did Sho~Bud make a D-12?
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Mark Fasbender
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Did Sho~Bud make a D-12?
WELL?
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Got Twang ?
Mark
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Got Twang ?
Mark
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The first time I met my little brother Robbie Turner
, it was 1976, he was 14 years old and playing a D-12 Pro II at Bad Bob's in Mehumfuss.
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
, it was 1976, he was 14 years old and playing a D-12 Pro II at Bad Bob's in Mehumfuss.------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association
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Mark Fasbender
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I just bought an S-12 Sho~Bud and was curious. I like Double necks so I'll see how extended E9 goes for me. My friend has a D-12 and I think its just a matter of getting used to the extra strings. Should have it today from UPS(shudder) if all goes well. What models did they make them in? (for example Professional D-12 .....Pro 2 D-12 etc ) Thanks. 
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Got Twang ?
Mark

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Got Twang ?
Mark
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A friend of mine had a rosewood D-12 fingertip that I had the pleasure of playing many times. He regretfully passed on some years ago. Hadn't seen him in a while, don't know what became of it. A very nice looking and to my recollection, fine sounding guitar as well
Emmons PP D-10 10x10, Evans Hybrid 300,FET 500
Emmons PP D-10 10x10, Evans Hybrid 300,FET 500
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Rainer Hackstaette
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Earnest,
re: the adjustable return springs: in the 1975 catalogue/leaflet, all the steels where the endplates can be seen, show adjustable springs. The tuning windows seem to have the same size as on the older models with 1R/1L changers. The 2R/1L changer can use the same window. The 2R/2L changer may need a bigger window, I don't know. The description of the steels isn't really clear: sometimes a "double raise & double lower" changer is mentioned, sometimes it says "double raise & lower". Anyway, the adjustable return springs were soon exchanged for non-adjustable ones, probably right after these photos were taken. It saved assembly time and work on the endplates. My '75 LDG has non-adjustable springs.
Note that all the steels still have the wide pedals, even the Maverick - soon to be replaced by the narrow slick pedals. It's interesting that The Pro~III, The Pro~II and The Pro~I have the CUSTOM label, while the 12 string models and The Professional S-10 do not.
All pickups don't have the later support spacers yet, but they are not coil-tapped any more. All in all the catalogue raises more questions than it answers. Sho~Bud quality control at its best!
Sorry for highjacking this thread, and Merry Christmas to all,
Rainer





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<FONT SIZE=1 COLOR="#0000FF">Remington, Sierra, Emmons PP, Fender Artist, Sho~Bud</FONT>
re: the adjustable return springs: in the 1975 catalogue/leaflet, all the steels where the endplates can be seen, show adjustable springs. The tuning windows seem to have the same size as on the older models with 1R/1L changers. The 2R/1L changer can use the same window. The 2R/2L changer may need a bigger window, I don't know. The description of the steels isn't really clear: sometimes a "double raise & double lower" changer is mentioned, sometimes it says "double raise & lower". Anyway, the adjustable return springs were soon exchanged for non-adjustable ones, probably right after these photos were taken. It saved assembly time and work on the endplates. My '75 LDG has non-adjustable springs.
Note that all the steels still have the wide pedals, even the Maverick - soon to be replaced by the narrow slick pedals. It's interesting that The Pro~III, The Pro~II and The Pro~I have the CUSTOM label, while the 12 string models and The Professional S-10 do not.
All pickups don't have the later support spacers yet, but they are not coil-tapped any more. All in all the catalogue raises more questions than it answers. Sho~Bud quality control at its best!

Sorry for highjacking this thread, and Merry Christmas to all,
Rainer





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<FONT SIZE=1 COLOR="#0000FF">Remington, Sierra, Emmons PP, Fender Artist, Sho~Bud</FONT>
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Duane Reese
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I think it's not too awfully hard to go from D-10 to D-12 as long as you don't get too rigid in you thinking. I have an Emmons D-12 p/p that wasn't too hard to get a handle on really (sure made D-10s look puny). On the extended E9th you had two lower pitched strings below the 10th string B, which were G# and E (the E being like the 6th on regular guitar). But you know what, I set the 11th string to A instead of G# because I could do more with it. Weird?
Hey Mark, did that S-12 show up, and if so how do you like it???
Hey Mark, did that S-12 show up, and if so how do you like it???
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Kenny Foy
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Rainer, Not that it makes any difference but my dbl 12 THE PRO-11 has the Custom decal. Wonder why? I like the brochure. <font size="1" color="#8e236b"><p align="center">[This message was edited by Kenny Foy on 24 December 2005 at 10:45 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Kenny Foy on 24 December 2005 at 10:46 AM.]</p></FONT>
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Rainer Hackstaette
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Duane Reese
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Mark Fasbender
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Thanks for all the info......... Duane,yes the S-12 arrived and its a great little guitar.
Looks like I made a deal to buy that sho bud P/P as well. Im glad to hear you are sane although that is news to me.
When you get back your Pro 2 should be here and we'll get her set up. Thanks all and happy new year.
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Got Twang ?
Mark
Looks like I made a deal to buy that sho bud P/P as well. Im glad to hear you are sane although that is news to me.
When you get back your Pro 2 should be here and we'll get her set up. Thanks all and happy new year.
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Got Twang ?
Mark
