What Effects Do You Use
Moderator: Dave Mudgett
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Tony Dingus
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What Effects Do You Use
Live and in the studio and how do you hook them up?
Live, I've been using a DD6 delay and amp reverb, Nasn 112. I run my delay after the volume pedal. If I use an amp in the studio I go dry, sometimes a little delay. Direct, I use a Roland GP 100 and Lexicon MX 200 and MPX 100. I like knobs so that why I don't use the fx in the Roland. I use the preamp and speaker/cab simulater. I'm interested in hearing what all of you use.
Thanks, Tony
Live, I've been using a DD6 delay and amp reverb, Nasn 112. I run my delay after the volume pedal. If I use an amp in the studio I go dry, sometimes a little delay. Direct, I use a Roland GP 100 and Lexicon MX 200 and MPX 100. I like knobs so that why I don't use the fx in the Roland. I use the preamp and speaker/cab simulater. I'm interested in hearing what all of you use.
Thanks, Tony
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Steve Norman
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Live I use a goodrich steel driver>volume>ampw/ reverb effects loop is a bobro off and a danecho on I hit them with My hand when I need to switch. I used to use a line 6 but I was to stupid to get it right. Studio I go dry and add effects later.
GFI D10, Fender Steel King, Hilton Vpedal,BoBro, National D dobro, Marrs RGS
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Dave Robbins
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Most of the time for me it's delay only. I stopped using reverb years ago when I realized how bad it screwed up the tone.
Most of the time I play through a Genesis III unit for the amp modeling and go direct from it to the board in the studio. For "live" I use the Genesis III ad my trusty old Nashville 400. I have a Goodrich LDR pedal I use a lot in the studio and sometimes "Live", but at the Opry I just use a standard Emmons pedal and plug straight into the amp provided there (Tommy White's Webb).
Dave
Most of the time I play through a Genesis III unit for the amp modeling and go direct from it to the board in the studio. For "live" I use the Genesis III ad my trusty old Nashville 400. I have a Goodrich LDR pedal I use a lot in the studio and sometimes "Live", but at the Opry I just use a standard Emmons pedal and plug straight into the amp provided there (Tommy White's Webb).
Dave
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Randy Reeves
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Jerry Hayes R.I.P.
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I haven't done much studio work since I left SoCal over twenty years ago but do gig quite a bit around the area so here's my live set up.......
Steel Guitar (BMI S-12) An old Ibanez two rack space analog delay unit which sounds fantastic. A BBE Sonic Maximizer, and a Goodrich MatchBox.
Lead Guitar.....I use a Boss ME-50 Multiple Effects unit and the built in Phaser in my MusicMan HD-150
JH in Va.
Steel Guitar (BMI S-12) An old Ibanez two rack space analog delay unit which sounds fantastic. A BBE Sonic Maximizer, and a Goodrich MatchBox.
Lead Guitar.....I use a Boss ME-50 Multiple Effects unit and the built in Phaser in my MusicMan HD-150
JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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Michael Douchette
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Studio: RV-3, Fender Deluxe 112 Plus amp.
Live (in order): SansAmp - Barber Direct Drive - volume pedal - RV-3 - Peavey Nashville 112
Live (in order): SansAmp - Barber Direct Drive - volume pedal - RV-3 - Peavey Nashville 112
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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Marlin Smoot
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Steel to} Steel Guitar Black Black Box to} Delay to}
Session 400.
I just picked up a new chorus pedal;
the Digitech CF-7. I'm going to try and work it in. It says it can reproduce 7 different chorus pedals including Fulltone, Voodoo etc; a real Swiss Army knife of chorus pedals.
It was only $100 ($149 list) so I'm going to keep my hopes low. Considering how little I'll use it I'm not going to worry about it sucking the tone away.
I was looking at a couple of $300+ chorus pedals and I may still go that way but for now this will be a great entry into seeing if it would be worth it. I think on a few of the ballads it will 'pretty' things up with the delay.
I feel quality effects like 24 bit processing won't hurt your tone too much and the less you have between the steel and amp the better. Of course quality cables really help too. I'm sure most who read this post already know that.
Session 400.
I just picked up a new chorus pedal;
the Digitech CF-7. I'm going to try and work it in. It says it can reproduce 7 different chorus pedals including Fulltone, Voodoo etc; a real Swiss Army knife of chorus pedals.
It was only $100 ($149 list) so I'm going to keep my hopes low. Considering how little I'll use it I'm not going to worry about it sucking the tone away.
I was looking at a couple of $300+ chorus pedals and I may still go that way but for now this will be a great entry into seeing if it would be worth it. I think on a few of the ballads it will 'pretty' things up with the delay.
I feel quality effects like 24 bit processing won't hurt your tone too much and the less you have between the steel and amp the better. Of course quality cables really help too. I'm sure most who read this post already know that.
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Tony Dingus
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Bill Miller
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Tony, the T.C. Electronic M350 has knobs and it's a great unit at a great price. I've had mine for about a year and it's really easy to use and the reverbs are first rate. It's a dual engine unit with a big selection of reverbs on one engine and then a bunch of other effects including several delay modes on the second engine. I just use reverb and a little delay. The unit runs through the parallel effects loop on my Revelation Tube Preamp.
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b0b
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If I'm using my Boogie combo amp, I usually put the Rotosphere in the effects loop. Sometimes I'll put the MXR AutoQ after the volume pedal, for a Wah effect.
If I'm using the POD XT (direct into the PA or recording console), I don't use any additional effects.
I also have a Mesa/Boogie rack rig that I play through now and then. It has a Lexicon MPX-100 in it. Sometimes I use the MXR AutoQ with that too.
All 3 of those rigs have built-in distortion, so I don't need a distortion effect box. Now and then I'll play a country gig with my Webb amp. I usually hook up a Real Tube distortion stompbox with the Webb, just in case they play a couple of rock tunes.
In my home studio I often play through a vintage Fender Princeton with a Holy Grail reverb.
Total effects arsenal:
I also use a Steel Guitar Black Box sometimes, but that's not really an effect, is it?
If I'm using the POD XT (direct into the PA or recording console), I don't use any additional effects.
I also have a Mesa/Boogie rack rig that I play through now and then. It has a Lexicon MPX-100 in it. Sometimes I use the MXR AutoQ with that too.
All 3 of those rigs have built-in distortion, so I don't need a distortion effect box. Now and then I'll play a country gig with my Webb amp. I usually hook up a Real Tube distortion stompbox with the Webb, just in case they play a couple of rock tunes.
In my home studio I often play through a vintage Fender Princeton with a Holy Grail reverb.
Total effects arsenal:
- H&K Rotosphere
- MXR AutoQ
- POD XT
- Lexicon MPX-100
- Real Tube distortion
- Holy Grail reverb
I also use a Steel Guitar Black Box sometimes, but that's not really an effect, is it?
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Dave Robbins
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Tony Dingus
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Steve Norman
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Stephen Silver
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Emmons to Steel Guitar Black Box to Hilton pedal to Boss DD6 (delay only)to Fender Steel King. George L cables all around, cut to perfect length. I use a Peterson StroboFlip hooked up to the tuner out of the Steel King.
If that doesn't work out for whomever I am playing with, then I am not the right person for the gig.
Eventually, I will probably get a Revelation and TC350.
SS
If that doesn't work out for whomever I am playing with, then I am not the right person for the gig.
Eventually, I will probably get a Revelation and TC350.
SS
Life is mostly Attitude and Timing
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b0b
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You can set it for either, but using it with an amp requires some special "dialing in". I don't usually use it with an amp.Steve Norman wrote:Bob, is the pod just for going into the PA or for recording, or are people using it as an effects processor into an amp?
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Don Sulesky
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Bob Snelgrove
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b0b
What is your Mesa rack setup?
I have an MPX-100 and can't figute put how to edit the patches LOL. Any help anywhere on that?
thx
bob
What is your Mesa rack setup?
I have an MPX-100 and can't figute put how to edit the patches LOL. Any help anywhere on that?
thx
bob
b0b wrote:If I'm using my Boogie combo amp, I usually put the Rotosphere in the effects loop. Sometimes I'll put the MXR AutoQ after the volume pedal, for a Wah effect.
If I'm using the POD XT (direct into the PA or recording console), I don't use any additional effects.
I also have a Mesa/Boogie rack rig that I play through now and then. It has a Lexicon MPX-100 in it. Sometimes I use the MXR AutoQ with that too.
All 3 of those rigs have built-in distortion, so I don't need a distortion effect box. Now and then I'll play a country gig with my Webb amp. I usually hook up a Real Tube distortion stompbox with the Webb, just in case they play a couple of rock tunes.
In my home studio I often play through a vintage Fender Princeton with a Holy Grail reverb.
Total effects arsenal:But not all at once!
- H&K Rotosphere
- MXR AutoQ
- POD XT
- Lexicon MPX-100
- Real Tube distortion
- Holy Grail reverb
I also use a Steel Guitar Black Box sometimes, but that's not really an effect, is it?
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b0b
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My Mesa rack is a Mesa V-Twin preamp (with footswitch), a Lexicon MPX-100 and a Mesa 20/20 power amp. I run it into a pair of 12" Tone Tubby hemp cone alnico speakers, in Boogie 1x12 boxes.Bob Snelgrove wrote:b0b
What is your Mesa rack setup?
I have an MPX-100 and can't figute put how to edit the patches LOL. Any help anywhere on that?
You really need the manual to program the MPX-100, as it has no display. I have my patches in the user bay, and I keep a cheat sheet handy. It's very easy to use on stage, but programming it is tricky.
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Bob Snelgrove
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thx, bob
I'll look for a manual.
bob
ps: do yo have any thoughts on my "mesa studio pre reverb hum" post? The folks at Mesa were clueless
I'll look for a manual.
bob
ps: do yo have any thoughts on my "mesa studio pre reverb hum" post? The folks at Mesa were clueless
b0b wrote:My Mesa rack is a Mesa V-Twin preamp (with footswitch), a Lexicon MPX-100 and a Mesa 20/20 power amp. I run it into a pair of 12" Tone Tubby hemp cone alnico speakers, in Boogie 1x12 boxes.Bob Snelgrove wrote:b0b
What is your Mesa rack setup?
I have an MPX-100 and can't figute put how to edit the patches LOL. Any help anywhere on that?
You really need the manual to program the MPX-100, as it has no display. I have my patches in the user bay, and I keep a cheat sheet handy. It's very easy to use on stage, but programming it is tricky.
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b0b
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Sorry, I've never used the Studio Preamp.Bob Snelgrove wrote: ps: do yo have any thoughts on my "mesa studio pre reverb hum" post? The folks at Mesa were clueless![]()
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Robert Dominick
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