Lazy River Baritone Weiss sound clip
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Ron Bednar
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Lazy River Baritone Weiss sound clip
Here's a clip of my good buddy and teacher, Pete Grant, playing a part of "Galway Boy" on the new Lazy River baritone Weiss today. It's an amazing guitar.
Crank up the speakers...best to stop and restart it for a smooth run thru.
http://www.dahothouse.com/music/bari.mp3
Crank up the speakers...best to stop and restart it for a smooth run thru.
http://www.dahothouse.com/music/bari.mp3
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Roy Thomson
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Phew...... That baby sure sounds huge! Congratulations Ron, now you can just start waiting for it to really open up,- if it works out anything like mine then you really have something to look forward to.
Now I've got to start saving money for the Lazy River alto-weissenborn I've been thinking of lately.........
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www.gregertsen.com
Now I've got to start saving money for the Lazy River alto-weissenborn I've been thinking of lately.........
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www.gregertsen.com
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Travis Bernhardt
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Ron Bednar
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Thanks for the comments guys!
I got a lot of practising to do is what this guitar has shown me in the last two days. But it's all fun and I'm having a great time with it and music in general. But I just have to say, Pete Grant has been a fantastic teacher and gives me plenty to shoot for. It's good, it's really good!
Ed - I'm still working on it...
Travis - I'm a big David Lindley fan!
Bill - Soon as yours gets there let me know, I'd like to talk off the forum about them in detail.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ron Bednar on 10 November 2004 at 08:06 PM.]</p></FONT>
I got a lot of practising to do is what this guitar has shown me in the last two days. But it's all fun and I'm having a great time with it and music in general. But I just have to say, Pete Grant has been a fantastic teacher and gives me plenty to shoot for. It's good, it's really good!
Ed - I'm still working on it...
Travis - I'm a big David Lindley fan!
Bill - Soon as yours gets there let me know, I'd like to talk off the forum about them in detail.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Ron Bednar on 10 November 2004 at 08:06 PM.]</p></FONT>
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Dan Sawyer
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Ron Bednar
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Dan - thanks, I think so too. It's tuned to open A , with the D shape, A E A C# E A. I was thinking of trying it up a bit but it sounds so good in A. One thing though, the 6th string is a little looser than the rest so I'm going to try a bit heavier gauge to bring up it's tension. It's really something getting down that low. After playing it exculsively for a couple days my reso feels and kinda sounds like a banjo. I better duck after saying that!
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Travis Bernhardt
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Oh yeah, I think you might have written that already in some previous thread... With the tuning you're using, I suggest learning Lindley's arrangement of "How can a Poor Man Face Such Times and Live?" It's got pretty much all of Lindley's open D shape techniques in one song. "Rag Bag" might be a little easier, though (except for the solo). The simplest Lindley tune to try (except for the intro) would be his version of "Play it All Night Long," which is in DADGAD (or, in your case, AEADEA).
If you tune it to an open C shape dropped down to G, I'd love to hear how "The Meatman" would sound on that guitar. That's another good song to learn. All these songs are great ones to learn if you want to learn to play solo on that thing.
Man, you're gonna have so much fun...
-Travis
If you tune it to an open C shape dropped down to G, I'd love to hear how "The Meatman" would sound on that guitar. That's another good song to learn. All these songs are great ones to learn if you want to learn to play solo on that thing.
Man, you're gonna have so much fun...
-Travis
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Ron Bednar
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Bill Blacklock
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Ron,
I was wondering how you’re making out with those big strings? With all that vibration is there a need to go to a larger bar. I’ve always played with a Stevens bar (old dobro player) but with the larger strings of a baritone should I be thinking about ordering something with a little more weight to it to keep the chatter down?
Bill
I was wondering how you’re making out with those big strings? With all that vibration is there a need to go to a larger bar. I’ve always played with a Stevens bar (old dobro player) but with the larger strings of a baritone should I be thinking about ordering something with a little more weight to it to keep the chatter down?
Bill
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Ron Bednar
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Bill - I think looking into a heavier bar might be a good idea. I am kind of stuck with what I have now, a custom bar built for me by Gary Swallows. I say stuck because I have nerve damage in my left hand and need the wood handle, with a leather ring to boot, just to hang onto it. I can't even hold a regular bar. Pete uses John Pearse cryo bars and they are heavier with a bullet nose, I'd recommend one of those. I'm going to see if I can adapt a handle to one for myself.
BTW, I'm stepping that bottom string up to an 85 or 86.
BTW, I'm stepping that bottom string up to an 85 or 86.
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Pete Grant
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Ron Bednar
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Pete Grant
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Great playing!