Jerry Garcia & Steel guitar
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Mike Goldring
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Jerry Garcia & Steel guitar
Jerry Garcia did play steel guitar, he plays the steel on some of the early Crosby Still Nash and Young songs, Helpless I know is one, maybe some others.
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Mike Goldring
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Mike Perlowin RIP
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ROBERT RAN... oh never mind.
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Perlowin on 13 July 2006 at 02:16 PM.]</p></FONT>
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Perlowin on 13 July 2006 at 02:16 PM.]</p></FONT>
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Ron Sodos
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I saw an interview with Jerry on TV years ago where he said he was giving up on steel because it was too hard and required too much of a committment that he was not ready to make. <font size="1" color="#8e236b"><p align="center">[This message was edited by Ron Sodos on 13 July 2006 at 11:55 AM.]</p></FONT>
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Here we go again... what a long, strange trip it's been!
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<font size=-1>My Site | My SteelTab</font>
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<font size=-1>My Site | My SteelTab</font>
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Ben Jones
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Ive heard he's not a bad six string player either.
Hey at least its not a flame fest thus far. Ive learned alot about Jerry since coming to this site. I have alot more respect for him and his music than I did when I first came here. I still dont care for the dead much , but to each their own and I can respect Jerry's contributions and skill as a musician.
Hey at least its not a flame fest thus far. Ive learned alot about Jerry since coming to this site. I have alot more respect for him and his music than I did when I first came here. I still dont care for the dead much , but to each their own and I can respect Jerry's contributions and skill as a musician.
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Cliff Kane
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I don't listen to him too much any more, and when I do listen to the first NRPS record (for example) his playing certainly doesn't blow me away, but I have respect for Jerry. I think Jerry had a lot of integrity as a musician, and he had a lot of musical interests that he pursued, and because of his fame he got to make a lot of records. I think he was probably conscious of helping out unknown bands that he liked by playing with them: how popular would The New Riders of the Purple Sage and Old and in the Way have been if Garcia had not been in those bands? Even if his playing is at a lower technical level than the really good players, the ideas and fun come across pretty well. Some of his playing sounds great to me, like the playing on "Workingman's Dead", and "The Wheel". People put down his steel playing, and people put down his six string playing, and I'm sure there are people who put down his banjo playing, and it's ususally because of his lack of technique, playing out of tuune, bad intonation, etc. Sometimes it seems like Jerry's a bit of a whipping boy for other steel players. What ever...I think that some folks have a certain asthectic, and they are not listening the way that other people listen. I'm not trying to compare the "okay" steel playing of Jerry Garcia with the genius of John Coltrane or Miles Davis, but a lot of critics bashed Coltrane and wrote him of as a hack because of his "terrible intonation" and his tendency to play sharp, and Miles used to fight with Gil Evans because Evans did not want takes with bad notes, but Miles felt that some bad notes were really secondary to the feel and statement of a musical take. Again, I know that "Teach Your Children" is no "Sketches of Spain", but I think dismissing Jerry because of technical or formal flaws doesn't do the man justice. I believe that for Jerry it was really about the music -- at least I think that is true of the projects he did outside of The Dead -- and he had a lot of respect for the steel guitar, so much so that he walked away from it as he knew that he couldn't master it while also being a full-time working six string player. (I can relate: right now my steel is standing in the corner mocking me). When people put Garcia down, I wonder why the same sort of ridicule is not brought forth for players like Ron Wood, Niles Lofgren, and Dan Lanois; all of these payers are six-stringer who also picked-up the steel along the way, and are not ashamed to play it to arenas full of people. No disrespect for those people, but IMHO, Garcia is a better steel player. I also think that Jerry was an unspoken ambassador for the pedal steel, as a lot of people who were not listing to country music became aware of the pedal steel through Garcia's music.
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Mike Perlowin RIP
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Cliff, speaking personally, I have no problem with Garcia's steel playing. My problem is with those who rank him as the world's greatest steel player, ranking him above Buddy, Lloyd, Paul Franklin and all the other greats.
This subject came up in a guitar forum, and I mentioned this, and got responses along the line of "If this guy Lloyd Green is so great, how come I never heard of him and why didn't CSNY use him instead?"
I won't even get into the names I was called for daring to suggest that Buddy Emmons is better.
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Perlowin on 14 July 2006 at 12:12 PM.]</p></FONT>
This subject came up in a guitar forum, and I mentioned this, and got responses along the line of "If this guy Lloyd Green is so great, how come I never heard of him and why didn't CSNY use him instead?"
I won't even get into the names I was called for daring to suggest that Buddy Emmons is better.
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Warning: I have a telecaster and I'm not afraid to use it.
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My web site
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Perlowin on 14 July 2006 at 12:12 PM.]</p></FONT>
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Cliff Kane
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Yes, those guys, and scores of other players, are in a whole other league. I think Garcia had a lot of humble admiration for the great players, and he had no illusions about his limitaions. The arguments that he's better than those guys because he was used by CSNY is like like saying that Kenny G is a better sax player than Michael Brecker because he's played on the radio more often, or fast food is the best cuisine because it's the most consumed. <font size="1" color="#8e236b"><p align="center">[This message was edited by Cliff Kane on 14 July 2006 at 12:40 PM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Cliff Kane on 14 July 2006 at 12:41 PM.]</p></FONT>
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Bill McCloskey
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Garcia was a true musician - lived and breathed music. Did great acoustic work and great eletric work. What other rock musican had an equally good career in acoustic, rock, and bluegrass. He even did a children's album. His work with Grisman was wonderful and he created a wonderful steel guitar lick. And a good artist. Was beloved. He generated the kind of loyal fan base that you don't see outside of country music.
He had demons. He eventually overcame them. he died. May he rest in peace. Few had his career and accomplishments.
He had demons. He eventually overcame them. he died. May he rest in peace. Few had his career and accomplishments.
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Bill McCloskey
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"My problem is with those who rank him as the world's greatest steel player"
I think this speaks more for how much his fans loved him than any thing else. If you had tried telling fans of Maria Callas or Frank Sinatra that they're heros couldn't sing anymore at the end of their careers, you would have been crucified.
I think this speaks more for how much his fans loved him than any thing else. If you had tried telling fans of Maria Callas or Frank Sinatra that they're heros couldn't sing anymore at the end of their careers, you would have been crucified.
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Bill Hatcher
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Well said Bill Mc.
He gets a bum rap here too often just because he happened to enjoy the pedal steel guitar and knew a few licks on it and played it on his friends record that sold a zillion copies.
Was he a great steel player---the record sold a zillion copies.
Is he the greatest steel player----the record sold a zillion copies.
Should he be afforded the same respect that Emmons and Green and Franklin and the other players who played on hits that sold a zillion copies--the record he played on also sold a zillion copies.
He's dead. Let him rest in peace.
He gets a bum rap here too often just because he happened to enjoy the pedal steel guitar and knew a few licks on it and played it on his friends record that sold a zillion copies.
Was he a great steel player---the record sold a zillion copies.
Is he the greatest steel player----the record sold a zillion copies.
Should he be afforded the same respect that Emmons and Green and Franklin and the other players who played on hits that sold a zillion copies--the record he played on also sold a zillion copies.
He's dead. Let him rest in peace.
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Jim Cohen
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Ron Whitfield
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...still churnning...
After 30+ years of running away from the Dead, this year I've been focusing on them and particularly Jerry, whom I've enjoyed since the JGB finally came to the islands about a decade ago and gave us some great music.
What a stunning group the Dead were, at times. I've acquired shows that have them playing as well/enjoyable as anybody you can name. Of course, anyone that plays on the edge each time out is going to have ups and downs, but gawd, when it's happening...!
It seems tho, that his best steel playing was in the studio where he had the luxury of working out ideas to his satisfaction and getting takes he liked.
Counterpoint; I've been seeking out his live steel playing, and he did a lot with the NRPS. On the snapshot examples that are being offered weekly on www.wolfgangsvault.com he certainly was not a steeler that would have gotten the gig had he not been Jerry Garcia. Good ideas, but the execution is constantly flawed and actually hurts the music, which wasn't that good to start with. Then again, maybe he played to the level of the music.
That said, I'm a big JG/Dead fan now.
He also sed that always switching from steel to guitar and back messed with his hands too much.
After 30+ years of running away from the Dead, this year I've been focusing on them and particularly Jerry, whom I've enjoyed since the JGB finally came to the islands about a decade ago and gave us some great music.
What a stunning group the Dead were, at times. I've acquired shows that have them playing as well/enjoyable as anybody you can name. Of course, anyone that plays on the edge each time out is going to have ups and downs, but gawd, when it's happening...!
It seems tho, that his best steel playing was in the studio where he had the luxury of working out ideas to his satisfaction and getting takes he liked.
Counterpoint; I've been seeking out his live steel playing, and he did a lot with the NRPS. On the snapshot examples that are being offered weekly on www.wolfgangsvault.com he certainly was not a steeler that would have gotten the gig had he not been Jerry Garcia. Good ideas, but the execution is constantly flawed and actually hurts the music, which wasn't that good to start with. Then again, maybe he played to the level of the music.
That said, I'm a big JG/Dead fan now.
He also sed that always switching from steel to guitar and back messed with his hands too much.
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David L. Donald
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I listened to Workingmans dead 3 times
while driving to Malaysia this week.
I really like his steel on the studio version of
Dire Wolf (Don't Murder Me).
Not so much the live one, but he is singing there live too.
His guitar playing reminds me of
Clarence White, on Sweetheart of the Rodeo.
His steel playing only sounds like himself, to me...
He loved the steel,
let the nitwits believe what they want,
vis a vis being best in the world.
They likely haven't heard the better players.
He loved the steel,
and played what he could when he could.
And his playing made some good records better.
What more needs be said.<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 20 July 2006 at 04:51 AM.]</p></FONT>
while driving to Malaysia this week.
I really like his steel on the studio version of
Dire Wolf (Don't Murder Me).
Not so much the live one, but he is singing there live too.
His guitar playing reminds me of
Clarence White, on Sweetheart of the Rodeo.
His steel playing only sounds like himself, to me...
He loved the steel,
let the nitwits believe what they want,
vis a vis being best in the world.
They likely haven't heard the better players.
He loved the steel,
and played what he could when he could.
And his playing made some good records better.
What more needs be said.<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 20 July 2006 at 04:51 AM.]</p></FONT>





