PLEASE HELP. I want to sound like a steel player
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Todd Pertll
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PLEASE HELP. I want to sound like a steel player
I am somewhat new to pedal steel and want to make sure I learn correctly. So, I would appreciate it if some of the more experienced players on this forum would tell me exactly what a pedal steel sounds like. I don't want to make the same mistakes this Robert Randolph character has made.
So, please let me know exactly what licks are acceptable, what tones are acceptable, and what tunings and pedal configurations are acceptable.
I won't play a note until you guys tell me what to do. Please hurry before my own creativity kicks in and I do something innovative.
thanks,
Todd
So, please let me know exactly what licks are acceptable, what tones are acceptable, and what tunings and pedal configurations are acceptable.
I won't play a note until you guys tell me what to do. Please hurry before my own creativity kicks in and I do something innovative.
thanks,
Todd
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Bob Storti
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Larry Bell
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Just learn to p*ss and moan a lot and you'll be 2/3 of the way there<SMALL>I want to sound like a steel player</SMALL>

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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
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Joey Ace
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I suspect this is another one of thse "negitive posts", where some well meaning members will take the time to provide thoughtful answers, only to be told later it was just "Flame Bait".
Eventually sincere requests for help will go unanswered, due to the "Boy Who Cried Wolf" syndrome.
It saddens me to watch this happen to this Forum.
Eventually sincere requests for help will go unanswered, due to the "Boy Who Cried Wolf" syndrome.
It saddens me to watch this happen to this Forum.
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Jerry Overstreet
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Jim, IF your assumption is indeed correct then you would be right IMO. I would be considered one of the experienced players and take no offense myself and, like Tony, found it to be rather tongue in cheek. However, I would be the last person to intentionally contribute to any negative content that would cause division among the ranks.
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Todd Pertll
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Hindsight being 20/20 I shouldn't have started this thread. Not because of my content, but because I may have started that which I hate the most:
A "Robert Randolph: good for steel or bad for steel" thread.
Some people have the view that he is using the instrument incorrectly or not using it to its full potential. I got frustrated reading other forum members' opinions on a different thread and fired off this thread.
Bob, feel free to close this subject if you think it has the potential of turning into another RR discussion. There are already 2 other threads open with similar content.
Todd Pertll
A "Robert Randolph: good for steel or bad for steel" thread.
Some people have the view that he is using the instrument incorrectly or not using it to its full potential. I got frustrated reading other forum members' opinions on a different thread and fired off this thread.
Bob, feel free to close this subject if you think it has the potential of turning into another RR discussion. There are already 2 other threads open with similar content.
Todd Pertll
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Les Anderson
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The best thing to do to get that piece of board with all the wires on it to sound like a steel guitar is to slide every note change you can possibly slide on.
Once you have learned to make that thing howel like a runover cat, begin to back off one slide at a time. Eventually, you will notice that people are not looking at you with that pained, contorted face expression.
In time, and after eliminating about 50% of your slides, you will begin to notice that you are being ignored as though you weren't even there.
You will then be close to becoming a steel player.
Oh yes, you will also get the feeling that everyone else is playing too loud and is drowning you out.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Les Anderson on 11 February 2005 at 09:59 AM.]</p></FONT>
Once you have learned to make that thing howel like a runover cat, begin to back off one slide at a time. Eventually, you will notice that people are not looking at you with that pained, contorted face expression.
In time, and after eliminating about 50% of your slides, you will begin to notice that you are being ignored as though you weren't even there.
You will then be close to becoming a steel player.
Oh yes, you will also get the feeling that everyone else is playing too loud and is drowning you out.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Les Anderson on 11 February 2005 at 09:59 AM.]</p></FONT>
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Greg Simmons
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Todd;
First and foremost, always remember to utilize a thumbpick and fingerpicks; do not be misled by such "players" as Daniel Lanois, Kim Deschamps et al- irregardless of the fact that they both have appeared on numerous major label recordings and national television appearances.
Recent case in point, Daniel Lanois was recently featured on a prime time coast-to-coast television broadcast (Canada for Asia Tsunami Relief) here in Canada doing a solo piece on his Sho-Bud LDG; too bad he squandered this opportunity to showcase the instrument by not wearing fingerpicks...
oh yeah,
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<size=-1><I>I always knew that there was something out there that I needed to get to.
And it wasn't where I was at that particular moment."</I>
-Bob Dylan
</size>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Greg Simmons on 11 February 2005 at 10:31 AM.]</p></FONT>
First and foremost, always remember to utilize a thumbpick and fingerpicks; do not be misled by such "players" as Daniel Lanois, Kim Deschamps et al- irregardless of the fact that they both have appeared on numerous major label recordings and national television appearances.
Recent case in point, Daniel Lanois was recently featured on a prime time coast-to-coast television broadcast (Canada for Asia Tsunami Relief) here in Canada doing a solo piece on his Sho-Bud LDG; too bad he squandered this opportunity to showcase the instrument by not wearing fingerpicks...
oh yeah,

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<size=-1><I>I always knew that there was something out there that I needed to get to.
And it wasn't where I was at that particular moment."</I>
-Bob Dylan
</size>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Greg Simmons on 11 February 2005 at 10:31 AM.]</p></FONT>
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Joe Miraglia
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Michael Holland
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There are some of us old-timers, Todd, who have lived through the golden age of steel guitar. The traditional styles and sounds of the instrument are what attracted us and we continue to enjoy that. In another ten or twenty years we'll all be gone and our music will be just nostalgia.
Fast forward to 2022:
Your 2:30 Tuesday first-year student comes in and says, "I heard this old CD by (traditional steel stylist). It was pretty, but I want to make it sound like hyeinas rippin' the ass out of a buffalo". That's progress!
Fast forward to 2022:
Your 2:30 Tuesday first-year student comes in and says, "I heard this old CD by (traditional steel stylist). It was pretty, but I want to make it sound like hyeinas rippin' the ass out of a buffalo". That's progress!

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Ron Randall
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Todd,
I assume your request is sincere.
The best and qickest way is lessons from someone. You are amongst a bunch of steelers, and teachers. The Dallas show in March. Watch listen, and shop around. You will see the equipment, that these folks can use to make those sounds. And you can get plenty of advice from the players on the show.
Reece Anderson is the best teacher and he is right here in the metroplex. He teaches raw beginners, and big name pros. Contact him thru MSA website.
Ron
I assume your request is sincere.
The best and qickest way is lessons from someone. You are amongst a bunch of steelers, and teachers. The Dallas show in March. Watch listen, and shop around. You will see the equipment, that these folks can use to make those sounds. And you can get plenty of advice from the players on the show.
Reece Anderson is the best teacher and he is right here in the metroplex. He teaches raw beginners, and big name pros. Contact him thru MSA website.
Ron
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