Must do mods for a Hot Rod Deluxe or Deville !
Moderator: Dave Mudgett
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
Must do mods for a Hot Rod Deluxe or Deville !
The overwhelming bass in these amps is a huge issue. For a long time I thought it was the choice of speaker! Not at all, it was the departure from the traditional values used in the tone stack. I checked the mods before hand on the Duncan Tone Stack calculator and could see the difference was going to be very significant.
I did the following to a Hot Rod Deluxe and the results were astounding! Sounds like an old Blackface era amp to my ear now. No more boomy bass!!!
1- "changing the bass cap (C5) to .022uF, changing the treble cap (C7) to 500pF, silver mica, and changing the slope resistor (R12) from 130K to 56K."
2- "The Mid control on this amp is a 25kA pot. (“A” stands for audio taper). Thus, the stock circuit in this amp puts 25,000 ohms at all times between the bottom of the bass control and ground. On vintage Fenders without a mid control, the resistor in its place was usually only 6.8k. On models with a mid control, such as the Twin Reverb, the pot was only 10k, so even with the mid turned up all the way, it didn’t have the same low-end response as the stock circuit in this HR Deluxe. The larger the value of this midrange resistor, the more bass and low-mid the amp has, regardless of the setting of the bass control.
Have you ever seen a “Loudness” switch on an older stereo? The Loudness circuit boosts the bass and treble and is intended for low-volume situations to compensate for the fact that the human ear hears midrange frequencies (where most speech resides) more acutely at low levels than deep lows or high trebles. As volume increases, this effect reduces. If you play a stereo at high volume with the Loudness switch engaged, it can sound flabby because the bass frequencies are now over-amplified for our ears. This is precisely what’s happening with this Fender HR Deluxe. It sounds great at low levels, but the bass overwhelms the tone at higher volumes.
Justin's comments: Instead of using wire I took a small piece of solder and melted it into place. This creates a very unobtrusive jumper that's easy to remove. Be sure to test your jumper with an ohm meter to make sure it passes current.
Fixing this takes very little effort:
Follow steps 1 and 2 above. Solder a jumper between the left and middle terminals of the mid control (when facing the amp from the rear, as you would be when working on it). That’s it. You can now reverse steps 1 and 2 and try it out. If you did it right, you should now be able to turn your volume down to 0 by turning all of your tone controls to 0. More importantly, you can now dial in just the right amount of low end with the mid and Bass controls. Remember, they’re interactive. The higher you set the mid control, the more bass you will get."
link to web site: http://studentweb.eku.edu/justin_holton/jvmods.html#bass
Other changes I ahve made to many of these amps is to replace teh input jacks with Switchcraft shorting jacks, the real deal!
Also the false channel switching is these amps is due to overheating of resistors in the + and - 16 volts supplies. The resistor change out and jacks mods can be fopund onthe same website.<font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 03 December 2006 at 08:57 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 03 December 2006 at 08:58 AM.]</p></FONT>
I did the following to a Hot Rod Deluxe and the results were astounding! Sounds like an old Blackface era amp to my ear now. No more boomy bass!!!
1- "changing the bass cap (C5) to .022uF, changing the treble cap (C7) to 500pF, silver mica, and changing the slope resistor (R12) from 130K to 56K."
2- "The Mid control on this amp is a 25kA pot. (“A” stands for audio taper). Thus, the stock circuit in this amp puts 25,000 ohms at all times between the bottom of the bass control and ground. On vintage Fenders without a mid control, the resistor in its place was usually only 6.8k. On models with a mid control, such as the Twin Reverb, the pot was only 10k, so even with the mid turned up all the way, it didn’t have the same low-end response as the stock circuit in this HR Deluxe. The larger the value of this midrange resistor, the more bass and low-mid the amp has, regardless of the setting of the bass control.
Have you ever seen a “Loudness” switch on an older stereo? The Loudness circuit boosts the bass and treble and is intended for low-volume situations to compensate for the fact that the human ear hears midrange frequencies (where most speech resides) more acutely at low levels than deep lows or high trebles. As volume increases, this effect reduces. If you play a stereo at high volume with the Loudness switch engaged, it can sound flabby because the bass frequencies are now over-amplified for our ears. This is precisely what’s happening with this Fender HR Deluxe. It sounds great at low levels, but the bass overwhelms the tone at higher volumes.
Justin's comments: Instead of using wire I took a small piece of solder and melted it into place. This creates a very unobtrusive jumper that's easy to remove. Be sure to test your jumper with an ohm meter to make sure it passes current.
Fixing this takes very little effort:
Follow steps 1 and 2 above. Solder a jumper between the left and middle terminals of the mid control (when facing the amp from the rear, as you would be when working on it). That’s it. You can now reverse steps 1 and 2 and try it out. If you did it right, you should now be able to turn your volume down to 0 by turning all of your tone controls to 0. More importantly, you can now dial in just the right amount of low end with the mid and Bass controls. Remember, they’re interactive. The higher you set the mid control, the more bass you will get."
link to web site: http://studentweb.eku.edu/justin_holton/jvmods.html#bass
Other changes I ahve made to many of these amps is to replace teh input jacks with Switchcraft shorting jacks, the real deal!
Also the false channel switching is these amps is due to overheating of resistors in the + and - 16 volts supplies. The resistor change out and jacks mods can be fopund onthe same website.<font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 03 December 2006 at 08:57 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 03 December 2006 at 08:58 AM.]</p></FONT>
-
Ron Randall
- Posts: 2179
- Joined: 13 Jan 2002 1:01 am
- Location: Dallas, Texas, USA
- State/Province: Texas
- Country: United States
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
-
Michael Johnstone
- Posts: 3863
- Joined: 29 Oct 1998 1:01 am
- Location: Sylmar,Ca. USA
- State/Province: -
- Country: United States
Another great mod which I had done to my Blues DeVille is to replace the power tubes with 6550s. Of course then you have transformer issues which in my case were resolved by adding a second small transformer - just to heat the power tubes.Now I have headroom for days.Another useful mod is to have adjustable bias instead of fixed. The really slick way to do it is to be able to bias each tube independently so the power tubes don't have to match. Bob Metzger did the mods BTW.
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
I agree, the adjustable bias is a great idea on the older Blues Deluxe and Deville. Fortunately they changed that on the Hot Rod Series to an adjustable bias.
The Deville series has a lot more headroom, even though it is a 2-6L6GC amp. They ran the plate voltages hotter to get more power. A good choice if you need less distortion/early break-up in the sound.
The Deville series has a lot more headroom, even though it is a 2-6L6GC amp. They ran the plate voltages hotter to get more power. A good choice if you need less distortion/early break-up in the sound.
-
Papa Joe Pollick
- Posts: 1968
- Joined: 4 Mar 2005 1:01 am
- Location: Swanton, Ohio
- State/Province: Ohio
- Country: United States
-
Michael Brebes
- Posts: 1281
- Joined: 4 Aug 1998 11:00 pm
- Location: Northridge CA
- State/Province: -
- Country: United States
Most pots I've seen, the A is linear taper and B is log taper. I have a linear pot in mine. The tone stack values are more in line with the Fender Tweed era values. It really comes down to what your preference is. With the Mid pot, it just means that the range 1-5 of 12 is the same as the Blackface values. I actually like the option of more bass. The original speaker on my Blues Deluxe was a dog and the amp sounded much better with an EV12L or Celestion V30. Also put Winged C EL34's in and changed the bias, which brought the amp to life.
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
-
Mitch Druckman
- Posts: 655
- Joined: 14 Aug 2005 12:01 am
- Location: Arizona, USA
- State/Province: Arizona
- Country: United States
I'd love to hear from someone who has performed the mod on a Blues Deluxe.
I can't help but wonder if it would be the same kind of improvement as on a Hot Rod. I haven't experienced the heavy bass on my Blues Deluxe like I have on a Hot Rod Deluxe or Deville. I'd be afraid that it might thin out the tone of the Blues Deluxe even more than it already is.
I can't help but wonder if it would be the same kind of improvement as on a Hot Rod. I haven't experienced the heavy bass on my Blues Deluxe like I have on a Hot Rod Deluxe or Deville. I'd be afraid that it might thin out the tone of the Blues Deluxe even more than it already is.
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
I had a Blues Deluxe and found the tone very bassey. If yours is not I suspect you have Chinese preamp tubes! They take bass out in big bites!
The tone stack in the Blue Deluxe is identical to theh Hot Rod with exception that the slope reisitor is 100K (conventional Fender) not 125K.
The mid pot is the still a 25K. Traditional Fender tone stack was 10K. The mod makes it a 12.5 K.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 04 December 2006 at 04:55 PM.]</p></FONT>
The tone stack in the Blue Deluxe is identical to theh Hot Rod with exception that the slope reisitor is 100K (conventional Fender) not 125K.
The mid pot is the still a 25K. Traditional Fender tone stack was 10K. The mod makes it a 12.5 K.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Ken Fox on 04 December 2006 at 04:55 PM.]</p></FONT>
-
Michael Brebes
- Posts: 1281
- Joined: 4 Aug 1998 11:00 pm
- Location: Northridge CA
- State/Province: -
- Country: United States
-
Al Moss
- Posts: 485
- Joined: 22 May 2000 12:01 am
- Location: Kent,OH,USA
- State/Province: -
- Country: United States
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
-
Al Moss
- Posts: 485
- Joined: 22 May 2000 12:01 am
- Location: Kent,OH,USA
- State/Province: -
- Country: United States
-read with interest through the HR Deluxe/Deville site. There's a reverb mod on there that looks very useful also. Clips a low volume/high end boost from the reverb circuit. The sound of the reverb has always seemed "chirpy" to me, especially at low volume or practice levels. Maybe this is why. http://studentweb.eku.edu/justin_holton/reverb.html#dallman
-
Ken Fox
- Posts: 9760
- Joined: 20 Apr 2001 12:01 am
- Location: Nashville GA USA
- State/Province: -
- Country: United States
-
Al Moss
- Posts: 485
- Joined: 22 May 2000 12:01 am
- Location: Kent,OH,USA
- State/Province: -
- Country: United States
Ken,
Were the mods that you've done, installed on a Deluxe or a Deville? ...and... does it make any difference anyway? I have my Deville in the shop at the moment for a checkup on the bias and I'm going to have the reverb mod done to it also. So, I was thinking that while it was there it might be a nice time to do the mid shift mod too. Any thoughts?
Were the mods that you've done, installed on a Deluxe or a Deville? ...and... does it make any difference anyway? I have my Deville in the shop at the moment for a checkup on the bias and I'm going to have the reverb mod done to it also. So, I was thinking that while it was there it might be a nice time to do the mid shift mod too. Any thoughts?