Sustain, delay or reverb?
Moderator: Dave Mudgett
-
Aaron Youngberg
- Posts: 35
- Joined: 10 Jun 2005 12:01 am
- Location: Colorado, USA
- State/Province: Colorado
- Country: United States
Sustain, delay or reverb?
I'm think about adding sustain or delay to my set-up and I wanted to hear peoples input about it. I'm going for the warm deep tone with sustain that'll last and sound natural. I play through a Fender Steel King amp and I've tried a Maxon AD900 analog delay pedal used with only a slight amount of delay and I thought it sounded pretty good. Any suggestions on other products? Thank you,
Aaron
Aaron
-
Nic du Toit
- Posts: 1626
- Joined: 20 Feb 2000 1:01 am
- Location: Milnerton, Cape, South Africa
- State/Province: -
- Country: United States
Hi Aaron,
That 'deep, warm tone' you get only in your bedroom! True! For stage work, with a group, you need to cut some of the lows. Adding 'sustain' is not a good idea. Your technique is the answer there. Very little digital reverb, with an echo of about 400ms, (soft repeat) should do it. It's all trial and error.
------------------
<img align=left src="http://home.telkomsa.net/peterden/al%20saut/images/nightmarefront85.jpg" border="0"><img align=left src="http://home.telkomsa.net/peterden/al%20saut/images/smokinfront85.jpg" border="0"><FONT face="arial" SIZE=3 COLOR="#003388">Nic du Toit</font>
<B><I><font face="arial" size=1>1970 Rosewood P/P Emmons D10 Fatback 8x4
Peavey Session 500 unmodfied
Click for "Nightmare on Emmons Steel" CD
Click for "Steel Smokin'" CD
Click Veruschka's CD "Don't Dream it's Over"</font></I></B>
<font face="arial" size=1><A class=db href="mailto:alsaut@absamail.co.za?subject=Forum Reply">Click here to E-mail us.</font></A>
That 'deep, warm tone' you get only in your bedroom! True! For stage work, with a group, you need to cut some of the lows. Adding 'sustain' is not a good idea. Your technique is the answer there. Very little digital reverb, with an echo of about 400ms, (soft repeat) should do it. It's all trial and error.
------------------
<img align=left src="http://home.telkomsa.net/peterden/al%20saut/images/nightmarefront85.jpg" border="0"><img align=left src="http://home.telkomsa.net/peterden/al%20saut/images/smokinfront85.jpg" border="0"><FONT face="arial" SIZE=3 COLOR="#003388">Nic du Toit</font>
<B><I><font face="arial" size=1>1970 Rosewood P/P Emmons D10 Fatback 8x4
Peavey Session 500 unmodfied
Click for "Nightmare on Emmons Steel" CD
Click for "Steel Smokin'" CD
Click Veruschka's CD "Don't Dream it's Over"</font></I></B>
<font face="arial" size=1><A class=db href="mailto:alsaut@absamail.co.za?subject=Forum Reply">Click here to E-mail us.</font></A>
-
Rick Nicklas
- Posts: 963
- Joined: 14 Nov 1998 1:01 am
- Location: Verona, Mo. (deceased)
- State/Province: -
- Country: United States
Aaron... You should add 1/2 tsp of delay, just a pinch of reverb and slowly mix with your sustain. This makes a perfect side dish with anything the band has prepared for the audience. The younger crowd also seem to like a few shakes of distortion folded in and bring to a boil once in a while....Bam Bam Bam.
------------------
Rick
Kline U-12, Session 500, Goodrich L-10k
------------------
Rick
Kline U-12, Session 500, Goodrich L-10k
-
Tony Prior
- Posts: 14718
- Joined: 17 Oct 2001 12:01 am
- Location: Charlotte NC
- State/Province: -
- Country: United States
for certain playing at home ..without the band ..is a tru grit way have bringing the tone you have "HOME"..
Now, the bandstand ? Thats a whole new deal..Start with your home settings and work from there.
I use a tad or reverb, less lows as Nic mentions and 290 ms of slight delay , no repeats, mix at somewhere around 45 %...
for me this works...
I get my fullness ( not food ) from two amps, both fed from the Stereo out's of the Profex...Stereo Delay is sort of make believe Stereo..it sounds pretty good...Delay working across the two amps...kinda like a pair of HUGE Headphones !
I use two REAL amps, not two 112's..
Just kidding..thought I would just stir things up a bit...112's are great amps...
Session 400 and Nashville 400...
strength and clarity beyond expectations..
Add the Delay, you won't be sorry..
------------------
<font face="Verdana, Arial, Helvetica" size="3">------------------
TPrior
TPrior Steel Guitar Homesite
</font></font>
Now, the bandstand ? Thats a whole new deal..Start with your home settings and work from there.
I use a tad or reverb, less lows as Nic mentions and 290 ms of slight delay , no repeats, mix at somewhere around 45 %...
for me this works...
I get my fullness ( not food ) from two amps, both fed from the Stereo out's of the Profex...Stereo Delay is sort of make believe Stereo..it sounds pretty good...Delay working across the two amps...kinda like a pair of HUGE Headphones !
I use two REAL amps, not two 112's..
Just kidding..thought I would just stir things up a bit...112's are great amps...
Session 400 and Nashville 400...
strength and clarity beyond expectations..
Add the Delay, you won't be sorry..
------------------
<font face="Verdana, Arial, Helvetica" size="3">------------------
TPrior
TPrior Steel Guitar Homesite
</font></font>
-
Andy Sandoval
- Posts: 5176
- Joined: 22 Jul 2004 12:01 am
- Location: Bakersfield, California, USA
- State/Province: California
- Country: United States
-
Jack Stoner
- Posts: 22147
- Joined: 3 Dec 1999 1:01 am
- Location: Kansas City, MO
- State/Province: Kansas
- Country: United States
-
Emmett Clough
- Posts: 27
- Joined: 26 Aug 2002 12:01 am
- Location: Arkansas, USA
- State/Province: Kansas
- Country: United States
-
Lee Baucum
- Posts: 10859
- Joined: 11 Apr 1999 12:01 am
- Location: McAllen, Texas (Extreme South) The Final Frontier
- State/Province: Texas
- Country: United States
Aaron - The Fender Steel King has a wonderful reverb unit and will give you as long a reverb tail as you would ever want. On the bandstand I set the reverb at about 9 o'clock and add just a touch of delay, in the 200ms to 300ms range. The delay is real subtle.
------------------
Lee, from South Texas
Down On The Rio Grande
Mullen U-12, Evans FET-500, Fender Steel King
------------------
Lee, from South Texas
Down On The Rio Grande
Mullen U-12, Evans FET-500, Fender Steel King
-
Aaron Youngberg
- Posts: 35
- Joined: 10 Jun 2005 12:01 am
- Location: Colorado, USA
- State/Province: Colorado
- Country: United States
-
Michael Garnett
- Posts: 972
- Joined: 21 Feb 2001 1:01 am
- Location: Seattle, WA
- State/Province: Washington
- Country: United States
Aaron, that's a very subjective "Ears" question. Analog _should_ sound warmer and more authentic than digital. However, I have been playing through the Line6 DD-4 Delay modeler, and I can't believe how well it reproduces some really high-end tube, tape, and analog delays. I'm with the other guys, quick delay setting, fast decay, and some spring reverb makes for a really nice tone. The delay, even if it is just a few hundred milliseconds, really makes your instrument jump out in the mix.
-MG
-MG
