Oddball" amps.. anyone use one??
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Bob Carlucci
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Oddball" amps.. anyone use one??
Just wondering.. most steel guys use a Peavey, maybe an Evans or Webb, some Fender guys, Standell, etc... I wonder how many guys regularly use something REALLY out of the ordinary.. some oddball you found at a garage sale that makes your steel sing loud and sweet..anyone?? bob<font size="1" color="#8e236b"><p align="center">[This message was edited by Bob Carlucci on 05 May 2005 at 08:12 AM.]</p></FONT>
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Jack Stoner
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I'm using a Rocktron "Sidewinder" rack preamp in my rack system. The Rocktron's are not associated with steel guitar amps but it works good.
I bought it dirt cheap (they are all used, as it's been discontinued for quite a while) as an interim preamp but after using it and getting it set, the interim changed to permanent.
I bought it dirt cheap (they are all used, as it's been discontinued for quite a while) as an interim preamp but after using it and getting it set, the interim changed to permanent.
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Kiyoshi Osawa
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David Doggett
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I got a bargain on a Music Man 112. I am amazed at this compact, light 100 watt amp. It has a solid state pre and 6L6GC tube power amp. It has all the low end you could ever want for steel, and the mids are so scooped I have to dial them up. It doesn't quite have the tone of my Fender all-tube amps, but it is the next best thing, and much smaller and lighter. Someday I'd like to compare it face-to-face with a NV112.
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Mark Ardito
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A guy I used to work with had a "Wabash Deluxe" amp. It was a single 12" amp from the Wabash Company in Chicago. It was manufactured in the early 60's. The thing only had a volume, tone and tremelo knobs on it. I played lapsteel through it for a couple of sessions. It was one of the SWEETEST amps I have ever played through. I have search for a very long time on getting my hands on another one of these Wabash Amps, but can't find them. I have found that they were intended for Accordian use. I have offered tons of $$ to this former co-worker for the amp and he won't sell it. He likes it also...
Mark
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Sho~Bud Pro I, Fender D-8 (C6&E13) http://www.darkmagneto.com
http://www.arditotech.com
Mark
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Sho~Bud Pro I, Fender D-8 (C6&E13) http://www.darkmagneto.com
http://www.arditotech.com
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Jerry Gleason
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I'm currently using an Acoustic Image Clarus amp head with my steel cabinets. I guess that's pretty unusual in the steel guitar community. The amp is the size of a cigar box, weighs only six pounds, puts out an honest 200 watts into a 4 ohm load (300W @ 2 ohms), and has a nice digital reverb built in. Hard to beat if weight and portability are a priority.
I bought it to use for jazz guitar with a Raezor's Edge Stealth 10 cabinet, which sounds great, but I'm finding a lot of other uses for it with the appropriate speaker cabinets for bass and steel guitar, too.
I bought it to use for jazz guitar with a Raezor's Edge Stealth 10 cabinet, which sounds great, but I'm finding a lot of other uses for it with the appropriate speaker cabinets for bass and steel guitar, too.
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Paul Arntson
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Glendon Powell
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HAHAHA..Do not think Iam crazy. I use a Vintage SEARS SILVERTONE Tube 1483 Guitar Amplifier Amp.and a digitech reverb. Beleive it or not it got a the tone.I fell off my chair when I first heard it. planning to get a Nashville 112 soon
I seen a Vintage SEARS SILVERTONE Tube 1483 Guitar Amplifier Amp on ebay. it going for $300 bucks Thats a shock to me too.. Here the link for it http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=10171&item=7320600328&rd=1
I paid 25 buck for mine
I seen a Vintage SEARS SILVERTONE Tube 1483 Guitar Amplifier Amp on ebay. it going for $300 bucks Thats a shock to me too.. Here the link for it http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&category=10171&item=7320600328&rd=1
I paid 25 buck for mine
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jim milewski
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Keith Cordell
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Those Silvertone amps have shot up in value since Jack White got famous. He has never used anything else to my knowledge. And he used it on Loretta's album, too...
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Sierra S8, Gibson GA30RVT, Peavey Delta Blues, Regal Dobro heavily modified, Teese RMC2 Wah, Proco Rat, pyrex and bakelite bars
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Sierra S8, Gibson GA30RVT, Peavey Delta Blues, Regal Dobro heavily modified, Teese RMC2 Wah, Proco Rat, pyrex and bakelite bars
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Lee Baucum
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Ron Whitfield
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60s era Magnatone M10 C, one of the all time great amps. Ask Jimmy Bryant.
50s Gibson Stereo, extraterestrial.
Magnatone MP5, w/Voice of the Theater cabs and JBL 130s!!!
Lectrolab, same as BB Kings home amp, sez it's his favorite distortion.
Crate Vintage Club 60/6212, get one.
Micro Cube, anything, any where, any time.
50s Gibson Stereo, extraterestrial.
Magnatone MP5, w/Voice of the Theater cabs and JBL 130s!!!
Lectrolab, same as BB Kings home amp, sez it's his favorite distortion.
Crate Vintage Club 60/6212, get one.
Micro Cube, anything, any where, any time.
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Bill Llewellyn
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I use a Roland Jazz Chorus 50 (one 12" speaker) that can be seen to Al Vescovo's right (with my Lexicon MPX-100 strapped on top of it) in this photo from the recent San Jose jam:
http://www.rahul.net/thinker/steeljam-04-23-05/steeljam-04-23-05-Pages/Image21.html
I've had some knowledgeable steelers say they like the sound of my MSA through that amp. Me? I just don't know any better.
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<font size=1>Bill, steelin' since '99 | Steel page | MSA U12 | My music | Steelers' birthdays | Over 50?</font>
<font size="1" color="#8e236b"><p align="center">[This message was edited by Bill Llewellyn on 05 May 2005 at 08:06 PM.]</p></FONT>
http://www.rahul.net/thinker/steeljam-04-23-05/steeljam-04-23-05-Pages/Image21.html
I've had some knowledgeable steelers say they like the sound of my MSA through that amp. Me? I just don't know any better.

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<font size=1>Bill, steelin' since '99 | Steel page | MSA U12 | My music | Steelers' birthdays | Over 50?</font>
<font size="1" color="#8e236b"><p align="center">[This message was edited by Bill Llewellyn on 05 May 2005 at 08:06 PM.]</p></FONT>
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Michael Johnstone
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In the late 70s/early 80s,I got a Polytone amp in a trade with a bunch of other equipment and it turned out to be a damn good steel amp for coffeehouse size gigs.It had somewhere around 100 watts and one 12' w/a sealed back cabinet,VERY basic EQ and a decent spring reverb but it happened to have a wonderful honkin' tone for pedal steel and it was VERY lightweight. For bigger rooms,I used to sit it on top of a small extension speaker cab I built which housed an EVO 15" and together in that configuration,it would cut most clubs and honkytonks I played. I had some reliability problems with the amp however,and it was in the shop a few times. Shortly after that,I moved on to other amps. In all fairness,I was told by a few jazz guitar players including Joe Pass that my problems were an abberation and that Poly-Tones were generally very reliable. I'd try one again if I got the chance.
Another amp I now use for rehearsals,recording and coffehouse gigs is a Fender Champion 30 which I got at Sam Ash for $199. It's solidstate,30 watts into one 10" speaker which,for $40 I upgraded to a 150w 10PW3 Selenium speaker which is made in Brazil of all places.Very "blackface" Fender tube amp sounding in spite of the fact it's SS. Good amp for lap and pedal - especially with a speaker upgrade and a Nanoverb sittin on top.
-MJ-
Another amp I now use for rehearsals,recording and coffehouse gigs is a Fender Champion 30 which I got at Sam Ash for $199. It's solidstate,30 watts into one 10" speaker which,for $40 I upgraded to a 150w 10PW3 Selenium speaker which is made in Brazil of all places.Very "blackface" Fender tube amp sounding in spite of the fact it's SS. Good amp for lap and pedal - especially with a speaker upgrade and a Nanoverb sittin on top.
-MJ-
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Ray Minich
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I have an amplifier I made from the remains of a Stromberg-Carlson console record player that was built in 1961. Two 6L6GBT's and an RIAA front end that I modified. Big old 12" dynamic speaker.
I also have the power amplifier and speaker cabinet from a Hammond organ (no, not a Leslie, darn) that came out of a church. Haven't been able to play with it yet, but it's got 2 12 inchers in it. Someday it'll be fun to fire that pig up. Gotta determine the input level required, and where it goes. I guess I can plan someday to play with it unless my wife demands I remove it from the Dining room.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Ray Minich on 06 May 2005 at 01:12 PM.]</p></FONT>
I also have the power amplifier and speaker cabinet from a Hammond organ (no, not a Leslie, darn) that came out of a church. Haven't been able to play with it yet, but it's got 2 12 inchers in it. Someday it'll be fun to fire that pig up. Gotta determine the input level required, and where it goes. I guess I can plan someday to play with it unless my wife demands I remove it from the Dining room.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Ray Minich on 06 May 2005 at 01:12 PM.]</p></FONT>-
Rand Anderson
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I got y'all beat.
1954 US Army General Issue Green 11 watter - korean war Public Address/record player.
It originally came with to jensen field wedges for mess hall dances and such. I modded the input and speaker jacks and it runs a 15" 4 ohm JBL or an older fender leslie cab. great with a dyna comp.
1954 US Army General Issue Green 11 watter - korean war Public Address/record player.
It originally came with to jensen field wedges for mess hall dances and such. I modded the input and speaker jacks and it runs a 15" 4 ohm JBL or an older fender leslie cab. great with a dyna comp.
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John Poston
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Mark - Ha! I forgot all about the Wabash Deluxe. I was there when he bought it.
I used this amp
for awhile with my Fender 400, but it has a huge horn and I would have to dial down all the treble (I think it had 1 tone knob on each channel?). Then I got the Session 500.
<font size="1" color="#8e236b"><p align="center">[This message was edited by John Poston on 06 May 2005 at 03:15 PM.]</p></FONT>
I used this amp
for awhile with my Fender 400, but it has a huge horn and I would have to dial down all the treble (I think it had 1 tone knob on each channel?). Then I got the Session 500.
<font size="1" color="#8e236b"><p align="center">[This message was edited by John Poston on 06 May 2005 at 03:15 PM.]</p></FONT>
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Larry Robbins
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Not really an "oddball" amp except not a lot of folks use one for steel...Marshall
JCM 800 and a 1/2 stack w/4 greenback clestions. Not too bad for good ol country rockers but, it did have its limitations.
Though I must admit I could crank er up at about 2;00am and make the people down the street wet the bed!
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Sho-Bud ProII, Pro III custom,Steelking,Hilton pedal,Tut Taylor"Virginian"
"Theres been an awful murder, down on music row"
<font size="1" color="#8e236b"><p align="center">[This message was edited by Larry Robbins on 06 May 2005 at 03:38 PM.]</p></FONT>
JCM 800 and a 1/2 stack w/4 greenback clestions. Not too bad for good ol country rockers but, it did have its limitations.
Though I must admit I could crank er up at about 2;00am and make the people down the street wet the bed!

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Sho-Bud ProII, Pro III custom,Steelking,Hilton pedal,Tut Taylor"Virginian"
"Theres been an awful murder, down on music row"
<font size="1" color="#8e236b"><p align="center">[This message was edited by Larry Robbins on 06 May 2005 at 03:38 PM.]</p></FONT>
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Darvin Willhoite
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I used a Sunn Solarus tube amp with two Standel 12's for several years until I got my Peavey LTD in 1980. The best I remember, it had a great sound for steel and guitar both. But, it may have sounded terrible to anyone else, the memory kind of fades after that many years.
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Darvin Willhoite
Riva Ridge Recording
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Darvin Willhoite
Riva Ridge Recording
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Henry Nagle
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ed packard
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There is that Carvin name! I have been a Carvin addict for the past 20 yrs.= amps, preamps, speakers, and instruments; probably the best $ buy in the industry.
Any good for steel? You might be surprised what super picker uses Carvin ... maybe he will chime in.
Polytone is a great jazz amp, but I can't get the bite out of it for steel use.
Any good for steel? You might be surprised what super picker uses Carvin ... maybe he will chime in.
Polytone is a great jazz amp, but I can't get the bite out of it for steel use.
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Harold Dye
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Paul Arntson
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