" sound. I also felt I didn't need or want the capabilities of most of the processors on the market, since I don't need or use 99.5% of the sounds they provide. I just wanted a sweet hint of reverb that didn't clutter up the sound of this way-cool amp.The Fender Reissue was too expensive and hard to find, and I wanted to keep it under $200. I tried out a Boss RV-3 pedal, but it was too "digital" sounding for me, also several used rackmount units.
I finally settled on an Alesis Nanoverb, which is a quite small (1/3 rack space) digital unit with 9 reverbs, 3 choruses, 1 flange, 1 rotary sound, 1 delay, and something called "non-linear." There are input/output controls, adjustment control to access the parameters of each sound, and a mix control to adjust the dry/wet mix to the amplifier.
Individually the reverbs are the best, and the delays are pretty good. The chorus is pretty good too. The rotary sound is no Leslie, trust me.
I never use flange or chorus anyway, and delay about 10 times a year.The list price is $149, and I bought mine at MARS Music for $95. I've seen them in most catalogs for around $99. It's a little box 5.5"x4.5"x1.5" and sits right on top of the amp. There is a wall wart power supply included.
I think its a good alternative for guys with, say, old Fenders or Standels that don't have reverb, but don't need or want all the stuff that's included in the high dollar processors. And the presence of the "mix" control is important to me.
Of course, in my rack for stage use is a Lexicon MPX100, a wonderful unit that can be purchased for around $250 retail anywhere. The main shortcoming of the Peavey ProFex units, IMHO, was the inability to control the level of effects other than reprogramming onstage, and the inclusion of too many extraneous (for my purposes) features that I never used. Which is why I went to the Lexicon for stage use.
For me, the Nanoverb is pretty cool. But I still have 3 weeks to return the product, if there's anything better out there. Opinions?
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Herb's Steel Guitar Homesite