Do the Words Count?
Moderator: Dave Mudgett
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Tony Palmer
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Do the Words Count?
My housecleaning girl, who is from Brazil, speaks very little English and understands even less, but she loves (modern) country music.
I happened to ask her today how can she like it if she doesn't know what they're saying, she said she just likes the sound of it!
She listen to it all the time.
What does that say about lyrics?
I happened to ask her today how can she like it if she doesn't know what they're saying, she said she just likes the sound of it!
She listen to it all the time.
What does that say about lyrics?
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Ray Minich
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Ben Slaughter
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Depends on the listener, I believe.
The lyrics are one of the last things I hear, in fact, most of the time I have to concentrate just to hear the lyrics. But, I think the lyrics are different from the "hook" line. Most everyone remembers the hook line, but can't tell you the words. When I'm listening to a record for the first time, unless I'm listening for something specific, the elements of the record probably enter my conscienceness in this order:
Melody, beat, hook, arrangement/harmony, tempo, lyrics.
But, to the average "non-musician" listener I'll bet the order is more like this:
Beat, hook, lyric, melody, tempo, arrangement.
There are other elements too, time signature, mode, tone, dynamics, ect, but I think the ones I mentioned are predominant in popular music as many of the other elements are more uniform.
Really, this is a very interesting question you ask.
The lyrics are one of the last things I hear, in fact, most of the time I have to concentrate just to hear the lyrics. But, I think the lyrics are different from the "hook" line. Most everyone remembers the hook line, but can't tell you the words. When I'm listening to a record for the first time, unless I'm listening for something specific, the elements of the record probably enter my conscienceness in this order:
Melody, beat, hook, arrangement/harmony, tempo, lyrics.
But, to the average "non-musician" listener I'll bet the order is more like this:
Beat, hook, lyric, melody, tempo, arrangement.
There are other elements too, time signature, mode, tone, dynamics, ect, but I think the ones I mentioned are predominant in popular music as many of the other elements are more uniform.
Really, this is a very interesting question you ask.
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Jim Cohen
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In my country is All-American music very popular and a half of population, more or less, do not know the English language.
I remember myself, in the '70, it was country music what made me going to learn the English language. I started to collect the lyrics of songs, mostly from bootlegged Country Song Round-Up magazines. With the help of dictionary we tried to understand what's the story about. Country melodies are mostly very pretty but listen to Tom T. Hall or Shel Silverstein without understanding the song lyrics, it's only a half of music.
Peter
http://www.luma-electronic.cz/lp/elpe.htm
I remember myself, in the '70, it was country music what made me going to learn the English language. I started to collect the lyrics of songs, mostly from bootlegged Country Song Round-Up magazines. With the help of dictionary we tried to understand what's the story about. Country melodies are mostly very pretty but listen to Tom T. Hall or Shel Silverstein without understanding the song lyrics, it's only a half of music.
Peter
http://www.luma-electronic.cz/lp/elpe.htm
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If it's not an instrumental song, I generally pay pretty close attention to the lyrics...
"Sympathy For The Devil?" I think I could recite the whole thing right now! IMO they are some of the best, and most clever lyrics in the history of rock and roll.
Yeah, I'm big on lyrics.
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Mark
"Sympathy For The Devil?" I think I could recite the whole thing right now! IMO they are some of the best, and most clever lyrics in the history of rock and roll.
Yeah, I'm big on lyrics.
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Mark
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Charles Davidson
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Thanks Andy,Yes most of the old country songs ,even though most of them were about cheating,heartbreak,death,and living,at least they were telling stories that people could understand,Hank Sr's I'm so lonesome I could cry[pure poetry]Also the old pop tunes such as Stardust,Deep Purple,Moonlight In Vermont,Moon over Miami,Georgia,Tenderly,Fly me to the Moon,Moonglow,Marie,all had beautiful lyrics,seems the best todays lyricists can come up with is Red-neck women,pickup trucks,and bo-donk-a donk honky tonks.Well at least there is enough people out there that loves this ^%#* to make them all millions of dollars.
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Russ Wever
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Ray Minich
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Jim Cohen
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Mark Eaton
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"I see absolutely nothing wrong with music as pure escapism. In this mean old world, people need a safety valve. Of course lyrics matter, but if it makes somebody feel good, where's the harm in it?"...as written by Mark L.H.
In music, there's room for both, just as there is room in the world for People Magazine and the poetry of T.S. Eliot.
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Mark
In music, there's room for both, just as there is room in the world for People Magazine and the poetry of T.S. Eliot.
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Mark
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Hey, you ought to catch Walter Brennan and Ricky Nelson's duet on "Cindy, Cindy"- I think it's in "Rio Bravo" >?<
Yes there is always room for both in music,
Mark!
What I was referring to was that tendency (some) people have that lyrics always have "mean" something, or the music is meaningless.
(boomalacka, rama lama ding dong?)
There's a lot of great classical music out there that causes one type of person to fall asleep, and another type to have reveries. That's sort of what I meant.
Yes there is always room for both in music,
Mark!
What I was referring to was that tendency (some) people have that lyrics always have "mean" something, or the music is meaningless.
(boomalacka, rama lama ding dong?)
There's a lot of great classical music out there that causes one type of person to fall asleep, and another type to have reveries. That's sort of what I meant.


