Insider Essay on L.A. Recording Session

Musical topics not directly related to steel guitar
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Joey Ace
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Insider Essay on L.A. Recording Session

Post by Joey Ace »

Here's a diary that I've found very interesting. It's an on-going daily report of a Major Label recording session, now in it's second week. It's usually updated daily.

The author is the Engineer, and a moderator on a well respected Recording Forum. He calls himself "mixerman". All names are changed, to protect everyone involved.

I find the internal politics and the bumbleing of the label entertaining.

Here's some warnings:
<UL>
[*]This is not about Country Music or Steel Guitar.
[*]There is profanity.
[*]It's an addictive read.
[/list]

So if the warnings don't scare you off, here's the link: http://www.prosoundweb.com/recpit/viewtopic.php?t=2176


BTW, when he refers to "Alsahad" he means "Pro Tools". I don't know why.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Joey Ace on 08 August 2002 at 05:18 PM.]</p></FONT>
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Greg Vincent
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Post by Greg Vincent »

This is a great example of why (hopefully) the major labels will go the way of the dinosaur.

-GV
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Janice Brooks
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Post by Janice Brooks »

What a tale

------------------
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Mark Herrick
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Post by Mark Herrick »

That is hilarious! Mixerman writes pretty well. I just finished Week I and will begin Week II tomorrow.

Everyone should be reading this!
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Joey Ace
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Post by Joey Ace »

I suspect the band will be paying for all that unused studio time.

Most contracts are written so the label gets the expenses back from album sales.

This story is developing at an interesting pace.

Imagine how happy the band was to get signed by a Major two years ago, only to be discouraged for the next two years.

Sad really.
Rich Weiss
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Post by Rich Weiss »

i read this on another forum and I agree with what someone commented, that the only person with an attitude was this guy. I would hate to work with him.
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Earnest Bovine
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Post by Earnest Bovine »

Where is week 3?
And where is Dumbass?
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Joey Ace
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Post by Joey Ace »

<SMALL>"Where is week 3?"</SMALL>
This is Real-Time. We're still in week two.
The dates on the posts tell the timeline.

Week 3 is next week (Aug 12).
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Post by Marty Pollard »

After reading the latest installment, I made a lateral move and was reading other threads on this board.
Holy Cow!
I mean, I knew/know there are a lot of tweaks going on in the studio.
I'm always amazed at the knobs and dials these guys have to know and more amazed watching the engineer blast through these boards at light speed.
But, I guess my question/comment is: where are the musicians? Yes, I've required an embarrassing number of punch-ins at times (usually a mental block on the simplest part of the tune) Image. That's not usually the case, though. Of course, I'm not recording w/big-timers either.
Still, it's disconcerting to realize that almost all of what we hear in commercial music is SO manufactured.

even though I really knew it anyway
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Joey Ace
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Post by Joey Ace »

<SMALL>"where are the musicians?</SMALL>
I gotta agee with ya on this one Marty.

Here's a quote from Mixerman's post today:
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>"Labels don’t give a s**t anymore if there’s a weak player in the band. Everyone just assumes you either fix it with a computer, or get a session player on the project. The only thing that labels are interested in is a song that they can break to radio. That’s it, nothing more, nothing less. Everything else could be fixed."
</SMALL><HR></BLOCKQUOTE>

I guess that sums it up.
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Wayne Brown
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Post by Wayne Brown »

i have been in mixerman's shoes .... been there.... done that.... got out of that NOW .... to much of a headeache Image<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Wayne Brown on 10 August 2002 at 05:50 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Wayne Brown on 10 August 2002 at 05:50 AM.]</p></FONT>
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Earnest Bovine
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Post by Earnest Bovine »

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Earnest Bovine
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Post by Earnest Bovine »

Closer inspection reveals that today's new post is not all of week 3, but rather only one more day, day 11.
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Brad Bechtel
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Post by Brad Bechtel »

Thanks for posting this. What an amazing story.

------------------
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A web site devoted to acoustic & electric lap steel guitars

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Larry Bell
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Post by Larry Bell »

This stuff is priceless.

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Mark Herrick
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Post by Mark Herrick »

I'm wondering now what will happen when the cat is let out of the bag, so to speak. After all, this session is playing out on the public forum of the Internet. All it would take is for someone in the industry who is following this, and knows the band (it shouldn't be too hard for someone in the industry in LA to figure out who they are), to tell them to check out the commentary on their recording session on the web.
Chip Fossa
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Post by Chip Fossa »

Here's another interesting article on the
inner workings of the BIG MUSIC INDUSTRY, located on the same website, written by Peter Spellman [maybe Mike Idhe knows him],
Director, Career Development Center, Berklee School of Music.
www.prosoundweb.com/recording/books/berklee/biz.php
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Bill Terry
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Post by Bill Terry »

Day 12 is up....

------------------
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Bobby Snell
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Post by Bobby Snell »

Week 4, and now there are pages especially devoted to Mixerman's tribulations. Go to prosoundweb.com and follow the link from main page.
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Joey Ace
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Post by Joey Ace »

I'm still following it. It's getting interesting. I thought the label would cancel the project. Now the label's Pres. is saying the exact opposite!

My guess is the Pres will be fired and the project dropped before it's finished.
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Earnest Bovine
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Post by Earnest Bovine »

I want to read Mixerman's take on the pedal steel guitar overdubs.
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Post by erik »

There is now speculation that this story is fanciful and perhaps a compilation of past experiences. A literary work, if you will.
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Post by Bob Anderson »

Erik I think you are right. Notice how the equipment commericals flow right along in the story of this Soap Opera. Well Soap Opera or not Dang Im hooked LOL
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Joey Ace
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Post by Joey Ace »

It might be a compliation, but it might not be.

Still it's a great read. I've also learned a lot about recording techniques and studio procedures from it.

The daily updates make it easily digestable.
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Post by Glenn Austin »

Everything sounds a little far fetched to be completely true. You don't shoot a documentary film with a film crew , lighting rig and a remote truck. I'm sure a lot of it is true though .My guess is that Mixerman is actually recording engineer, analog guy, David Leonard. The writing looks very much like interviews I've read with this guy.