Hi,
I've just bought a Mullen G2 (2009) and i don't understand how the half-stops works (the one in photo, unless it's not the half-stop !)
Anyone can help me please ?
Hi everyone. I'm Florent from France. I play steel guitar for 6 years, trying to make my way through this wonderfull instrument. The first record that introduces me to pedal steel was J.J. Cale's "troubadour" with both Lloyd Green and Buddy Emmons. And then Greg Leisz with Bill Frisell and i'm getting more and more "educated" about this instrument and i hope to go on that way. Anybody in France (close to Grenoble) looking for a steel guitar player can contact me, i would be pleased to join you.
Wayne Brown wrote:I'm sorry but that picture is a reversing assembly not a 1/2 stop
thanks
wayne
Thank you Wayne, I understand now, the half stop feel comes from the changer, when the second string begin to raise/lower.
Hi everyone. I'm Florent from France. I play steel guitar for 6 years, trying to make my way through this wonderfull instrument. The first record that introduces me to pedal steel was J.J. Cale's "troubadour" with both Lloyd Green and Buddy Emmons. And then Greg Leisz with Bill Frisell and i'm getting more and more "educated" about this instrument and i hope to go on that way. Anybody in France (close to Grenoble) looking for a steel guitar player can contact me, i would be pleased to join you.
Unless your guitar has the half stop mechanism under the guitar, it's an optional mechanism that allows tuning of the half stop, then they are probably using the 9th string lower (to C#) as the half stop. It is timed so the 9th string nylon tuner hits the finger when the 2nd string gets to the D note. When the tuner hits the finger, it adds more resistance so you feel the half stop.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Now, if you have this hardware, as in this 2021 G2, this is a very positive half-stop. It can be purchased and added. The string 2 + 9 method is ingenious but for some people it can difficult to get used to the somewhat more subtle feel.
The string 2 + 9 method is ingenious but for some people it can difficult to get used to the somewhat more subtle feel.
I hate that method. Luckily, my Carter has a half finger (the bottom half with only the holes for rods) that is used for half stops. It's the cutout next to the plug in the picture. It has 3 holes so you can effectively have 3 half stops on the guitar. I did have to cut 1 loop off the spring They are not adjustable) to get to a harder feel I liked. This is my favorite system for half stops as you don't have to reach under the guitar to adjust the half stop.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Richard Sinkler wrote:Unless your guitar has the half stop mechanism under the guitar, it's an optional mechanism that allows tuning of the half stop, then they are probably using the 9th string lower (to C#) as the half stop. It is timed so the 9th string nylon tuner hits the finger when the 2nd string gets to the D note. When the tuner hits the finger, it adds more resistance so you feel the half stop.
Richard, I just bought a Mullen Discovery that has the same half stop. How is it adjusted? Do you tune half stop with nylon nut, then adjust the C# with the full stop adjuster?
Mullen S10 Dmaj9 uni / Sierra U12 4+5 / 1933 Dobro / homemade Tele B-bender
Richard, I just bought a Mullen Discovery that has the same half stop. How is it adjusted? Do you tune half stop with nylon nut, then adjust the C# with the full stop adjuster?
If you're talking about the Carter style, you tune the C# on the second string with it's nylon tuner, and tune the D with the nylon tuner in the 11th position.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Raybob Bowman wrote:Asking about the Mullen Discovery I just got.
I've never seen one live.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Jon Light wrote:Now, if you have this hardware, as in this 2021 G2, this is a very positive half-stop. It can be purchased and added. The string 2 + 9 method is ingenious but for some people it can difficult to get used to the somewhat more subtle feel.
I can't recommend this Mullen half stop mechanism highly enough!
I tried for a couple months after getting my G2 with the string 2&9 adjustment approach and the resistance kicking in was so slight I never could get used to it and constantly overshot the mark. Once I added the Mullen half stop (installation was easy and took maybe an hour - though note you do have to put screws into the underside of the body and line it up properly) it was like a different world! Also, since it's totally adjustable you can really dial in just how much resistance you need
These photos are from my bench. I was doing some other things to this guitar for my friend/client and I absolutely loved this hardware.
I play 12 string Universal so I don't do "9th string". And I tune my 2nd string string to D natural so I REALLY don't do this half stop. I never had to learn to get the feel for the 2 & 9 method but after working on client E9 10 strings and setting up the feel-stops I started to see that I could probably learn to get the feel. Not enthusiastically but.....
Funny thing -- the client had played the 2 & 9 half-stop setup for years. Presented with this hardware on his brand new G2 I was able to easily get a REALLY positive stop and was excited to present it to him. "You're gonna love this, man!"
He hated it. Five seconds. "Take this off!!" I had to totally disengage the spring. He knew what he liked and a soft, hard-to-feel stop was what he liked. He even wanted me to remove the hardware. I didn't.
He died and I found a new home for this guitar and I'm glad it's still got the half stop rig in it.
Jon Light wrote:
Funny thing -- the client had played the 2 & 9 half-stop setup for years. Presented with this hardware on his brand new G2 I was able to easily get a REALLY positive stop and was excited to present it to him. "You're gonna love this, man!"
He hated it. Five seconds. "Take this off!!" I had to totally disengage the spring. He knew what he liked and a soft, hard-to-feel stop was what he liked. He even wanted me to remove the hardware. I didn't.
He died and I found a new home for this guitar and I'm glad it's still got the half stop rig in it.
Crazy story. Just goes to show when you get used to doing something the hard way even a major improvement can feel wrong
That's basically the same half-stop that MSA was using in the 70's along w other manufacturers. The key to a good half stop is to minimize any movement not in the direct line of the motion or it will feel sloppy. That means shimming the spring w a partial sleeve, using the heaviest rod that the mechanism permits, and making sure everything fits perfectly as well as using a spring that you can adjust the tension on w changing the collar that holds it tightly against the pedestal.