Albert,
It looks like Bill has come up with a new idea for attaching the roller nut.
From what I can see, it is screwed directly to the cabinet or is it part of the keyless head?
That should add to the sustain.
Erv
I noticed how the undercarriage is very neat & well organized, the front apron inlaid really make your Williams standout, the color is just right, good luck with your new Williams.
Ken
Very nice, Albert! I'm on a pre-RP Mullen D-12 9+10.
What pickups does yours have?
E9 INSTRUCTION If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
Last edited by John McClung on 5 Aug 2020 5:47 pm, edited 1 time in total.
E9 INSTRUCTION If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
Albert can you get a closeup shot of the pushing right lever reversing mechanism and linkage? Looks a little different, but hard to see. Thanks!
E9 INSTRUCTION If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
One Beautiful guitar. Congratulations.
That is the first roller nut setup I have seen on a Keyless Guitar. From the pictures it is a part of the frame for the keyless tuners. Just like most Key Head guitars.
A lot more work machining the roller groves, And making 2 sets of 12 rollers, But may make a big difference in tone.
Albert,,, I also have the Telonics X12 on my recently purchased Williams SD12.
I would suggest you give Dave Beaty a call at Telonics and he will help you adjust the pick up on the C6 neck to your desired tone. He helped me on mine.
Sho~Bud SD10 LDG, Show-Pro SD10 LDG, Peavey Nashville 112, Boss Katana 100 MK11, Telonic's F100 Multi-Taper Super Pro V/P, Wayne Brown “Custom Designed Amp”
The top neck is a 12 string universal tuning but set up as a super extended E9th. I found that the single neck Universal which has the C-6 pedals (played as a B-6) became overcrowded in the undercarriage set up. Thus having the top neck E-9 the changer was less crowded by having all the C-6 changes on the bottom neck. The extra 2 strings on the C-6 allowed me to get the G and the D on top, which you have to choose between the two on a 10 string. I also decided to put a F note on top as well which became very useful and fun. It allows the same chromatic run that is on the E-9.
Top Neck - super extended E-9
1. F#
2. D#
3. G#
4. E
5. B
6. G#
7. F#
8. E
9. B
10. G#
11. E
12. B
Bottom Neck - Extended C-6
1. F
2. D
3. G
4. E
5. C
6. A
7. G
8. E
9. C
10. A
11. F
12. C
Williams D-12 9x7, Emmons PP D-10, 8X5, Quilter SteeAire amp.