Weissenborn tunings
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Frank Nims
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Weissenborn tunings
Weissenborn players - what are your preferred tunings?
DADF#AD?
DGDGBD?
GBDGBD?
or lap steel tunings like C6?
DADF#AD?
DGDGBD?
GBDGBD?
or lap steel tunings like C6?
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Andy Volk
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DADF#AD
Because ...
DADF#AC# = Dmaj7
DADGAD = Dsus
DADFAD = Dm
DADF#BD = D6
DACF#AD = D7
And, with the same strings ...
GBDGBD = G
EBDGBD = G/E
Because ...
DADF#AC# = Dmaj7
DADGAD = Dsus
DADFAD = Dm
DADF#BD = D6
DACF#AD = D7
And, with the same strings ...
GBDGBD = G
EBDGBD = G/E
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Gary S. Lynch
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Andy,
Just bought a copy of your book: Slide Rules
A great resource!
Also, recently just bought my first Weissenborn, a Lazy River, custom made from Myrtlewood from the Pacific Northwest.
I love the resonance and the tuning of this Weiss in D.
Love the sound of a vintage lap steel and dobro, but this tone to the bone..

Just bought a copy of your book: Slide Rules
A great resource!
Also, recently just bought my first Weissenborn, a Lazy River, custom made from Myrtlewood from the Pacific Northwest.
I love the resonance and the tuning of this Weiss in D.
Love the sound of a vintage lap steel and dobro, but this tone to the bone..

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Can’t play six all that well, so i thought I would go for broke and get eight!
Right now, I am using D. DADF#AD and the outside two on each end are drone strings.
I have JD Blackbeard.. that is a great guitar. .and 5 other dobros, but the Weiss tone is uniquely different in its sound and wonderfully acoustic!
Right now, I am using D. DADF#AD and the outside two on each end are drone strings.
I have JD Blackbeard.. that is a great guitar. .and 5 other dobros, but the Weiss tone is uniquely different in its sound and wonderfully acoustic!
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Andy Volk
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Thanks, Gary. Mark, I haven't had an issue tuning to G and back to D but that said, I don't leave it in G for long and it's definitely better to use the proper gauges for G tuning. After previously using Newtone Aloha strings, for all the D family tunings above, I've been happy for many years with these strings:


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Steve Lipsey
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GBDGBD works fine...I just lower the 3rd to .026, and push the 5th to 5th to 6th, inserting a .038 for the 5th.. Nice even tension, and it sings. Heavier gauges not only might explode it, but they tend to "thud" rather than "sing", at least on my Ben Bonham black acacia/Doug fir custom, modeled after a late 20's version.
I don't play a lot of solo stuff, where the low thumb note is needed...and I like the close spacing for melody runs bottom to top, and there are a lot of really great slants and reverse slants that you lose with open D or G....
Mainly, I like having my Clinesmith Frypan, Tricone dobro, and Weiss, all with the same scale length and same tuning...makes everything more intuitive...my brain clearly isn't as flexible as Andy Volk's!

I don't play a lot of solo stuff, where the low thumb note is needed...and I like the close spacing for melody runs bottom to top, and there are a lot of really great slants and reverse slants that you lose with open D or G....
Mainly, I like having my Clinesmith Frypan, Tricone dobro, and Weiss, all with the same scale length and same tuning...makes everything more intuitive...my brain clearly isn't as flexible as Andy Volk's!

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K Maul
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I have a baritone made by Marv Fluger that I have in CGCGCE(sometimes Eb or D on the high string).


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Mark Evans
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On my standard scale Dunn, I bounce back and forth, D and G. I’m finding G has a more sonorous tone foR my tinnitus ears. I can wrest blues and folk vibes from each. I dabbled in a couple typical lap steel tunings. I always return to G/D.
On my Baritone Pogreba, same deal: open C or open B... C wins cause I can sing along.
As the years pile up, I find fewer notes serve me better
Mark
On my Baritone Pogreba, same deal: open C or open B... C wins cause I can sing along.
As the years pile up, I find fewer notes serve me better
Mark
Last edited by Mark Evans on 29 Jun 2020 8:56 am, edited 1 time in total.
Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
Early 40’s Mysterious Employee built National ‘New Yorker’
2017 Richard Wilson Style 1 Weissenborn
Rickenbacker ‘Ace’ lap steel
Quilter 101
Late 30’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
Early 40’s Mysterious Employee built National ‘New Yorker’
2017 Richard Wilson Style 1 Weissenborn
Rickenbacker ‘Ace’ lap steel
Quilter 101
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Glenn Wilde
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Still working on getting a proper Weissenborn but my old Oahu's are filling the bill pretty well. They are more like traditional guitars though, with separate necks so i think they are more susceptible to tension problems. I put a Bridge Doctor in the little 65k and it is doing fine in D with medium acoustic strings.
I tried to do a high bass tuning on the big 66k and got as high as F ( i strung it lightly) and said "no way" it felt like it would explode! It lives in Eb with those same strings, i used to run it with mediums in C or C#.
I will be beefing up the interior of the 66k and adding a Bridge Dr soon, gotta preserve these old timers.
When dealing with tension on these things you kinda have to use common sense, lots of them have been ruined over the years so if you think it might be under too much stress then it probably is.
And dont get me started on mandolins! Try cranking a 100 year old one of those up to pitch!
I tried to do a high bass tuning on the big 66k and got as high as F ( i strung it lightly) and said "no way" it felt like it would explode! It lives in Eb with those same strings, i used to run it with mediums in C or C#.
I will be beefing up the interior of the 66k and adding a Bridge Dr soon, gotta preserve these old timers.
When dealing with tension on these things you kinda have to use common sense, lots of them have been ruined over the years so if you think it might be under too much stress then it probably is.
And dont get me started on mandolins! Try cranking a 100 year old one of those up to pitch!
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Dave Sky
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I use open D on one of my Weissenborns. I recommend Andy Volk's Exploring Open D Book. Great book for Open D and the related tunings! Strings: 15-17-026w, 035w, 045w, 056w. I use a 15 and a set of Dadarrio EJ-17 . I use ACEGBD on the other Weissenborn. This gives me GBDGBD, GDEGBD and ACEGBD. 15,17, 26w, 30w, 35w, 45w
Using Daddario EJ-17 and adding a .030w, and a 15p.
Using Daddario EJ-17 and adding a .030w, and a 15p.
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Mark Evans
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Lately I’ve been staying in a tuning I learned from Steve Dawson (off his YouTube channel)
CGCGCD
it is simple, has many ‘boxes’ of maj/min scale notes and has many ambiguous tones because of the D (is it major? Is it minor?)
Search YouTube for Steve Dawson Open C tuning tutorial
CGCGCD
it is simple, has many ‘boxes’ of maj/min scale notes and has many ambiguous tones because of the D (is it major? Is it minor?)
Search YouTube for Steve Dawson Open C tuning tutorial
Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
Early 40’s Mysterious Employee built National ‘New Yorker’
2017 Richard Wilson Style 1 Weissenborn
Rickenbacker ‘Ace’ lap steel
Quilter 101
Late 30’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
Early 40’s Mysterious Employee built National ‘New Yorker’
2017 Richard Wilson Style 1 Weissenborn
Rickenbacker ‘Ace’ lap steel
Quilter 101
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Andy Volk
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I occasionally use El McMeens low C tuning: CGDGAD, a variation on DadGad tuning.
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John Viterito
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Miles Lang
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GBEGBD. The top strings are the same as Andy’s B11 tuning but down a whole step, so I call it A11 tuning, if only just to mess with the smart aleck guitar players out there 
I use Pearse Weissenborn strings, but I replace the 4th string with something just a few clicks lighter.
I use Pearse Weissenborn strings, but I replace the 4th string with something just a few clicks lighter.
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Larry Allen
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Tunings
On my 7 string tuned to E. Low to high: E G# B C# E G# B .. 
Last edited by Larry Allen on 26 Dec 2023 5:14 pm, edited 1 time in total.
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