Nice Steel Intro On Ray Price Cut - Julian Tharpe? - Nope!
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Greg Cutshaw
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Nice Steel Intro On Ray Price Cut - Julian Tharpe? - Nope!
Nice intro and break on this Ray Price cut. Album credits list Julian Tharpe so I'm guessing he also played steel on "Grazin' In Greener Pastures" and maybe the whole "For The Good Times" Album?
https://www.youtube.com/watch?v=_ArRYEgfK54
https://www.youtube.com/watch?v=_ArRYEgfK54
Last edited by Greg Cutshaw on 5 May 2020 6:16 pm, edited 2 times in total.
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Roger Crawford
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Roger Crawford
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Steve Hinson
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Re: julian?
Jack,does the"For the Good Times"album by Ray Price have Julian's name on it?Jack Goodson wrote:i do not understand even tho the album list julian that no one thinks it is him?
I don't have a copy,so I don't know...
SH
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Steve Hinson
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He sure could...I hadn't heard it in a long time till the subject came up yesterday,and I knew this tune was Chalker,but some of the ballad stuff sure sounded like Day...Johnny Cox wrote:Definitely Chalker on the entire album. Curly did a string of records with Ray during the time Cam Mullen was arranging. Curly played beautiful Day inspired E9th.
SH
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Greg Cutshaw
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I always liked "Grazing in Greener Pastures" and it has a Jimmy day like break in the middle and outro. It's awesome that someone left that little steel part fade-in to the break at 1:43. The steel tone is super thin but the playing really fits the song. Also cool how the bass, steel and drums are all in synch on the first three notes of the intro.
https://www.youtube.com/watch?v=aJiixkRmPn8
https://www.youtube.com/watch?v=aJiixkRmPn8
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Donny Hinson
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Greg Cutshaw
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Help Me Make It Through The Night from the Good Times album:
https://www.youtube.com/watch?v=LezT4zjFB1E
Never listened to this cut before. Curly in his later years seemed to be able to sound like ay number of top players on the E9th neck. His bar movement was fast and precise and his blocking was super clean. Crank up the volume on the last few seconds of this cut. Thanks for pointing this song out. Cam Mullen's arrangements are so creative.
https://www.youtube.com/watch?v=LezT4zjFB1E
Never listened to this cut before. Curly in his later years seemed to be able to sound like ay number of top players on the E9th neck. His bar movement was fast and precise and his blocking was super clean. Crank up the volume on the last few seconds of this cut. Thanks for pointing this song out. Cam Mullen's arrangements are so creative.
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David Zornes
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Chalked/Grady
It sounds like Ray wanted to laugh-good naturedly when Chalker and Grady did their split toward the end. He knew it was a great riff.
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Bill Cunningham
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Fantastic. I just listened to all those YouTube’s with some good headphones. Thanks. Being a bass player too, the way Bob Moore and Harold Bradley are locked and up in the mix a bit is great. Sorry to drift, but there is more to music than steel guitar
I was talking with Russ Hicks once about those Charlie McCoy Monument instrumental albums from the 1970’s. I don’t remember all the particular tunes we were talking about, but some of the twin steel work was Russ and Curley. The fuzztone twin steels on “Ruby” was one, I believe.
I don’t believe Curley gets credit from the broader steel community as an E9 session guy and was overshadowed by Lloyd, Weldon, Hal, and Pete in that era. He was right there with them.
I was talking with Russ Hicks once about those Charlie McCoy Monument instrumental albums from the 1970’s. I don’t remember all the particular tunes we were talking about, but some of the twin steel work was Russ and Curley. The fuzztone twin steels on “Ruby” was one, I believe.
I don’t believe Curley gets credit from the broader steel community as an E9 session guy and was overshadowed by Lloyd, Weldon, Hal, and Pete in that era. He was right there with them.
Bill Cunningham
Atlanta, GA
Atlanta, GA
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