Tuning up C6 > D6 ... String Guages?
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Steve Richter
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Tuning up C6 > D6 ... String Guages?
I'm considering tuning my guitar up a whole step from C6 to D6. Is there a good way to determine what the new string guages should be?
Are custom sets available at a reasonable price or would you have to buy individual strings to make a set (probably cost prohibitive)?
Thanks,
Steve
Are custom sets available at a reasonable price or would you have to buy individual strings to make a set (probably cost prohibitive)?
Thanks,
Steve
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Bobby Lee
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I did it once. The gauges I used are on this copedent chart:
You'd probably want to go bigger on the 10th string if you're lowering it to B on pedal 8. I'd use a .060 nickel wound.
I'll sell you a set of Jagwires for $12, same as the regular C6th price.
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<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font><font size="1" color="#8e236b"><p align="center">[This message was edited by b0b on 15 June 2006 at 05:08 PM.]</p></FONT>
You'd probably want to go bigger on the 10th string if you're lowering it to B on pedal 8. I'd use a .060 nickel wound.
I'll sell you a set of Jagwires for $12, same as the regular C6th price.
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<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font><font size="1" color="#8e236b"><p align="center">[This message was edited by b0b on 15 June 2006 at 05:08 PM.]</p></FONT>
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Steve Richter
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Thanks b0b .. I was gonna ask why you left it behind but I saw at the bottom your doing 12-strings. And thanks for the deal on the strings. Did you come up with the guages by experimentation?
What were you looking for by tuning up? I'm thinking that if I raise the 6 string a half step it would give a nice open 4 chord and the keys of D and G might be useful for R & B kinds of things.
What were you looking for by tuning up? I'm thinking that if I raise the 6 string a half step it would give a nice open 4 chord and the keys of D and G might be useful for R & B kinds of things.
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Bobby Lee
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I like D6th because it cuts through the mix better (IMHO), and because P5 gave me the familiar bottom E. The G dobro open positions are a bonus too (assuming you raise the middle F# to G on a lever).
I really don't use the low string on C6th very much, except when it's raised with P5. The lower notes aren't that attractive to me. If there's a bass player, you risk interfering. If there's not and you start playing bass notes, there's a big hole in the sound when you stop.
D6th was more useful to me at the time when I had that guitar. I was in a large country & western band, and my back neck parts had to cut through a lot of sound. D6th worked really well for that.
As for how I picked the gauges, all of the notes are the same as on Extended E9th, which I've been playing forever. They're just in a different order. I used the same gauges as on my S-12, without the high G# and middle E.
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<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font><font size="1" color="#8e236b"><p align="center">[This message was edited by Bobby Lee on 15 June 2006 at 09:15 PM.]</p></FONT>
I really don't use the low string on C6th very much, except when it's raised with P5. The lower notes aren't that attractive to me. If there's a bass player, you risk interfering. If there's not and you start playing bass notes, there's a big hole in the sound when you stop.
D6th was more useful to me at the time when I had that guitar. I was in a large country & western band, and my back neck parts had to cut through a lot of sound. D6th worked really well for that.
As for how I picked the gauges, all of the notes are the same as on Extended E9th, which I've been playing forever. They're just in a different order. I used the same gauges as on my S-12, without the high G# and middle E.
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<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font><font size="1" color="#8e236b"><p align="center">[This message was edited by Bobby Lee on 15 June 2006 at 09:15 PM.]</p></FONT>
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Steve Richter
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Bobby Lee
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No, mine raised the C6th to D6th. I've never played D9th.
There is a D6th hidden in the E9th, though, with the G#'s raised to A and the 2nd string lowered to D. I use that position to play "Steelin the Blues" in Eb at the first fret with all those hammer-ons.
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<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font>
There is a D6th hidden in the E9th, though, with the G#'s raised to A and the 2nd string lowered to D. I use that position to play "Steelin the Blues" in Eb at the first fret with all those hammer-ons.
------------------
<font size="1"><img align=right src="http://b0b.com/b0b2005.gif" width="78 height="78">Bobby Lee (a.k.a. b0b) - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6) My Blog </font>
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Charles Davidson
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Steve Richter
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