Anyone have any word on Jackson steelguitars?
Moderator: Dave Mudgett
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Marty Holmes
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Anyone have any word on Jackson steelguitars?
I am very couriuos about this certain guitar.Something tells me its going to be an excellent guitar.Has anyone talked to David Jackson about it?I would like to know when production on these guitars will start.Any feedback is greatly appriciated,i hope i spelled that right.
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Colby Tipton
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Bill Mayville
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May 15 as far as I know. I have three
ordered.The thinness is unique to guitars with that thinner sound.As we all know the End plates on the Emmons is 4 times as thick. They have a thick sound also. IWhat I don't understand is why their are screws
on the front. I thought that was an old way of doing things.Either way, I feel the guitar will sell out over night.Iv'e never owned a sho bud, so I don't want this one to pass me up.
Bill
ordered.The thinness is unique to guitars with that thinner sound.As we all know the End plates on the Emmons is 4 times as thick. They have a thick sound also. IWhat I don't understand is why their are screws
on the front. I thought that was an old way of doing things.Either way, I feel the guitar will sell out over night.Iv'e never owned a sho bud, so I don't want this one to pass me up.
Bill
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Mark Eaton
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Gary Preston
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From what i hear it may be longer than you may think before these guitars make it to the dealers showroom . I would love to see /hear/and play one for myself being a Sho~Bud die hard kinda of a guy . Having two in my possesion now and for a long time to come . But who knows things can change on a day by day basis . G.P.
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Lee Baucum
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Steven Black
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Looks like they are using stainless steel endplates which give a better sound capability than aluminum, I do not know what the cost is of stainless steel but it does have excellent sound transference than Aluminum, the changer is done similar to the old ZB guitars which gives out good sound, but that depends on how thick or thin the cabinet is.
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David Wren
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Did they say what year???
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Dave Wren
'96 Carter S12-E9/B6,7X7; Twin Session 500s; Hilton Pedal; Black Box
www.ameechapman.com
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Dave Wren
'96 Carter S12-E9/B6,7X7; Twin Session 500s; Hilton Pedal; Black Box
www.ameechapman.com
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Donny Hinson
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The picture on the web site shows an irregular string spacing at the nut end. I'm wondering how this this will be perceived by the players? I <u>know</u> the solid nut gives great tone and sustain, but I can't help but wonder about increased string breakage, especially since there will be more movement, with the dual changers?
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Bo Borland
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Brian Henry
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I found this on the Jackson website:
"There are many different brands of steel guitars available today and in a blind test, using only the ears for guidance, I don't believe many professional musicians would be able to discern which is which by judging only the tonal qualities. But the newest generation of steel designed by David Jackson, who jointly helped me design the original LDG Sho-Bud, has transcended this arena. His new Jackson Steel has in my view the finest sound I have heard since the great era of Sho-Bud, circa 1967-1980.
Ultimately the tone a player hears in his mind represents the bottom line. Mechanical aspects can be corrected, changed or altered but ‘essential’ tone is basically what the steel sounds like when it is built, and no amount of modification can change that significantly. This steel guitar has that sweetness we all look for in an instrument."
Lloyd Green
"There are many different brands of steel guitars available today and in a blind test, using only the ears for guidance, I don't believe many professional musicians would be able to discern which is which by judging only the tonal qualities. But the newest generation of steel designed by David Jackson, who jointly helped me design the original LDG Sho-Bud, has transcended this arena. His new Jackson Steel has in my view the finest sound I have heard since the great era of Sho-Bud, circa 1967-1980.
Ultimately the tone a player hears in his mind represents the bottom line. Mechanical aspects can be corrected, changed or altered but ‘essential’ tone is basically what the steel sounds like when it is built, and no amount of modification can change that significantly. This steel guitar has that sweetness we all look for in an instrument."
Lloyd Green
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Kevin Hatton
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Bob Hoffnar
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Looks pretty interesting to me. I hope I get to check one out in not too long.
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Bob
upcoming gigs
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Bob
upcoming gigs
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richard burton
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You have to admire the lateral thinking with the keyheads rotating to allow a lower.
It's a neat idea, but possibly too radical.
The downside of lowering at the keyhead is a lot of string movement at the nut, which , in my opinion, would be an overwhelming reason to have nut rollers. (To minimise string breakage)
It's a neat idea, but possibly too radical.
The downside of lowering at the keyhead is a lot of string movement at the nut, which , in my opinion, would be an overwhelming reason to have nut rollers. (To minimise string breakage)
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Brian Henry
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