Bonding with your steel
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Steve Hackney
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Bonding with your steel
Have you ever bought a different steel that everything seemed to be good on as far as looks, payabilty and sound but just didn't feel right. For lack of a better explanation I call it not being able to bond with the steel. At least thats the only explanation I could give my wife when I told her I wanted a different one.
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Kevin Hatton
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Steve Hackney
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Leila
She asked what was wrong with the one I had. She liked the way it looked and sounded. But I was serious when I told her I just couldn't bond with it and I didn't really know why.<font size="1" color="#8e236b"><p align="center">[This message was edited by Steve Hackney on 05 March 2006 at 07:35 PM.]</p></FONT>
She asked what was wrong with the one I had. She liked the way it looked and sounded. But I was serious when I told her I just couldn't bond with it and I didn't really know why.<font size="1" color="#8e236b"><p align="center">[This message was edited by Steve Hackney on 05 March 2006 at 07:35 PM.]</p></FONT>
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Pat Kelly
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Larry Hamilton
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Steve, after playing an MSA D-10 Classic for 26 yrs, I bought an Emmons brand new in 2000, and it just didn't "fit". I might mention I have always played the Day set up. On the Emmons the pedals were just too far to the left. I tweaked and tweaked for 6 years and have it close but not perfect. After talking to my friend of nearly 30 yrs, Chuck Back of Desert Rose guitars, about this problem, he is building me a new guitar that I will be picking up in Dallas this weekend. the pedals will be moved to the left for me. I sure hope it fits. I know Chuck will help me make it fit comfortably.
Yeah, I never bonded with my Emmons but it sure sounds good.
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Keep pickin', Larry
Yeah, I never bonded with my Emmons but it sure sounds good.
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Keep pickin', Larry
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Jack Stoner
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I don't have a problem with guitars. I haven't had many pedal steels (a Fender 2000, a 71 "Black" Emmons D-10 and my current late 81 Franklin D-10) like a lot of people but when I sit down at someone else's steel although it may be set up different or pedals feel different I still play it. I'll concede I like some guitars better than others but that doesn't have an affect on playing whatever guitar I sit at.
I heard a comment one time and it fits perfectly in this thread. "Play the guitar, don't let the guitar play you".
I heard a comment one time and it fits perfectly in this thread. "Play the guitar, don't let the guitar play you".
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John Daugherty
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I am a believer in bonding. Sure, you can play different setups, but if you have to take the time to think, you are limiting yourself. I let the sounds in my head flow out of the speaker without going through a thought process. I can only do this after a lot of bonding with my instrument.
An analogy to this concept is the ability to read and send international code. You should not hear a series of dots and dashes, then think of a letter. You should practice until you hear words. It's just like a child learning how to talk.
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www.home.earthlink.net/~johnd37
An analogy to this concept is the ability to read and send international code. You should not hear a series of dots and dashes, then think of a letter. You should practice until you hear words. It's just like a child learning how to talk.
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www.home.earthlink.net/~johnd37
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James Morehead
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Steve Hackney
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Jim Bates
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If you ever had a pedal steel with the great feel that you are after, then carefully do some measurements from that guitar on everything you can adjust: guitar height and leg room; pedal height from floor; pedal travel (also gauges of strings); knee lever positons (and travel). These are a lot of the things that I always had to adjust on any other guitar I bought to make it feel like "mine".
If you are starting for the first time, then carefully go through the above and then STOP adjusting for a while and see if you have solved any problems. If so, then you should have fewer things to work on fixing.
Most of all learn how to do your own adjustments.
Thanx,
Jim
If you are starting for the first time, then carefully go through the above and then STOP adjusting for a while and see if you have solved any problems. If so, then you should have fewer things to work on fixing.
Most of all learn how to do your own adjustments.
Thanx,
Jim
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Lee Baucum
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My first pedal steel was the most comfortable, practically maintenance-free pedal steel I've ever owned. It was a beautiful wood-bodied Sho-Bud Maverick, with three pedals and no knee-levers. Nothing fancy and really nothing to adjust. Just sit down and play.
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Lee, from South Texas
Down On The Rio Grande
Mullen U-12, Evans FET-500, Fender Steel King
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Lee, from South Texas
Down On The Rio Grande
Mullen U-12, Evans FET-500, Fender Steel King
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James Shelton
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I sit in on other peoples guitars all the time, but the only ones that have ever felt "rite" to me are the two Zums I have owned. I've had five or six other steels that I used on gigs. I had all the time I needed to work out the kinks on 'em, and never could. The Zums on the other hand had no kinks to start with and after yaers of day in and day out use,They still don't.
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John De Maille
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I played an S-11 RusLer, for 27 years. That particular steel is built like a tank and weighs almost as much. But, I've never, ever, had a problem with it. It's a great, solid steel guitar. 2 1/2 years ago, I bought a brand new U-12 ZumSteel ( which is fabulous ) and it took me a while to get comfortable with it. Basically, because of the weight and component differences. The Zum is a much lighter steel and I was afraid to lay into it, like I did with the RusLer. But, I found that, no matter how hard or aggressive I play, my new Zum just stands up to my playing. I was actually altering my style for fear of braking something, but, I found that not to be true. My Zum and I are now, "one instrument", when we play and it now fits like a glove. As with anything new, give "yourself" a little brake-in time with a new steel. It's really worth it in the end.
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Ray Minich
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Donny Hinson
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I agree. Some just feel "foreign" when you try to play them, others feel like an old lover. A famous steeler once told me that if a steel doesn't feel comfortable within the first 1/2 hour of you playing it, it probably never will.
I liken it to shopping for a pair of shoes. When you go to the store, you can try on a dozen pair that are purported to be the same size, yet only one or two pair might actually feel good.
Steels are like that too!
<font size="1" color="#8e236b"><p align="center">[This message was edited by Donny Hinson on 07 March 2006 at 05:34 PM.]</p></FONT>
I liken it to shopping for a pair of shoes. When you go to the store, you can try on a dozen pair that are purported to be the same size, yet only one or two pair might actually feel good.
Steels are like that too!
<font size="1" color="#8e236b"><p align="center">[This message was edited by Donny Hinson on 07 March 2006 at 05:34 PM.]</p></FONT>-
Jerry Overstreet
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Bonding with your guitar? You guys are weird
Where's Howard anyway?
I read a story in a popular men's mag once about a guy and his upright bass but....anyhow yes, I have owned perfectly fine guitars that I could never get comfortable with.
Not a thing wrong with them and preferred by lots of other players, just not me.
It's nice to have choices but I find when times are hard like now, I can get along with most any decent axe!
Where's Howard anyway?I read a story in a popular men's mag once about a guy and his upright bass but....anyhow yes, I have owned perfectly fine guitars that I could never get comfortable with.
Not a thing wrong with them and preferred by lots of other players, just not me.
It's nice to have choices but I find when times are hard like now, I can get along with most any decent axe!

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Gary Shepherd
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Just use more duct tape and hold you mouth just right. You'll bond with whatever you want. (Super glue works well too.)
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Gary Shepherd
Carter D-10
www.16tracks.com
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Gary Shepherd
Carter D-10
www.16tracks.com
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Steve Hackney
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Steve Hackney
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Joe Shelby
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This topic brings up an interesting point, or
two.
1)steel guitars have more variables than many
instruments that can make (or break) a particular brand/model more player friendly
than another, i.e. pedal to knee lever placement, pedal spacing, leg height, pedal
feel, string spacing, neck height (if you're
playing a D-10, D-12, D-10/11, etc.). A lot
of things need to be in a personally acceptable place before you even get to the
particular guitar's tone (though I'm sure many out there can put up with some of these
variables being not quite there, if the tone
is so good; to me ZB guitars often seem to be
ergonomically challenging, but I love the sound--this is just my own opinion).
2) unless you live in a part of the country where you have a chance to actually sit down
at a particular guitar you're considering,
you just order one from the manufacturer or
buy a used one from a seller and hope for the best...
This makes the whole quest, difficult at best.
And then...there's the mojo factor where one
model of brand X feels like a glove and another one sitting right next to it just kinda fights you.
It hasn't been since I was on the road about
25 years ago that I've had the opportunity to sit down at a lot of different guitars and say "yeah! Now that's what I'm talkin about."
I play a Zum I've had for about 17 years now,
and like a lot of guys who play 'em, it's not
hard to get comfortable with one. My previous
guitars reside on two fingers: '77 MSA D-10,
Sho-Bud Maverick (roller nut/maple neck model).
If I could have any of the guitars I've played? That would be Dan Tyack's black '60's
Emmons D-10. Jimmy Crawford set that guitar up for him, and whatever it was, that was a bond that for me I'll never forget (geez, it
was just so, uh, right...sigh...).
Joe.
two.
1)steel guitars have more variables than many
instruments that can make (or break) a particular brand/model more player friendly
than another, i.e. pedal to knee lever placement, pedal spacing, leg height, pedal
feel, string spacing, neck height (if you're
playing a D-10, D-12, D-10/11, etc.). A lot
of things need to be in a personally acceptable place before you even get to the
particular guitar's tone (though I'm sure many out there can put up with some of these
variables being not quite there, if the tone
is so good; to me ZB guitars often seem to be
ergonomically challenging, but I love the sound--this is just my own opinion).
2) unless you live in a part of the country where you have a chance to actually sit down
at a particular guitar you're considering,
you just order one from the manufacturer or
buy a used one from a seller and hope for the best...
This makes the whole quest, difficult at best.
And then...there's the mojo factor where one
model of brand X feels like a glove and another one sitting right next to it just kinda fights you.
It hasn't been since I was on the road about
25 years ago that I've had the opportunity to sit down at a lot of different guitars and say "yeah! Now that's what I'm talkin about."
I play a Zum I've had for about 17 years now,
and like a lot of guys who play 'em, it's not
hard to get comfortable with one. My previous
guitars reside on two fingers: '77 MSA D-10,
Sho-Bud Maverick (roller nut/maple neck model).
If I could have any of the guitars I've played? That would be Dan Tyack's black '60's
Emmons D-10. Jimmy Crawford set that guitar up for him, and whatever it was, that was a bond that for me I'll never forget (geez, it
was just so, uh, right...sigh...).
Joe.
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Charles Turpin
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I don't know what it is but i think you do bond with a certain steel guitar. I have played Zum steel all the way since about 1983. My first being a stage one that I sent back and had Bruce put a fourth knee lever on. Then I went to a 12 string universal and played it since 1992, I still have that guitar and to me it still like putting on old shoes, when i sit behind it i feel like the world has been jerked out from under me. Cause i have played it so many years and we belong together. In 1999 I bought my double 10 I love it and play it more now than the single neck cause i have some new toys nad changes on it. But my 15 year old universal is still my love. I guess cause i got so many memories of playing that steel all over northern Missouri in al most all of the shows in this area. But now my feelings are growing on this double neck. But then a friend brought over a MSA Milenium < to me it was to crowded and I just couldnt get the feelings out of me through it. ANother friend i went to his house and he had a double Emmons Just didn't do a thing for me. So I will stay with my Zumsteels as long as the world is here and Bruce keeps it up. SO i guess you realy do bond with them guitars true players do anyway 
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