Where to set up Franklin pedal?
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Curt Langston
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Where to set up Franklin pedal?
I have extra pedals and rods for my Sierra. My question is: Which side is better for the Frankilin change? 0 pedal, or 4 pedal? Thanks
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Billy Carr
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Hook Moore
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Curt I have no problem using it as the fourth pedal with the Emmons setup.
Hook
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Hook
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Jeremy Moyers
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...or keep one pedal ("0" or "4") for the B's->A's change (I like that change by itself) and a KL for the G#->F# change...<font size="1" color="#8e236b"><p align="center">[This message was edited by John Sluszny on 18 November 2005 at 12:21 PM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by John Sluszny on 18 November 2005 at 12:35 PM.]</p></FONT>
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Jeremy Moyers
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Steve,
It is not in the 0 position. I thought that it was going to be but when I got the guitar it was where the A pedal goes and the others shifted down one. I have gotten use to this but it makes it really strange to go back and forth between guitars. Unless bob does it on a special order basis I do not believe that you can get a 0 position on the Rains. From looking at the underside of the guitar I do not see how it would be possible.
I do play emmons setup.
Jeremy
It is not in the 0 position. I thought that it was going to be but when I got the guitar it was where the A pedal goes and the others shifted down one. I have gotten use to this but it makes it really strange to go back and forth between guitars. Unless bob does it on a special order basis I do not believe that you can get a 0 position on the Rains. From looking at the underside of the guitar I do not see how it would be possible.
I do play emmons setup.
Jeremy
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Erv Niehaus
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When I ordered my new Williams, I had Bill set it up for the 0 pedal. (I have the Emmons set up). However, I just couldn't get used to it there so I moved it to pedal number 4. I guess it's maybe a case of teaching old dogs new tricks. 
Erv
FWIW: I believe that when the Franklin pedal is put to the left of the "A" pedal, everything is moved to the right and is now considered the "0" pedal, am I correct?<font size="1" color="#8e236b"><p align="center">[This message was edited by Erv Niehaus on 18 November 2005 at 10:29 AM.]</p></FONT>

Erv
FWIW: I believe that when the Franklin pedal is put to the left of the "A" pedal, everything is moved to the right and is now considered the "0" pedal, am I correct?<font size="1" color="#8e236b"><p align="center">[This message was edited by Erv Niehaus on 18 November 2005 at 10:29 AM.]</p></FONT>
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John Bechtel
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And I always thought that since Paul put it on #4 that that is where it belonged! How could I have been so wrong? 
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“Big John” Bechtel
Soon to be: New Burgundy D–10 Derby (w/6 &
’65 Re-Issue Fender Twin–Reverb Custom™ 15” Eminence
web site

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“Big John” Bechtel
Soon to be: New Burgundy D–10 Derby (w/6 &
’65 Re-Issue Fender Twin–Reverb Custom™ 15” Eminence
web site
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David L. Donald
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I used it as Emmons P4 for awhile,
but was very glad when I moved it to P0,
and have never looked back.
I can add "a touch" of A pedal too it sometimes too as a passing chord thing.
When recording things with it at p4, I tended to not get it smooth,
but on P0 I did use it effectively. So that settled the question for me.
<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 18 November 2005 at 10:34 PM.]</p></FONT>
but was very glad when I moved it to P0,
and have never looked back.
I can add "a touch" of A pedal too it sometimes too as a passing chord thing.
When recording things with it at p4, I tended to not get it smooth,
but on P0 I did use it effectively. So that settled the question for me.
<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 18 November 2005 at 10:34 PM.]</p></FONT>
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Jim Peters
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John Bechtel
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At first I had the 1st. & 2nd. string Raise in the (0)-position on my Emmons Setup, but; I hardly ever used it! Since I put that change on the KL that Lowers str.6, I use it quite a bit more! So, I guess you have to place your changes where they are the most accessable for the amount of use they are going to get! But, having the Emmons setup moved to the Right was also a lot more comfortable for my playing! So, you never know until you try it! The standard positionong for an SD-10 Derby is with pedal-position (#1 Empty) That puts P-1, P-2, & P-3 in #2, #3, #4 positions, which is quite comfortable! Then you can add the FP on either side you wish, if you want that change at all¡ 
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“Big John” Bechtel
Soon to be: New Burgundy D–10 Derby (w/6 &
’65 Re-Issue Fender Twin–Reverb Custom™ 15” Eminence
web site

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“Big John” Bechtel
Soon to be: New Burgundy D–10 Derby (w/6 &
’65 Re-Issue Fender Twin–Reverb Custom™ 15” Eminence
web site
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Larry Bell
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Paul put it where it made most sense for HIM.
That doesn't mean it's best there for everyone. I have it in the position to the left of the A pedal (Emmons config) on one guitar, split into one pedal and one lever (G# to F# on lever; B to A on P4) and only half of it (G# to F# only -- no B to A) on my third guitar.
I like it split the best, giving the G# to F# and B's to A's separately -- with one change on a lever and the other on a pedal.
Paul gets the G# to F# separately by doing it 'backwards'. He raises F# to G# on 7 and lowers by releasing the lever to get the G# to F# in combination with the unchanged 5th string, for example. I use G# to F# alone a lot and like to have it on a separate lever.
Tommy White has them split and, as I recall, has both on levers. He has B to A on his LKV and a half-stop to get B to Bb. With G# to F# on his right knee, he can use both together or either separately.
There have been many discussions on these changes, where to put them, and how to use them. Do a search by clicking on the 'Search' link below 'Add a Reply' in the upper right corner of this page, and settle back for a long lesson.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S/D-12 6x6, 1984 Sho-Bud S/D-12 7x6, 1971 Dobro, Standel and Peavey Amps
That doesn't mean it's best there for everyone. I have it in the position to the left of the A pedal (Emmons config) on one guitar, split into one pedal and one lever (G# to F# on lever; B to A on P4) and only half of it (G# to F# only -- no B to A) on my third guitar.
I like it split the best, giving the G# to F# and B's to A's separately -- with one change on a lever and the other on a pedal.
Paul gets the G# to F# separately by doing it 'backwards'. He raises F# to G# on 7 and lowers by releasing the lever to get the G# to F# in combination with the unchanged 5th string, for example. I use G# to F# alone a lot and like to have it on a separate lever.
Tommy White has them split and, as I recall, has both on levers. He has B to A on his LKV and a half-stop to get B to Bb. With G# to F# on his right knee, he can use both together or either separately.
There have been many discussions on these changes, where to put them, and how to use them. Do a search by clicking on the 'Search' link below 'Add a Reply' in the upper right corner of this page, and settle back for a long lesson.

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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S/D-12 6x6, 1984 Sho-Bud S/D-12 7x6, 1971 Dobro, Standel and Peavey Amps
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I had it on Ped 4 and got accustomed to it..all it took was seat time.
but
my new Steel is due anytime now and the 4th pedal is at the 0 pedal..so I giess I have to start all over again !
I am thinking that 0 Ped is probably where it should be...it took a bit to get used to crossing over the C pedal correctly..
without playing to much JAZZ in the middle of a country ballad...if ya know what I mean...
but
my new Steel is due anytime now and the 4th pedal is at the 0 pedal..so I giess I have to start all over again !
I am thinking that 0 Ped is probably where it should be...it took a bit to get used to crossing over the C pedal correctly..
without playing to much JAZZ in the middle of a country ballad...if ya know what I mean...