Pedal Steel Guitars used on movie soundtrack?
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Pedal Steel Guitars used on movie soundtrack?
A while back, somebody posted here regarding a movie soundtrack being produced that used a group of about 50 pedal steels to produce some of the soundtrack / effects for a movie. Anybody remember that, and could point me toward the post? I've searched to no avail.
GFI SM10 3/4, 1937 Gibson EH-150, 2 - Rondo SX Lap Steels and a Guyatone 6 String C6. Peavey 400 and a Roland 40 Amps. Behringer Reverb Pedal.
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You might be thinking of this:
https://www.youtube.com/watch?v=AvQOa8CN-gI
I was fortunate to be included as one of the 8 guys on the sessions! Not exactly 50, but who knows exactly how many tracks were used? Besides myself, there was Skip Edwards, Boo Bernstein, Marty Rifkin, Chas Smith, John McClung, Peter Freiberger, and of course Jay Dee Maness.
It was a "sampling session" for Hans Zimmer's score for the movie "Super Man-Man of Steel"...meaning the raw sound of 8 steels was captured digitally and the sound was played back on a keyboard to mimic an orchestra of steel guitars. (you won't hear Way to Survive on this score
) We recorded for 4 days at Warner Bros on an orchestral sound stage. Each day, we set up our gear to be recorded in quad sound as if we were a violin section one day on the left of the conductor, violas the next day to his right, cellos in the middle, contra bass in the back on the last day etc. (honestly I could be wrong about exactly where we were placed, but you get the idea)
It was an incredible experience I'll never forget. I'll always cherish hanging out with the guys for those 4 days... even though it's next to impossible to identify the steel in the sound track unless you know what to look for.
https://www.youtube.com/watch?v=AvQOa8CN-gI
I was fortunate to be included as one of the 8 guys on the sessions! Not exactly 50, but who knows exactly how many tracks were used? Besides myself, there was Skip Edwards, Boo Bernstein, Marty Rifkin, Chas Smith, John McClung, Peter Freiberger, and of course Jay Dee Maness.
It was a "sampling session" for Hans Zimmer's score for the movie "Super Man-Man of Steel"...meaning the raw sound of 8 steels was captured digitally and the sound was played back on a keyboard to mimic an orchestra of steel guitars. (you won't hear Way to Survive on this score

It was an incredible experience I'll never forget. I'll always cherish hanging out with the guys for those 4 days... even though it's next to impossible to identify the steel in the sound track unless you know what to look for.

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It was only 8 of us, and it was for the Superman movie, "Man of Steel".
I haven't seen the movie, but people tell me you can't tell there's any steel anywhere… it was all done for effect.
It was Jay Dee, Boo Bernstein, Peter Freiberger, Marty Rifkin, Chas Smith, John McClung, Rick Schmidt and yours truly.
All in all, a fun week… a great hang with pals, good $$ & excellent catering.
I haven't seen the movie, but people tell me you can't tell there's any steel anywhere… it was all done for effect.
It was Jay Dee, Boo Bernstein, Peter Freiberger, Marty Rifkin, Chas Smith, John McClung, Rick Schmidt and yours truly.
All in all, a fun week… a great hang with pals, good $$ & excellent catering.
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Really nice job, Gents!Rick Schmidt wrote:You might be thinking of this:
https://www.youtube.com/watch?v=AvQOa8CN-gI
It was enlightening to know that Hans Zimmer was interested in using actual pedal steel guitars for his audio vision. So much today could just be done with one person using various synthesis methods.
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The movie is pretty awful, but the four days of tracking and eating, and getting to hang out with each other, as well as Hans Zimmer and Peter Asher, were mighty cool. We went in the first day having no idea what we were in for, and I kind of expected a call that night to just come in the next day and pick up our gear. Instead Hans' team had been working with the tracks and what we heard back was incredible. Unfortunately you really can't hear anything like that in the film. A once in a lifetime experience, unfortunately.
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Unfortunately? Peter, what were you expecting?The movie is pretty awful, but the four days of tracking and eating, and getting to hang out with each other, as well as Hans Zimmer and Peter Asher, were mighty cool. We went in the first day having no idea what we were in for, and I kind of expected a call that night to just come in the next day and pick up our gear. Instead Hans' team had been working with the tracks and what we heard back was incredible. Unfortunately you really can't hear anything like that in the film. A once in a lifetime experience, unfortunately.

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I hate to admit it, but I have some footage of the concert in San Pedro I produced featuring the 8 of us who did steel tracks for "Man of Steel," I moved out of state and pretty much dropped the ball. Hope to get it edited down and released in the near future. We all played songs at that show, everyone played great and it was a thrill to produce the show! Awe were our own backing band as well, plus the fabulous Maria Martinez on drums/percussion.
That experience was quite different, and one of the unexpected highlights of my playing career. Finally got to be friends with some of my fellow L.A. steelers!!
That experience was quite different, and one of the unexpected highlights of my playing career. Finally got to be friends with some of my fellow L.A. steelers!!
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I hate to admit it, but I have some footage of the concert I produced featuring the 8 of us who did steel tracks for "Man of Steel," I moved out of state and pretty much dropped the ball. Hope to get it edited down and released in the near future. We all played songs at that show, everyone played great and it was a thrill to produce the show! Awe were our own backing band as well, plus the fabulous Maria Martinez on drums/percussion.
E9 INSTRUCTION
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net