What's your favorite delay pedal?
Moderator: Dave Mudgett
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What's your favorite delay pedal?
looking for true bypass, extended battery life (done with wall warts,extension cords, and pedal boxes). I want simplicity. Easy battery change, no more than 3 knobs. (no loopers,poopers, or scoopers.) I have a carbon copy on my guitar rig which has been good. My favorite sound is echo plex but can't deal with the upkeep. Anything out there I don't know about?
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As Len said, they eat batteries - use a power supply, but make [sure it's the right type!
I prefer an older Ibanez AD9 analog delay - Analog units sound much warmer and richer than digital delays.
I have not found a digital unit I've liked. They sound too clinical with brittle overtone I don't care for at all.
The Carbon Copy, BTW, is analog.
I prefer an older Ibanez AD9 analog delay - Analog units sound much warmer and richer than digital delays.
I have not found a digital unit I've liked. They sound too clinical with brittle overtone I don't care for at all.
The Carbon Copy, BTW, is analog.
No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
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1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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What,'s your favorite delay?
Always used an RV-3 for delay and reverb ,Got a Wet Reverb pedal and quit delay altogether. I hear just a little delay in it, which suits me just fine.
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I have a cheap Rogue "Analog Delay" on my pedal steel board now. The normal MF type price is $49.99, but they have them on sale for $29.99 fairly often, and last month had them for $24.99 - I got 2. I see GC has them for $34.99 now. For this kind of thing, I'm a cheapskate.
It's not a bucket-brigade delay, which is discrete-time but analog-amplitude, which is what most purists call an "analog delay", but is not really "pure analog". The Rogue and many pedals like it (I think this is pretty much the same as a Mod and Belcat pedal) are based on the PT2399 chip, which is technically a "digital" delay in the sense that both time and amplitude are discretized. But I find the PT2399 to be somewhere in between bucket-brigade and what I think are the more standard digital delay chips. I find the delayed copies to be warmer than the super-clean digital delay pedals I've tried but not as dark-sounding as the bucket-brigades that I have usually tended to use.
For lack of a better word, I really do find this delay to be pretty "natural". Definitely not fancy at all - 3 knobs for delay level, delay time, and repeats. The battery requires unscrewing the bottom - but it's pretty easy if you just use 2 screws to hold it together. But the rated current draw is only 20ma, which should give reasonably good battery life for a delay. I use with a One Spot on my board, so I can't tell you how long an alkaline will really last. It's also true-bypass - I checked with ohmmeter to make sure. I absolutely require true bypass. The enclosure is solid metal more or less like an MXR pedal, pretty tough. The main disadvantages are
1. Delay time range is limited - something like 40-50ms to 350ms. This works for me for pedal steel, but the shortest isn't quite short enough to split the beat on a really fast rockabilly guitar tune and the longest isn't going to give really trippy space-echo guitar effects.
2. Maxing the repeats won't give self-oscillation of the repeats, if you care about that. Again, that limits trippy space-echo effects, but that's not what I use this pedal for. I have a pristine old Echoplex and various other delays.
3. Components are surface mounted on the board, so you should have pretty good soldering chops to make mods. It's possible to mod to increase the delay time range and make it self-oscillate, but most people will probably be put off by the touchiness of dealing with the surface-mounted components.
Otherwise, I really like this delay for pedal steel and most guitar applications. I yanked a much more expensive delay pedal off the steel board because this one just sounded better for pedal steel to me. And when they're on sale for under $30, I don't see how one can go too far wrong. I see videos of Ashley Kingman with Big Sandy using one, it's just a straightforward, clean delay. Don't know how it handles being overdriven since I try not to do that.
But YMMV - some people really like these, and others don't.
It's not a bucket-brigade delay, which is discrete-time but analog-amplitude, which is what most purists call an "analog delay", but is not really "pure analog". The Rogue and many pedals like it (I think this is pretty much the same as a Mod and Belcat pedal) are based on the PT2399 chip, which is technically a "digital" delay in the sense that both time and amplitude are discretized. But I find the PT2399 to be somewhere in between bucket-brigade and what I think are the more standard digital delay chips. I find the delayed copies to be warmer than the super-clean digital delay pedals I've tried but not as dark-sounding as the bucket-brigades that I have usually tended to use.
For lack of a better word, I really do find this delay to be pretty "natural". Definitely not fancy at all - 3 knobs for delay level, delay time, and repeats. The battery requires unscrewing the bottom - but it's pretty easy if you just use 2 screws to hold it together. But the rated current draw is only 20ma, which should give reasonably good battery life for a delay. I use with a One Spot on my board, so I can't tell you how long an alkaline will really last. It's also true-bypass - I checked with ohmmeter to make sure. I absolutely require true bypass. The enclosure is solid metal more or less like an MXR pedal, pretty tough. The main disadvantages are
1. Delay time range is limited - something like 40-50ms to 350ms. This works for me for pedal steel, but the shortest isn't quite short enough to split the beat on a really fast rockabilly guitar tune and the longest isn't going to give really trippy space-echo guitar effects.
2. Maxing the repeats won't give self-oscillation of the repeats, if you care about that. Again, that limits trippy space-echo effects, but that's not what I use this pedal for. I have a pristine old Echoplex and various other delays.
3. Components are surface mounted on the board, so you should have pretty good soldering chops to make mods. It's possible to mod to increase the delay time range and make it self-oscillate, but most people will probably be put off by the touchiness of dealing with the surface-mounted components.
Otherwise, I really like this delay for pedal steel and most guitar applications. I yanked a much more expensive delay pedal off the steel board because this one just sounded better for pedal steel to me. And when they're on sale for under $30, I don't see how one can go too far wrong. I see videos of Ashley Kingman with Big Sandy using one, it's just a straightforward, clean delay. Don't know how it handles being overdriven since I try not to do that.
But YMMV - some people really like these, and others don't.
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My favorite DDL pedal is a tiny Guyatone MD2 that I bought years ago,I only use it when I'm trying to mimic Sneaky Pete,I use long delays with 3 repeats.I lent this pedal to a guy a few years ago he gave it back without the the battery connector like I couldn't tell,Fellow steel player and Forumite Bryan Daste was kind enough to fix it for me so I'm back to using it.
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Oh?I use a boss power adapter with the Guyatone MD2.
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
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All I use a delay for is a little slapback, so I don't need anything fancy. I have a couple digital BOSS units (DD-5 & DD-7), and a Digitech Hardwire DL-8. Although packed with features, most of which I would never use, the digital units all sound sterile and clinical to my old ears. A year or so ago I took a chance on an inexpensive Joyo JF-33 unit, which is supposedly based on the Carbon Copy. Although these cheap pedals get a bad rap from some, mine still works fine and it sounds far warmer than the digital units from BOSS and Digitech. I've always used a BOSS PS-120 power supply, so I have no clue how fast it eats batteries. For under $30.00 delivered, it's a nice little pedal in my opinion.


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FWIW, the Joyo JF-33 is in fact a 2399 based unit like the Rogue. This freestompboxes.org thread shows gut shots - http://www.freestompboxes.org/viewtopic.php?f=1&t=17484 - I don't know of any of the cheap Chinese-made "analog" delays that are true bucket-brigade discrete-time, analog-amplitude circuits. All the ones I've looked at are digital delays that emulate an analog delay's tone.
As I said in my synopsis of the Rogue, that is not necessarily a bad thing. I think the Joyo has a bit larger delay range (specs say 440ms). I assume that trades off some noise - usually getting longer delays raises the noise floor. I opted for the Rogue due to far fewer "DOA or died early" reviews than some of the others, and of course the price. I've had one for the last 3 years with no issues, and both of the ones I got last month worked as expected out of the box.
As I said in my synopsis of the Rogue, that is not necessarily a bad thing. I think the Joyo has a bit larger delay range (specs say 440ms). I assume that trades off some noise - usually getting longer delays raises the noise floor. I opted for the Rogue due to far fewer "DOA or died early" reviews than some of the others, and of course the price. I've had one for the last 3 years with no issues, and both of the ones I got last month worked as expected out of the box.
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Not battery-operated (and a hefty price tag, but the same price as a strymon timeline), but I love my Empress Echosystem Dual Engine Delay.
You can dial in two delays, that run either parallel (they process and output the original sound independently of one another) or in series (output of one goes into the next engine), and they can be synced to a single tap, or one can be synced to tap while the other stays locked. There is a bit of a learning curve to get it all programmed to your liking.
My favorite setting is to combine a long-ish (less than 1/2 a second) single repeat delay using their echoplex simulation, and also run a very short, quiet, longer feedback delay on their "delay+reverb" setting, which I prefer over the reverb available on the NV 112.
While it does have way too many knobs, it also has presets and a tap tempo, so once you dial in what you like and save it, it's nothing to call up one of your favorites and quickly adjust it to the tempo of the song.
It also has a "whisky" setting, FYI.
nice demo video here: https://youtu.be/cc_FogsZkrY
Pete - this has a "ratio" setting that would let you tap in a tempo and get out the correct ratio. Other pedals do that as well - look for one with both a tap tempo and ratio knob.
You can dial in two delays, that run either parallel (they process and output the original sound independently of one another) or in series (output of one goes into the next engine), and they can be synced to a single tap, or one can be synced to tap while the other stays locked. There is a bit of a learning curve to get it all programmed to your liking.
My favorite setting is to combine a long-ish (less than 1/2 a second) single repeat delay using their echoplex simulation, and also run a very short, quiet, longer feedback delay on their "delay+reverb" setting, which I prefer over the reverb available on the NV 112.
While it does have way too many knobs, it also has presets and a tap tempo, so once you dial in what you like and save it, it's nothing to call up one of your favorites and quickly adjust it to the tempo of the song.
It also has a "whisky" setting, FYI.
nice demo video here: https://youtu.be/cc_FogsZkrY
Pete - this has a "ratio" setting that would let you tap in a tempo and get out the correct ratio. Other pedals do that as well - look for one with both a tap tempo and ratio knob.
Last edited by David Sheads on 6 Jun 2018 7:20 am, edited 2 times in total.
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