Strange Sho Bud Pro III
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Joerg Schubert
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Strange Sho Bud Pro III
Hi,
I've just bought a Sho Bud Pro III Custom, black lacquer.
This one has a wooden neck and I've thought the wooden neck only come with the Pro II. Pro III should have an metal neck!? Is that possible? The neck doesn't look as someone had changed it. It has the same cracks in the old lacquer than the case has.
The guitar has a square front and a nylon rod changer.
The guitar is model 6164, serial 9191, inspected by Pat Murphy. Later someone converted it to single neck.
Is it a bastard, build from some spare parts in somebodies garage or is possible that a Pro III came from factory with wooden necks?
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 ProIII Custom, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 11:47 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 11:49 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 12:49 PM.]</p></FONT>
I've just bought a Sho Bud Pro III Custom, black lacquer.
This one has a wooden neck and I've thought the wooden neck only come with the Pro II. Pro III should have an metal neck!? Is that possible? The neck doesn't look as someone had changed it. It has the same cracks in the old lacquer than the case has.
The guitar has a square front and a nylon rod changer.
The guitar is model 6164, serial 9191, inspected by Pat Murphy. Later someone converted it to single neck.
Is it a bastard, build from some spare parts in somebodies garage or is possible that a Pro III came from factory with wooden necks?
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 ProIII Custom, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 11:47 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 11:49 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 12:49 PM.]</p></FONT>
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Joerg Schubert
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Here are some photos. Is this pickup the original one? If not what brand is it?
Thanks.
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 ProIII Custom, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 12:48 PM.]</p></FONT>
Thanks.
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 ProIII Custom, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 05 April 2005 at 12:48 PM.]</p></FONT>
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Ricky Davis
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Beats the heck outta me...ha...
Crowbear that is not a original Sho-bud pickup; like the others said> it is a Bill Lawrence 705.
"Custom" means Custom. Sho-bud would pretty much do whatever the buying customer wants. Pro III's; has metal necks. Pro II's have wood necks. So that Sho-bud is a Pro II Custom; no matter what it says on the front..ha..
"Strange" is right; I would just put a piece of Tape over "The Pro-III Custom" and write "Strange" or "Bastard"; then it won't be quite as confusing.

Ricky
Crowbear that is not a original Sho-bud pickup; like the others said> it is a Bill Lawrence 705.
"Custom" means Custom. Sho-bud would pretty much do whatever the buying customer wants. Pro III's; has metal necks. Pro II's have wood necks. So that Sho-bud is a Pro II Custom; no matter what it says on the front..ha..
"Strange" is right; I would just put a piece of Tape over "The Pro-III Custom" and write "Strange" or "Bastard"; then it won't be quite as confusing.

Ricky
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Leon Roberts
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I doubt if the guitar came from the factory as shown. If you look closely, you can see the holes where the C-6th changers were mounted. You can also see the holes where the C-6th cross shafts were previously mounted. This is the results of a desire to have a SD-10. As far as the decal is concerned, it’s anybody’s guess.
Leon
Leon
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Carson Leighton
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Joerg Schubert
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Gentleman, so what do we have so far:
- It's not the first Pro III with wooden necks seen in the wild. Maybe it's the same Glenn saw on Scotty's site a few years back before the C6 neck was butchered. The only thing I know is that the guy I bought it from got it 2 years ago from Wiesbaden/Germany.
- The decal should say "Pro II", but it's absolutly possible that a Pro III came from factory with wooden necks.
- The Pickup is a Bill Lawrence 705 and that's an improvement for the guitar.
- The C6 neck was butchered.
- I should get rid off the colored tape on the legs. Carson, that's our German nature, we need to sign this 9 piece puzzle in a way that an idiot can put it together
I count myself lucky that it's only tape, it could have been worse...
- From now on I'll call it the "Black Bastard".
Thanks for your help.
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 The Black Bastard, Tube Amps
- It's not the first Pro III with wooden necks seen in the wild. Maybe it's the same Glenn saw on Scotty's site a few years back before the C6 neck was butchered. The only thing I know is that the guy I bought it from got it 2 years ago from Wiesbaden/Germany.
- The decal should say "Pro II", but it's absolutly possible that a Pro III came from factory with wooden necks.
- The Pickup is a Bill Lawrence 705 and that's an improvement for the guitar.
- The C6 neck was butchered.
- I should get rid off the colored tape on the legs. Carson, that's our German nature, we need to sign this 9 piece puzzle in a way that an idiot can put it together
- From now on I'll call it the "Black Bastard".
Thanks for your help.
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 The Black Bastard, Tube Amps
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Rainer Hackstaette
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Joerg,
a little tender loving care could very well turn this Black Bastard into a Black Beauty. I would exchange the ugly brown arm rest for a black one (all you need is some naughahyde or black leather and a staple gun), fill the screw holes with liquid wood and repaint or re-flock the underside, polish the aluminum on a buffing wheel and do some Ricky-Davis-style magic to the cabinet.
The right endplate looks as if there is no cut-out for the C6 changer and no holes for the 3 switches (neck switch and 2 coil tap switches) that a Pro II/III would come with from the factory. If so, it is probably an LDG endplate replacement.
The pedal rods seem unevenly spaced. Do you have one rod hooked up to the wrong hole?
As far as the Lawrence PU being an improvement, that is a matter of personal choice. The original single coils don't sound too bad, either.
I see no reason why this Pro II/III conversion shouldn't sound as sweet as any LDG of similar vintage. With time, you'll love that guitar. If not - make me an offer I can't refuse.
If you need help, give me a call.
Rainer
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<FONT SIZE=1 COLOR="#0000FF">Remington D-10 8+7, Sierra Crown D-10 gearless 8+8, Sierra Session S-14 gearless 8+5, '77 Emmons D-10 8+4, '70 Emmons D-10 8+4, '69 Emmons S-10 6+5, Fender Artist D-10 8+4, '73 Sho~Bud LDG 3+4, Peavey Session 400 LTD, Peavey Vegas 400, Line 6 Variax 700</FONT>
a little tender loving care could very well turn this Black Bastard into a Black Beauty. I would exchange the ugly brown arm rest for a black one (all you need is some naughahyde or black leather and a staple gun), fill the screw holes with liquid wood and repaint or re-flock the underside, polish the aluminum on a buffing wheel and do some Ricky-Davis-style magic to the cabinet.
The right endplate looks as if there is no cut-out for the C6 changer and no holes for the 3 switches (neck switch and 2 coil tap switches) that a Pro II/III would come with from the factory. If so, it is probably an LDG endplate replacement.
The pedal rods seem unevenly spaced. Do you have one rod hooked up to the wrong hole?
As far as the Lawrence PU being an improvement, that is a matter of personal choice. The original single coils don't sound too bad, either.

I see no reason why this Pro II/III conversion shouldn't sound as sweet as any LDG of similar vintage. With time, you'll love that guitar. If not - make me an offer I can't refuse.

If you need help, give me a call.
Rainer
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<FONT SIZE=1 COLOR="#0000FF">Remington D-10 8+7, Sierra Crown D-10 gearless 8+8, Sierra Session S-14 gearless 8+5, '77 Emmons D-10 8+4, '70 Emmons D-10 8+4, '69 Emmons S-10 6+5, Fender Artist D-10 8+4, '73 Sho~Bud LDG 3+4, Peavey Session 400 LTD, Peavey Vegas 400, Line 6 Variax 700</FONT>
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Jerry Hayes R.I.P.
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I think it is a Pro III that was modified as ShoBud would do anything you wanted them to as long as you paid for it. The guitar I've always coveted was made for a Calif. picker named Ross Cohen who ordered it through Blackie Taylor. I was at Blackie's store when it arrived and was unpacked. I'd never seen another like it before or since. It was a single "12" LDG model in a natural finish. It had a metal neck and came with about 6 knee levers and 6 or 7 on the floor. The ShoBud logo was in black on the front against the beautiful natural birdseye finish. It had the LDG logo on the other side of the front apron as do all other Lloyd Green models. If anyone knows Blackie please ask him if that guitar's still around SoCal. It was the best 'bud I've ever seen and I'd give anything I have to get my hands on it....JH in Va.
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Livin' in the Past and Future with a 12 string Mooney Universal tuning.
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Livin' in the Past and Future with a 12 string Mooney Universal tuning.
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Joerg Schubert
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Rainer,
oh yes, the armrest, that's definitely the first thing to change. I'm not a lawyer but isn't it what they call a "deliberate insult" for the eyes? I need to find me someone who is able to do "punzieren" on the black leather. This time it has to look as sharp as a razor.
Unfortunately I only have a small buffing wheel on a Dremel, that's not applicable for bigger plane surfaces. But I know a professional who'd polished some motorcycle parts for me...
I don't know if rods are hooked up wrong, remember I'm a bloody beginner on PSGs, what I know is everything is working fine concerning setup and tuning. The only PITA is that two levers are interchanged from the setup I've on the MSA. But I just consider it as another little stone on the "rocky trail" to success on PSG.
Rainer, I started this thread because I wasn't sure if I bought a fake. It was an Ebay deal I couldn't resist. The photos looked much better then reality. Now that I've found out that it's a "strange" one but still a Sho Bud I tend to keep it and put in all the afford that's needed...
I'll call you.
Joerg
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 The Black Bastard, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 07 April 2005 at 12:11 AM.]</p></FONT>
oh yes, the armrest, that's definitely the first thing to change. I'm not a lawyer but isn't it what they call a "deliberate insult" for the eyes? I need to find me someone who is able to do "punzieren" on the black leather. This time it has to look as sharp as a razor.
Unfortunately I only have a small buffing wheel on a Dremel, that's not applicable for bigger plane surfaces. But I know a professional who'd polished some motorcycle parts for me...
I don't know if rods are hooked up wrong, remember I'm a bloody beginner on PSGs, what I know is everything is working fine concerning setup and tuning. The only PITA is that two levers are interchanged from the setup I've on the MSA. But I just consider it as another little stone on the "rocky trail" to success on PSG.
Rainer, I started this thread because I wasn't sure if I bought a fake. It was an Ebay deal I couldn't resist. The photos looked much better then reality. Now that I've found out that it's a "strange" one but still a Sho Bud I tend to keep it and put in all the afford that's needed...
I'll call you.
Joerg
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MSA D12 SuperSustainII Vintage XL, ShoBud SD10 The Black Bastard, Tube Amps
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 07 April 2005 at 12:11 AM.]</p></FONT>
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Joerg Schubert
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Hi,
I've just finished the revision of the "Black Bastard" and I wanted to show the results to the community.
I think it was worth the effort I'd to put into the project...
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 23 April 2005 at 05:37 AM.]</p></FONT>
I've just finished the revision of the "Black Bastard" and I wanted to show the results to the community.
I think it was worth the effort I'd to put into the project...
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 23 April 2005 at 05:37 AM.]</p></FONT>
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Joerg.. Very nice job!!.. She shines like a new penny... That little bit of cleaning up and the new pad really put some sparkle back in the old girl.
Like some others, I think that guitar WAS born with wood necks, probably ordered that way. In any case, she's a beauty,and I hope you will enjoy her!
By the way somewhere in Germany there is a PROIII that WAS a D10, converted to an SD 10, and then was made back to a D10 [I had saved ALL the parts...
I sold it about a year and a half ago to a man named Jurgen .. He is from a town called Hertzgen or Hertger or Herten or something like that...anyway. ENJOY that great old UNUSUAL Sho BUD... I'll bet you are the only one on your block to own one!!! all the best bob
Like some others, I think that guitar WAS born with wood necks, probably ordered that way. In any case, she's a beauty,and I hope you will enjoy her!
By the way somewhere in Germany there is a PROIII that WAS a D10, converted to an SD 10, and then was made back to a D10 [I had saved ALL the parts...
I sold it about a year and a half ago to a man named Jurgen .. He is from a town called Hertzgen or Hertger or Herten or something like that...anyway. ENJOY that great old UNUSUAL Sho BUD... I'll bet you are the only one on your block to own one!!! all the best bob
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CrowBear Schmitt
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Joerg Schubert
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Thanks for all the replies. I really didn't expect such a resonance to the photos.
I've to admit, it wasn't love ar first sight, but what attracted me immediately was the sound of it with the rusty strings and all the crusted oil/grease on every tiny part of the mechanics.
While taking it completly apart, cleaning and polishing the parts it was getting more and more "my guitar". Now I don't care that there are some inconsistencies (Pro III but wooden neck). The sound that comes out is really special IMHO, it has such nice shimmery overtones and a sustain.
Have it connected directly to the desk with a little PCM70 reverb, excellent. The Lawrence 705 humbucker is such hot, it's connected to a passive Goodrich but still crunches the first tube stage of my Twin clone, I've to rework it for more headroom before I can use it.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 24 April 2005 at 01:39 PM.]</p></FONT>
I've to admit, it wasn't love ar first sight, but what attracted me immediately was the sound of it with the rusty strings and all the crusted oil/grease on every tiny part of the mechanics.
While taking it completly apart, cleaning and polishing the parts it was getting more and more "my guitar". Now I don't care that there are some inconsistencies (Pro III but wooden neck). The sound that comes out is really special IMHO, it has such nice shimmery overtones and a sustain.
Have it connected directly to the desk with a little PCM70 reverb, excellent. The Lawrence 705 humbucker is such hot, it's connected to a passive Goodrich but still crunches the first tube stage of my Twin clone, I've to rework it for more headroom before I can use it.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Joerg Schubert on 24 April 2005 at 01:39 PM.]</p></FONT>
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Johnny Cox
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I certainly do not want to dispute anyone, but, I worked at Sho-Bud and played them till they went out of business. The Pro III production guitar was a metal neck guitar. But, customers could and did request wood necks on them and Sho Bud was happy to do that. I had a wood neck Pro III and two wood neck Super Pros.
Johnny
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Herb Steiner
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I was under the impression that not only was the Pro-III equipped with metal necks as standard, but also with 4 knee levers, while the Pro-II had but two knee levers.<SMALL>According to the Sho~Bud catalog, the difference between the two guitars was the necks.</SMALL>
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