Emmons PP ?
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Jerry Erickson
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Emmons PP ?
Anybody out there using the F#-G# and D#-E raise on a knee lever and still using a standard Emmons half stop? I'm thinking that it can't be done with the Emmons style half stop.
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Rainer Hackstaette
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Jerry, you're right - it can't be done. The original halftone stop will have to go. Since this stop uses a spring to pull the raise finger against the body for the D# on string 2, it is physically impossible to raise that finger further to E.
However, in order to get the E-raise and the D#-D-C# lower with a half stop you can use the same procedure that is used on all-pull guitars: you time the D-lower with an additional change, e.g. string 9 D-C#. When string 9 starts to lower, string 2 is at D. It takes a little trial and error to "tune" the 2nd string D, but with the help of compression springs on the push rods, it can be done.
This halftone stop will not feel as solid as the original one. If you have a double neck guitar, you can tighten the feel by adding yet another change on the C6 side for additional resistance. You don't really have to use this extra change while playing C6 (though you can, if you can reach the lever) - its primary function is to add more resistance.
Hope to have helped,
Rainer
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<FONT SIZE=1 COLOR="#0000FF">Remington D-10 8+7, Sierra Crown D-10 gearless 8+8, Sierra Session S-14 gearless 8+5, '77 Emmons D-10 8+4, '70 Emmons D-10 8+4, '69 Emmons S-10 6+5, Fender Artist D-10 8+4, '73 Sho~Bud LDG 3+4, Peavey Session 400 LTD, Peavey Vegas 400, Line 6 Variax 700</FONT>
<font size="1" color="#8e236b"><p align="center">[This message was edited by Rainer Hackstaette on 28 March 2005 at 04:00 AM.]</p></FONT>
However, in order to get the E-raise and the D#-D-C# lower with a half stop you can use the same procedure that is used on all-pull guitars: you time the D-lower with an additional change, e.g. string 9 D-C#. When string 9 starts to lower, string 2 is at D. It takes a little trial and error to "tune" the 2nd string D, but with the help of compression springs on the push rods, it can be done.
This halftone stop will not feel as solid as the original one. If you have a double neck guitar, you can tighten the feel by adding yet another change on the C6 side for additional resistance. You don't really have to use this extra change while playing C6 (though you can, if you can reach the lever) - its primary function is to add more resistance.
Hope to have helped,
Rainer
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<FONT SIZE=1 COLOR="#0000FF">Remington D-10 8+7, Sierra Crown D-10 gearless 8+8, Sierra Session S-14 gearless 8+5, '77 Emmons D-10 8+4, '70 Emmons D-10 8+4, '69 Emmons S-10 6+5, Fender Artist D-10 8+4, '73 Sho~Bud LDG 3+4, Peavey Session 400 LTD, Peavey Vegas 400, Line 6 Variax 700</FONT>
<font size="1" color="#8e236b"><p align="center">[This message was edited by Rainer Hackstaette on 28 March 2005 at 04:00 AM.]</p></FONT>
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Jerry Erickson
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