Doug Beaumier's books are wonderful!
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Larry Lenhart
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Doug Beaumier's books are wonderful!
Just this morning, I was playing along with his courses and I know this has been stated before, but I think it is worth repeating. His 3 books of lap steel tabs are done amazingly well....clear to read, precise, and fun to play the tunes ! His playing of the tunes is a pleasure to listen to in their own right. His backing tracks that come with the books are so much fun to play along with. They have fun beats to the song and to my ears, sound perfect ! He obviously spent many hours working these books up...if you dont have them, you owe it to yourself to purchase them ! I cant say enough about them ! (BTW, his pedal steel book is great also, and he did a speed picking course and a course on using the B,C pedals) We are lucky to have such talent around helping guys like me out !
Last edited by Larry Lenhart on 3 Feb 2017 4:45 pm, edited 1 time in total.
Zum Encore, Fender lap steel, Gretsch Country Gentleman, 1976 Ibanez L5,Ibanez GB10, Eastman archtop, Gypsy Jazz guitar, Telonics pedal, Squire Tele, Squire Strat, Fender Tonemaster, Gold Tone 5 string banjo, Little Wonder tenor banjo, Tenor and alto saxophones, 3 Roland cubes 30s and 80, Boss mini and Boss 50, Carvin combo bass amp
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Brian Straub
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Doug B
I'll have to agree. I've been taking lessons off and on for 8 years from Doug and have all his books. Excellent courses including C6, A6 and B11 tunings for non pedal and a great E9 book. Books are easy to follow and precise. A must have.
Justice D-10, Evans Amp, Sarno V-8, Gibson Lap Steel BR-9, Telonics Pedal.
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Allen Hutchison
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Nic Sanford
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Doug Beaumier
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Thanks Larry and others for the kind words! I'm glad you like my books and recordings. I wrote most of those arrangements for my students over the years, and eventually I decided to put them into a book. When I got the TablEdit program I was finally able to create professional looking tab w/notation. Thanks again!
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Jim Smerk
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Phillip Vaught
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Jim Williams
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I can't ever pass up a post like this without commenting...Doug's books and arrangements are fantastic. Relatively simple, but they still sound great. I have the first two but need to pick up the third one. The thing that I have learned is that by playing these arrangements, you will learn where a lot of the common harmony notes are, and if you have a bit of an ear for music will soon find yourself "finding" your own arrangements on the steel. Worth every penny of the investment.
GFI SM10 3/4, 1937 Gibson EH-150, 2 - Rondo SX Lap Steels and a Guyatone 6 String C6. Peavey 400 and a Roland 40 Amps. Behringer Reverb Pedal.
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Tod Johnson
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I got the B11 A6 C6 book first because I wanted to learn How D'Ya Do. I was dubious because before I got it I was trying to learn from videos and didn't know if only tab and CD would work for me without the visuals. After learning the song in one day I went ahead and bought the other two C6 books. There are at least 9 songs in the first C6 book that will be essential for my song list.The 25 more book has not as many for me but has at least 3 backing tracks that will be very helpful. Thanks Doug.
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David M Brown
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Randall Palmore
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Doug
Agreed! Some of the first knowledge gained from Doug was his contributions to the SGW magazine, then the Forum.. all contributions by Doug.. I then decided to learn some C6 non pedal.. six string..His courses were the ticket! They are great! Thanks Doug! RP
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Miles Lang
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Doug Beaumier
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Paul Miles
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Doug Beaumier's books are wonderful!
Couldn't agree more.Got me started and I've never looked back !
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Jack Hanson
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Andy Volk
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Doug is a great teacher and a forum treasure. Thanks for all you do for steel guitar, Doug!
Steel Guitar Books! Website: www.volkmediabooks.com
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Doug Beaumier
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Thanks guys, Jack, I have that rare Emmons tab and audio. LP album with unbound sheets of tab, early 1970s. Great music, but the tablature is written in a strange, hard-to-read way. The pedals are labeled 1,2,3 instead of A,B,C and they are written Below the tab lines. And 1,2 are the fingerings and they are written into the tab where the pedals (A,B,C) should be. So it's kind of mind boggling. I have often thought of converting the tab to standard tab and binding it into a booklet. But there would likely be copyright issues. And the audio, the original Big E audio... there would certainly be some issues with copyright there.
As far as converting the music to lap steel, I've tried working out arrangements on 8-string, but something is lost in the translation. So many of those wonderful signature Buddy Emmons riffs with knee levers and pedals can't be duplicated on non-pedal. The songs can be played, the melodies are recognizable, but a lot of the classic Emmons moves are not there on non-pedal steel.
As far as converting the music to lap steel, I've tried working out arrangements on 8-string, but something is lost in the translation. So many of those wonderful signature Buddy Emmons riffs with knee levers and pedals can't be duplicated on non-pedal. The songs can be played, the melodies are recognizable, but a lot of the classic Emmons moves are not there on non-pedal steel.
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Stefan Robertson
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I refuse to accept defeat.Doug Beaumier wrote:..
As far as converting the music to lap steel, I've tried working out arrangements on 8-string, but something is lost in the translation. So many of those wonderful signature Buddy Emmons riffs with knee levers and pedals can't be duplicated on non-pedal. The songs can be played, the melodies are recognizable, but a lot of the classic Emmons moves are not there on non-pedal steel.
I must find a way.
Stefan
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com
"Give it up for The Lap Steel Guitarist"
Bill Hatcher custom 12 string Lap Steel Guitar
E13#9/F secrets: https://thelapsteelguitarist.wordpress.com
"Give it up for The Lap Steel Guitarist"
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Doug Beaumier
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Andy Volk
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I'm working on a new book of C Diatonic arrangements (that will probably be an eBook only) and it's been an eye-opening reminder of how different tunings configurations offer advantages and disadvantages over one another. Your point is well taken about those Emmons moves that demand pedals, Doug. Early on in my lap steel playing I naively thought I could figure out some of what Ralph Mooney played on my 6th string lap steel. Ha! That was a colossal waste of time - especially when I saw Al Brisco's beautifully done teaching video where he demonstrated Moon's "dancing on the pedals" style.
Steel Guitar Books! Website: www.volkmediabooks.com
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Michael Hillman
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Doug's courses are indeed great!
I agree totally with what others have said about Doug and his courses - he is great to deal with, and, as a bass player that toys with way too many other instruments, I would have never known the joys of C6 six string lap steel without Doug's guidance.
Two Spector 5 string basses, Martin D-18, Taylor 812CE, 1996’Epiphone Sheraton, 1944 Epiphone Zenith, a killer Luttrell 6 string resophonic, 1932 Model 56 Dobro, Beard Model E, Martin Soprano Uke, 10 string 1953 Alkire Eharp, Peavey Nashville 112, Fender Bassman, Fender 75 watt Rumble, and a Fender 100 watt Rumble.
