Pro/Con: Raise #2 with #1
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Tom Gorr
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Pro/Con: Raise #2 with #1
Another current topic has suggestions that the #2 raise be added on the same lever as the #1 raise - i.e. #2 is raised from D# to E while F# is raised to G#.
What are the benefits and drawbacks of this approach.
I understand that PF and Hughey both do this - and while that may be reason enough - I'd like to better understand the tradeoffs before I commit....
What are the benefits and drawbacks of this approach.
I understand that PF and Hughey both do this - and while that may be reason enough - I'd like to better understand the tradeoffs before I commit....
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David Spires
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While I am not Paul or John, I do this as well, and I don't find and drawback to this at all. Perhaps I am not utilizing the 1st string pull in all the combinations I could - but I had it without the 2nd string, then with - and love it with both.
My $0.02,
David Spires
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Steel Guitarist for Jo Dee Messina: Carter D-10 8&7 / MSA Classic D-10 8&5; Line 6 Pod XT; Jagwire Artist Series Strings; Walker Professional Players' Chair; Peterson VS-II Tuner; Goodrich Matchbro & LDR Pedal; and BJS Bars
My $0.02,
David Spires
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Steel Guitarist for Jo Dee Messina: Carter D-10 8&7 / MSA Classic D-10 8&5; Line 6 Pod XT; Jagwire Artist Series Strings; Walker Professional Players' Chair; Peterson VS-II Tuner; Goodrich Matchbro & LDR Pedal; and BJS Bars
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Tony Prior
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It's not really much of a commitment, add it , if you don't like it, get rid of it..
My first Carter only had the 1st string raise on RKL......my current Carter has both on the RKL..I love it.....
I find that after you add a powerhouse change like raising 1 + 2 together the opportunities and combo's open up dramatically.. the problem I have is with the other 8 strings ..
t
My first Carter only had the 1st string raise on RKL......my current Carter has both on the RKL..I love it.....
I find that after you add a powerhouse change like raising 1 + 2 together the opportunities and combo's open up dramatically.. the problem I have is with the other 8 strings ..
t

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Terry Sneed
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Bobby Lee
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There are two very useful positions that use the first string F# to G without changing the second string. In C, they are at the 4th and 9th frets.
Paul has said on this Forum that his lever has a half stop on the first string before the second string kicks in. That's fine. But if you don't have the half stop, you lose those positions. So put this down in the "con" column.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
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Paul has said on this Forum that his lever has a half stop on the first string before the second string kicks in. That's fine. But if you don't have the half stop, you lose those positions. So put this down in the "con" column.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra SD-12 (Ext E9), Williams D-12 Crossover, Sierra S-12 (F Diatonic)
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, C6, A6)</font>
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Tom Gorr
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