levers =lowers/ mine raise=help
Moderator: Dave Mudgett
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Randy Reeves
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levers =lowers/ mine raise=help
I new to PSG. I have a 74 SHO-BUD.
three pedals four knee levers.
I am nearing the point where I could use lowers. so far I have been using just the pedals; Im new at this...you all know the struggle in learning this wonderful instrument.
Upon checking the levers I found they are set for raises. this can't be right.
I read alot of posts here. ALL you players are my heros.
is there information available for setting my levers to lowers. is this something I could accomplish or better to have a pro set them up.
I've done adjustments on my pedals so I know some things about tinkering.
so heros, any help would be nice.
three pedals four knee levers.
I am nearing the point where I could use lowers. so far I have been using just the pedals; Im new at this...you all know the struggle in learning this wonderful instrument.
Upon checking the levers I found they are set for raises. this can't be right.
I read alot of posts here. ALL you players are my heros.
is there information available for setting my levers to lowers. is this something I could accomplish or better to have a pro set them up.
I've done adjustments on my pedals so I know some things about tinkering.
so heros, any help would be nice.
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Larry Bell
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For the typical 3x4 E9 setup, the pedals do only raise. The lowers you will need are found on knee levers.
I'd suggest
* raising 4 and 8 from E to F on LKL
* LOWERING 4 and 8 from E to D# on LKR
* LOWERING 2 from D# to D and possibly (with a 'half stop') on down to C# on RKR
* LOWERING 5 (and possibly 10) from B to A# on RKL
That is how it's typically done for the 'Emmons' configuration. This means P1 raises 5 and 10 from B to C#; P2 raises 3 and 6 from G# to A; P3 raises 4 from E to F# and 5 from B to C#. If P1 and P3 are reversed (the 'Jimmy Day setup' you'd want to reverse the left knee levers.
What do your knee levers do now?
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 23 November 2004 at 01:29 PM.]</p></FONT>
I'd suggest
* raising 4 and 8 from E to F on LKL
* LOWERING 4 and 8 from E to D# on LKR
* LOWERING 2 from D# to D and possibly (with a 'half stop') on down to C# on RKR
* LOWERING 5 (and possibly 10) from B to A# on RKL
That is how it's typically done for the 'Emmons' configuration. This means P1 raises 5 and 10 from B to C#; P2 raises 3 and 6 from G# to A; P3 raises 4 from E to F# and 5 from B to C#. If P1 and P3 are reversed (the 'Jimmy Day setup' you'd want to reverse the left knee levers.
What do your knee levers do now?
------------------
<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 23 November 2004 at 01:29 PM.]</p></FONT>
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Randy Reeves
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Erv Niehaus
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Randy Reeves
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I am leaving work shortly. I must admit that before I posted I should have had those lever positions jotted down.
That way, when asked 'what do your levers do now' I would have had the answer.
I hope no one misunderstood my second redundant post.
so Ill be back in 24 hours wih more questions.
ERV. thanks. I'll take a look where those levers are connected.
you all remain my steel heros.
That way, when asked 'what do your levers do now' I would have had the answer.
I hope no one misunderstood my second redundant post.
so Ill be back in 24 hours wih more questions.
ERV. thanks. I'll take a look where those levers are connected.
you all remain my steel heros.
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Randy Reeves
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ok .I am back.
"what do my levers do now"
two levers are raising and two levers were doing nohing. then I found they were not connected. once attached they lower.
so this is what the previous owner had set up:
(D) RKL strings 4,8 E to D#
(E) LKL strings 4,8 E to F
(F)LKL strings 1,7 F# to G
(G) RKL string 2 D# to D to C#
string 9 D to C#
my PSG is ten string tuned to E9
question: is this set up correct? and should all the levers be lowers?
I came prepard this morning. so help away folks.
"what do my levers do now"
two levers are raising and two levers were doing nohing. then I found they were not connected. once attached they lower.
so this is what the previous owner had set up:
(D) RKL strings 4,8 E to D#
(E) LKL strings 4,8 E to F
(F)LKL strings 1,7 F# to G
(G) RKL string 2 D# to D to C#
string 9 D to C#
my PSG is ten string tuned to E9
question: is this set up correct? and should all the levers be lowers?
I came prepard this morning. so help away folks.
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David L. Donald
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Randy
Essentially this is not too bad.
The E to F and E to Eb are standard,
but the E to F is more normally LKL...
if there is a normal on this instrument.
Some put the E to Eb on LKR ( B.E. & me),
but many have it on RKL.
Your call, might as well leave it. It is similar to how a Universal is levered. So if you ever go Uni, less retraining.
Now you have listed 2 different RKL's....
I assume one is a RKR likely the D# to D to C#, that is pretty standard too.
Now many lower the D#'s with on lever
and raise them withanother, but you only lower.
Now you LKL is much less common.
It is basically making your 9th note of E9 turn into a minor 3rd.
I like having minors on levers. I have a LKV that turns Bs to Bb for an AB down minor too.
This is OK, but for me I prefer to lower my G#'s to G
getting the minor and still having the 9th above it too.
The problem theory wise with rasing the F#'s is it leaves you a major and minor 3rd or a half step to be avoided, and then also losing a useful interval at the same time.
Some will have other reasons to raise the F#'s one being mechanical, that some steels have trouble lowering the higher G#.
My Bud isn't perfect like this. But I still prefer the G# lower.
Essentially this is not too bad.
The E to F and E to Eb are standard,
but the E to F is more normally LKL...
if there is a normal on this instrument.
Some put the E to Eb on LKR ( B.E. & me),
but many have it on RKL.
Your call, might as well leave it. It is similar to how a Universal is levered. So if you ever go Uni, less retraining.
Now you have listed 2 different RKL's....
I assume one is a RKR likely the D# to D to C#, that is pretty standard too.
Now many lower the D#'s with on lever
and raise them withanother, but you only lower.
Now you LKL is much less common.
It is basically making your 9th note of E9 turn into a minor 3rd.
I like having minors on levers. I have a LKV that turns Bs to Bb for an AB down minor too.
This is OK, but for me I prefer to lower my G#'s to G
getting the minor and still having the 9th above it too.
The problem theory wise with rasing the F#'s is it leaves you a major and minor 3rd or a half step to be avoided, and then also losing a useful interval at the same time.
Some will have other reasons to raise the F#'s one being mechanical, that some steels have trouble lowering the higher G#.
My Bud isn't perfect like this. But I still prefer the G# lower.
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Ricky Davis
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Randy you have made a typo in that you have two RKL and two LKL?
I think you meant>
RKR(right knee going Right) is (2nd string)D#-D-C#&(9th string) D-C#
RKL(right knee going Left) is (4&8)E-Eb
LKR(left knee going Right) is (1&7)F#'s-G)
LKL(left knee going Left) is (4&8) E-F
If so than yes that is normal and standard Sho~Bud knee set up and if it's set up this way; all you have to do is start learning.
Ricky
I think you meant>
RKR(right knee going Right) is (2nd string)D#-D-C#&(9th string) D-C#
RKL(right knee going Left) is (4&8)E-Eb
LKR(left knee going Right) is (1&7)F#'s-G)
LKL(left knee going Left) is (4&8) E-F
If so than yes that is normal and standard Sho~Bud knee set up and if it's set up this way; all you have to do is start learning.
Ricky
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Clyde Lane
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Randy Reeves
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I see the typo. Can you see how new I am at this. Im 53. started playing guitar at fifteen. finding steel coursing thru my veins. 
and I see the changes with this set up.
now I can search around this site and become wonderfully lost in the fine tunings and preferred changes by the greats of PSG.
then, I have a lot of learning which will be challenging and of course rewarding.
what an amazing instrument.
thank you gentlemen.

and I see the changes with this set up.
now I can search around this site and become wonderfully lost in the fine tunings and preferred changes by the greats of PSG.
then, I have a lot of learning which will be challenging and of course rewarding.
what an amazing instrument.
thank you gentlemen.
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Randy Reeves
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- Location: LaCrosse, Wisconsin, USA
- State/Province: Wisconsin
- Country: United States
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Ron !
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Randy Reeves
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Gary Preston
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Randy it looks like that someone has added two of the levers . I think that i see two teardrop and two straight levers . Anyway it does'nt sound like a bad setup to me . Have fun with the ''Bud ''. Remember that you can learn from the guys on the forum so don't hesitate to ask . You will find out that you have a resource that will never run dry right here . Good luck and God bless you ,,,Gary .