What Kind of Sho~Bud is This

Instruments, mechanical issues, copedents, techniques, etc.

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Henry Matthews
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What Kind of Sho~Bud is This

Post by Henry Matthews »

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Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Paul Wade
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What Kind of Sho~Bud is This

Post by Paul Wade »

Henry,
i am thinking a Sd-10 crossover ??? not sure

p.w
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Henry Matthews
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Post by Henry Matthews »

Thanks Paul, never seen a changer like that on a Bud or Anything else for that matter. The racks are solid aluminum and the barrels are aluminum in color. It has 3 pedals and all the pulls and lowers for 4 levers but no levers. The top is in almost perfect shape. It's lamented die board looks like or some kind of pressed board. The owner is going to put it up for sale I think.
Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Erv Niehaus
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Post by Erv Niehaus »

Henry.
I have NEVER seen a changer like that on a Sho~Bud.
Some of the other features on the guitar also put doubts in my mind that it is 100% Sho~Bud.
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Henry Matthews
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Post by Henry Matthews »

Don't think it is either Erv but it's mostly ShoBud but that changer is strange. Never seen one like that.
Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Erv Niehaus
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Post by Erv Niehaus »

Yes, it sure is a different design, kind of interesting, though. :D
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Post by forrest klott »

Howdy,

Back in the early '90's I had one nearly identical. It was a crossover that had been converted to a SD10 from D10. It had the same changer in it. If memory serves correctly there are more than one hole in the fingers to put the strings thru. I know for sure it's not my old guitar because the one I had was re-finished by the guy I got it from and was candy apple red.

Interesting to see one like it again, perhaps one of the Sho~Bud gurus will chime in.

Skeeter
J R Rose
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Post by J R Rose »

Interesting changer Henry. Rollers under each string at the changer end. Are their rollers at the top end also? I think it is a good design but maybe not since no one has kept on building it. Cost could be a factor also. Let us know how it plays. Thanks, J.R. Rose
NOTHING..Sold it all. J.R. Rose
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Henry Matthews
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Post by Henry Matthews »

J R Rose wrote:Interesting changer Henry. Rollers under each string at the changer end. Are their rollers at the top end also? I think it is a good design but maybe not since no one has kept on building it. Cost could be a factor also. Let us know how it plays. Thanks, J.R. Rose
Hey J.R., don't think I'm going to work on it and get it playing. The owner just wants to sell it so may post it in a day or two. Would be a very good project for someone. I'll be it would sound good.
Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Erv Niehaus
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Post by Erv Niehaus »

It would be nice to get some clearer pictures from under the hood also.
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Henry Matthews
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Post by Henry Matthews »

Here's some more pics. Still a strange changer, it pulls straight, not twist like a regular all pull. The pedals are easy feeling.
Image
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Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Post by J R Rose »

My, My Henry, What a machine!! One of a kind no doubt. It does seem to have some Sho-Bud engineering but I have never seen anything like it. Have you been able to get any history on it yet? Would sure like to know. Maybe John Billings can enlighten us some? Thanks, J.R.
NOTHING..Sold it all. J.R. Rose
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b0b
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Post by b0b »

Perhaps a Baldwin-era prototype?
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John Billings
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Post by John Billings »

I think it's made from the first iteration of the Crossover. Right after the Fingertips? Like 1965? Hope Ricky chimes in, because he's seen a lot more Shobuds than I have. But I think it's legit.
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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John Billings
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Post by John Billings »

Is it Rick Abbot that has the really old Crossover? I wonder what changers are on his?
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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Ricky Davis
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Post by Ricky Davis »

I really don't know much of the Crossover series; baldwin or not. I NEVER received any to work on over my 20 years of doing restoration work; as I always told the customer; I did NOT like them at all....So no experience here.
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John Billings
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Post by John Billings »

Ricky,
My first Bud was Crossover. Played and sounded great on the E neck. Switch over to the C neck and it was great! Switch back to the E neck and everything was out of whack! Unplayable! It was stolen, and I really didn't miss the frustration! Only problem was, whoever stole it also stole my original 1958 Flying V! Now that I missed! And still do! If I had it today, I'd sell it and buy a condo in Florida!
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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Henry Matthews
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Post by Henry Matthews »

I think this was a D-10 crossover that has been converted to a single 10. If I remember correct, the guy that had this did have a D-10 crossover and I believe this is the remnants of it. Been years ago.
Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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John Billings
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Post by John Billings »

Oh! It's definitely a converted Crossover. But a very early one IMOP.
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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Bob Muller
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Post by Bob Muller »

John Billings wrote:Oh! It's definitely a converted Crossover. But a very early one IMOP.
I agree that it's a converted crossover, I think I remember speaking to John Coop about this type of changer also. I had a crossover that came with that same case, and had all aluminum pole rods and barrel tuners. The cabinet should be all Maple with a metal frame.
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b0b
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Post by b0b »

Is the changer really a Sho~Bud? I've never seen one like that before.
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Jon Light (deceased)
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Post by Jon Light (deceased) »

What I want to know is, if you have only one neck and you hit the crossover lever, where does it cross you over to? Twilight Zone?
Tommy White
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Post by Tommy White »

I believe it is an original Sho-Bud crossover changer design. Only a very few with that changer design were built and if I recall correctly, a few of those were 23 inch scale instead of Sho-Bud's usual 24" scale. Interesting for sure. I always liked the crossover. That is what I started on and have owned several. One of my favorite era Lloyd Green tones was when he played a crossover. Which I believe became the first LDG.
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Henry Matthews
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Post by Henry Matthews »

Thanks everyone for the info on the guitar.
The cabinet is laminated pressed board of some type. Looks to be all original what parts I have. If it had knee levers, they are missing but everything else seems to be there.
I'll have to tune it up and see how it sounds. Bet it's a killer. Most all the old Sho-Buds were.
Henry Matthews


D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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Erv Niehaus
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Post by Erv Niehaus »

It might sound like the MCI with the welded frame.