C6th setup question?
Moderator: Dave Mudgett
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Roy McKinney
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C6th setup question?
What is the "most common" standard, or universal pedal setup for the C6th? I use a G first string and raise it to a G# with pedal 5. I think the rest of my pedals are fairly standard setup. I only have 3 KL on C6th and currently have LKL set to raise the 3 & 7 string C's to C# which I like very well. My RKL raises the 4 A to a Bb and the RKR drops the 3 C to B. I am adding a LKR and intend to drop the 5 G to F and raise the 10 C to D. Question is what is "kinda" accepted as a standard setup and on what KL?
Thanks
Thanks
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C Dixon
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Roy, yours is pretty standard. The following is what many have, who use 4 knee levers with the G on top:
<font face="monospace" size="3"><pre>
4 5 6 7 8 LKL LKR RKL RKR
G G#
E F
C D B C#
A B B Ab Bb
G F#
E Eb
C C# C#
A B
F F# E
C D A
</pre></font>
Note: Some reverse the changes on RKL and RKR. A fifth knee lever (LKV) would probably lower 5 a whole tone. That seems to be a standard emerging scenario.
If you are wondering why some do not change the octaves (also) on LKL and LKR, I will quote Buddy Emmons, "It messes up the chord combinations".
I have to agree. This is due to the fact, that the C6 neck is pretty much a "dissonant" neck. And it seems that proficient players want as many dissonant combinations as possible.
carl
<font face="monospace" size="3"><pre>
4 5 6 7 8 LKL LKR RKL RKR
G G#
E F
C D B C#
A B B Ab Bb
G F#
E Eb
C C# C#
A B
F F# E
C D A
</pre></font>
Note: Some reverse the changes on RKL and RKR. A fifth knee lever (LKV) would probably lower 5 a whole tone. That seems to be a standard emerging scenario.
If you are wondering why some do not change the octaves (also) on LKL and LKR, I will quote Buddy Emmons, "It messes up the chord combinations".
I have to agree. This is due to the fact, that the C6 neck is pretty much a "dissonant" neck. And it seems that proficient players want as many dissonant combinations as possible.
carl
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Rick Schmidt
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C Dixon
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Roy McKinney
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David L. Donald
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If I had only one lever to add to this I would raise the 6ths +1
and drop the 3rds -1, for a minor 7 chord.
and use it for relative minors of major chord positions.
I have this split on two of 5 levers now,
I use it tons and the C-C# lever
Never really used the B's 4th pedal much<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 27 April 2004 at 06:10 PM.]</p></FONT>
and drop the 3rds -1, for a minor 7 chord.
and use it for relative minors of major chord positions.
I have this split on two of 5 levers now,
I use it tons and the C-C# lever
Never really used the B's 4th pedal much<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by David L. Donald on 27 April 2004 at 06:10 PM.]</p></FONT>

