6-string pedal steel
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Markku Koskinen
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6-string pedal steel
I'm starting the pedal steel. Anyway I'd like to have a pedal steel that is close to a standard 6-string guitar, but mechanically more simple than pedal steel's lower/raiser -system. I have designed a construction to have the raiser or the lower, but not both - for every string. What do you recommend for basic tunig and what string to raise and what to lower? And - is there any sense to go on this way?
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Jussi Huhtakangas
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HowardR
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Bobby Lee
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Ah a challenge! You didn't say if a string could have multiple raises, so I'll assume it can't.
<font face="monospace" size="3"><pre> k p1 p2 k
E +F
B +C#
G# +A
E +F
D -C#
B -A </pre></font>If you can put a half-stop on the F knee lever, to allow it to be raised further to F#, that would be good.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
<font face="monospace" size="3"><pre> k p1 p2 k
E +F
B +C#
G# +A
E +F
D -C#
B -A </pre></font>If you can put a half-stop on the F knee lever, to allow it to be raised further to F#, that would be good.
------------------
<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
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Bobby Lee
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Markku Koskinen
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Jussi Huhtakangas
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Bengt Erlandsen
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A little bit of bob's tuning idea but with a twist on the pedals/levers.
<font face="monospace" size="3"><pre>
LKL P1 P2 RKR
E +F
B -Bb
G# -G
E +F
C# +D
B -Bb
</pre></font>
The changes might look weird but they all complement each other and have to be where they are for combinational reasons since all might be used at the same time.
<font face="monospace" size="3"><pre>
LKL P1 P2 P3 RKR
E +F
C +D
A +B
G -F#
E -Eb
C +C#
</pre></font>
More or less the same C6 rearranged for some special combinations.
Bengt Erlandsen
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:12 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:19 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:20 AM.]</p></FONT>
<font face="monospace" size="3"><pre>
LKL P1 P2 RKR
E +F
B -Bb
G# -G
E +F
C# +D
B -Bb
</pre></font>
The changes might look weird but they all complement each other and have to be where they are for combinational reasons since all might be used at the same time.
<font face="monospace" size="3"><pre>
LKL P1 P2 P3 RKR
E +F
C +D
A +B
G -F#
E -Eb
C +C#
</pre></font>
More or less the same C6 rearranged for some special combinations.
Bengt Erlandsen
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:12 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:19 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bengt Erlandsen on 16 February 2004 at 06:20 AM.]</p></FONT>
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C Dixon
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I would only change b0bby's suggestion by lowering the E's on E9th instead of raising them. I could live with that on a S-6 or D-6 If I had to. In fact I believe it would be a great PSG for playing strictly Hawaiian type music.
More I think about it, the more I might just build one. Limiting to just raise or just lower on a given string, makes the changer very easy to build.
Thanks
carl
A Better Way<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 16 February 2004 at 02:47 PM.]</p></FONT>
More I think about it, the more I might just build one. Limiting to just raise or just lower on a given string, makes the changer very easy to build.
Thanks
carl
A Better Way<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 16 February 2004 at 02:47 PM.]</p></FONT>
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Fred Glave
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I have an old 6 string Multi-Kord that I'd sometimes tune as such:
....p1....p2....p3....p4
G.........+G#
E................+F
C......................++D
A..++B...............++B
G.........-F#
E................-Eb
It's just an abreviated version of a Jimmy Day tuning. It's pretty good for blues and swing. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Fred Glave on 16 February 2004 at 02:45 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Fred Glave on 16 February 2004 at 02:49 PM.]</p></FONT>
....p1....p2....p3....p4
G.........+G#
E................+F
C......................++D
A..++B...............++B
G.........-F#
E................-Eb
It's just an abreviated version of a Jimmy Day tuning. It's pretty good for blues and swing. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Fred Glave on 16 February 2004 at 02:45 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Fred Glave on 16 February 2004 at 02:49 PM.]</p></FONT>

ya almost nailed it!!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jussi Huhtakangas on 15 February 2004 at 11:54 AM.]</p></FONT>