What's your "time to change strings" signal?
Moderator: Dave Mudgett
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Nathan Delacretaz
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What's your "time to change strings" signal?
Aside from breakage, what "time to change strings" signals do you guys look for?
I'm lucky enough to be playing 4 nights a week this winter, so my string wear is going up considerably...I've played 7 of the last 10 days on this set and I've noticed that my tuning is not as stable...but it could be temperature change, etc...
I'm lucky enough to be playing 4 nights a week this winter, so my string wear is going up considerably...I've played 7 of the last 10 days on this set and I've noticed that my tuning is not as stable...but it could be temperature change, etc...
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Ray Montee (RIP)
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Gene Jones
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When I was working on-stage under lights, I changed 3&5 every six hours....and the rest of them monthly.
Now that I just play at home....I change 'em when they break!
www.genejones.com
Now that I just play at home....I change 'em when they break!

www.genejones.com
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Lloyd Karenke
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Bobby Lee
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What b0b said, and in addition, when sitting nearly level the bar will "find" the 3rd 5th or 7the frets and stop rolling when let go.
Believe it or not about 4 nights of HARD playing can get this to happen. That's one of the reasons my Bullseye bar is getting more and more use. It's obvious lessening of the drag on the strings makes for less string wear, I'm sure.
I believe there is an area of "acceptability" that is a funny occurance. To me, like on a practice guitar, or instance where you are playing "lowball" weekends ( We all have them), that after the initial two weekends, when you can notice a 'deadening' somehow they seem to "come back to life", and you can play low stress weekends for months. The longest set I can remember was about 6 months of weekends, but they were getting pretty dead. Also on my guitar, I demand less 'live sound' out of my C6 neck, and change them at about three times the interval of my E9ths. About three times less use too.
Theres certainly nothing wrong with buffing them up with a polish cloth. That'll brighten them up too on the plains, and I suppose cleans the crap out of the wound strings.
There's something to be said for lubing them too, but be aware that you don't want to "load up" the inner windings of your wound strings. That deadens them fast. Ask any bass player.
EJL
Believe it or not about 4 nights of HARD playing can get this to happen. That's one of the reasons my Bullseye bar is getting more and more use. It's obvious lessening of the drag on the strings makes for less string wear, I'm sure.
I believe there is an area of "acceptability" that is a funny occurance. To me, like on a practice guitar, or instance where you are playing "lowball" weekends ( We all have them), that after the initial two weekends, when you can notice a 'deadening' somehow they seem to "come back to life", and you can play low stress weekends for months. The longest set I can remember was about 6 months of weekends, but they were getting pretty dead. Also on my guitar, I demand less 'live sound' out of my C6 neck, and change them at about three times the interval of my E9ths. About three times less use too.
Theres certainly nothing wrong with buffing them up with a polish cloth. That'll brighten them up too on the plains, and I suppose cleans the crap out of the wound strings.
There's something to be said for lubing them too, but be aware that you don't want to "load up" the inner windings of your wound strings. That deadens them fast. Ask any bass player.
EJL
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Nathan Delacretaz
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Erv Niehaus
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I use a product called Fret Fast on my strings. I rub this on the strings and then wipe them off with the enclosed cloth. It removes the gunk from the strings, and makes the bar slide over them easier. It might be my imagination, but I think it makes them sound brighter also. Try it you'll like it!
Erv
Erv
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Lee Baucum
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I like using Fast Fret, too.
Another trick I learned years ago is to watch for the flat spots that can show up on the wound strings. With a good light source overhead, you can grip a wound string and twist it a little bit. The light will reflect off the flat surface of the string. That's a good indication it's been on the guitar long enough.
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Lee, from South Texas
Down On The Rio Grande
Another trick I learned years ago is to watch for the flat spots that can show up on the wound strings. With a good light source overhead, you can grip a wound string and twist it a little bit. The light will reflect off the flat surface of the string. That's a good indication it's been on the guitar long enough.
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Lee, from South Texas
Down On The Rio Grande
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Gino Iorfida
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Whenever I notice that I have to start touching the endplate tuning more frequently (genrally, when I put a set of strings on, and adjust the endplate tuning, things stay that way for a LONG time... when I notice more than one stirng being out every time I sit down, I change the strings out). On average, I may go 5 or 6 gigs and an equal number of practices before I change them ALL, and I'll change out just the 3rd, 4th and 5th string after a couple gigs and practicexs as preventative maintenance.
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Whip Lashaway
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I can tell that things are going south with my strings when I start to miss chimes. As the strings begin to wear chimming gets increasingly more difficult. I can hit a chime on new strings without even looking, but, when the strings are at the end of there life span you have to be dead on with no error. I usually change the first 6 strings and every other time I change the bottom 6. I also use FastFret. It will keep your strings feeling like new right up till they die. Hope that helps.
Whip
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Whip Lashaway
Sierra E9/B6 12 string
Sierra E9/B6 14 string
78' Emmons D10 P/P
Whip
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Whip Lashaway
Sierra E9/B6 12 string
Sierra E9/B6 14 string
78' Emmons D10 P/P
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I played some gigs with Johhny Gimble in the late 70's and he told me that he tried changing the low string on his electric mandolin once and luckily he saved the one he put on it in 1958! I don't believe he was ever able to find one that sounded as good as the one he put on in '58, so he just kept using it.
I have heard that some steel players develop a fondness for a "broken in" low string and only will change it if it breaks. My guess is that it's a matter of liking the thudish sound.
I have heard that some steel players develop a fondness for a "broken in" low string and only will change it if it breaks. My guess is that it's a matter of liking the thudish sound.

