Has the old pot volume pedal gone out of style?
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Austin Tripp
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Has the old pot volume pedal gone out of style?
I've been using a Hilton for the past 7 years but I've just purchased a new Goodrich 120 and I was just wondering who still uses the old pot pedals.
Austin Tripp
Austin Tripp
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Mark van Allen
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Austin Tripp
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I agree totally about the power cords Mark lol. Have been through 3 with my Hilton. And Keith I agree about tone. Something about those ole 500k's just have a sweet tone. One thing I do like about the electric pedals is it seems to me like they have a little more "get up and go" as opposed to the pot pedals. And I believe Paul s still using the ole stereo Franklin volume pedal last I heard. There's pros and cons about both I guess lol.
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Tim Marcus
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I use both the Telonics pedal and a Goodrich L120
I was frustrated with the lack of good pots and bought the Telonics - and it's a great sounding pedal - but I agree that the mojo is in the passive pot pedal.
I've been using regular PEC 500k pots (not the hi life) and it's been over a year since I have heard a scratch. I changed my pedals to be full on when they are pressed down all the way and I gotta say that it really brings the sparkle out when doing that.
Sometimes I just don't want to deal with running a power cable to my steel setup. If it's a rehearsal or a gig with little time to sound check for example the L120 is the easy way out. For a recording session I'll generally use the Telonics pedal - can't take a chance on scratchy. Also, if I use a single channel amp I'll use the Telonics because it plays nice with tele too, but with a 2 channel amp with one dedicated for steel the Goodrich is my choice.
I was frustrated with the lack of good pots and bought the Telonics - and it's a great sounding pedal - but I agree that the mojo is in the passive pot pedal.
I've been using regular PEC 500k pots (not the hi life) and it's been over a year since I have heard a scratch. I changed my pedals to be full on when they are pressed down all the way and I gotta say that it really brings the sparkle out when doing that.
Sometimes I just don't want to deal with running a power cable to my steel setup. If it's a rehearsal or a gig with little time to sound check for example the L120 is the easy way out. For a recording session I'll generally use the Telonics pedal - can't take a chance on scratchy. Also, if I use a single channel amp I'll use the Telonics because it plays nice with tele too, but with a 2 channel amp with one dedicated for steel the Goodrich is my choice.
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b0b
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OLD pot pedals?
Mine isn't that old. I bought it about 4 years ago. Still has the original pot.
Pots last a long time for me. I don't pump the pedal a whole lot. For some songs I take my foot off it. Blues and folk-rock don't really need a volume pedal. Often they sound better without it.
Pots last a long time for me. I don't pump the pedal a whole lot. For some songs I take my foot off it. Blues and folk-rock don't really need a volume pedal. Often they sound better without it.
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Lane Gray
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Scott Duckworth
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One on the floor and one in the seat... just in case.
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Jack Stoner
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I've went to the Hilton as there is no pot to wear out and no string to break. The extra power cord is not an issue for me.
Whether "so and so" uses a pot pedal, does not mean that I should still use one. Just like my Franklin guitar. Several suggested I bought a Franklin guitar (new in 1981) because of Paul Franklin. I never heard of him until after I bought the guitar.
Whether "so and so" uses a pot pedal, does not mean that I should still use one. Just like my Franklin guitar. Several suggested I bought a Franklin guitar (new in 1981) because of Paul Franklin. I never heard of him until after I bought the guitar.
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Jim Bates
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b0b
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I bought a Goodrich because of Ollie Goodrich. Never regretted it.Jack Stoner wrote:Several suggested I bought a Franklin guitar (new in 1981) because of Paul Franklin. I never heard of him until after I bought the guitar.
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Donny Hinson
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I've always used a pot pedal. Never could understand the "tone suck" thing. My feeling is that a lot of players just look for anything they can to blame their shortcomings on - except themselves. 
When you consider:
"Black Album" (pot pedal)
"Panther Hall" (pot pedal)
"Fifteen Years Ago" (pot pedal)
"Don't Come Home 'a Drinkin" (pot pedal)
"I'll Come Runnin" (pot pedal)
"Jukebox Charlie" (pot pedal)
And everything Emmons and Charleton ever did with Tubb (pot pedal).
Well, 'ya just gotta wonder what the "tone heads" are hearing.

When you consider:
"Black Album" (pot pedal)
"Panther Hall" (pot pedal)
"Fifteen Years Ago" (pot pedal)
"Don't Come Home 'a Drinkin" (pot pedal)
"I'll Come Runnin" (pot pedal)
"Jukebox Charlie" (pot pedal)
And everything Emmons and Charleton ever did with Tubb (pot pedal).
Well, 'ya just gotta wonder what the "tone heads" are hearing.
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b0b
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You lose high frequencies when a pot pedal is at low volume. I say that's good. I don't want highs when I'm playing in the background - I want them when I'm soloing. I played with an active pedal for a long time, and I switched back to a pot pedal very deliberately. It's just better for the way that I play.
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Tim Marcus
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if you set a Goodrich pedal to go all the way off when your heel is down, when its all the way up (toe down) the pot is still attenuating the signal some. There is just a little bit of rotation left on that pot, and it will load your pickup just a hair. Sometimes thats a good thing
I think both are good to own. The active pedal can be a real life saver, and the pot pedal can be a real time saver. They both sound good in different ways.
I know that Wayne Dahl uses a pot pedal and will probably never convert. He told me, and I agree, that the pot pedal has the mojo as long as you can find the reliable pots
I think both are good to own. The active pedal can be a real life saver, and the pot pedal can be a real time saver. They both sound good in different ways.
I know that Wayne Dahl uses a pot pedal and will probably never convert. He told me, and I agree, that the pot pedal has the mojo as long as you can find the reliable pots
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Marty Broussard
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B0b and other pot pedal users, are you using the Lil Izzy? I use it in some situations. It may or may not produce the same results as the powered pedals but it's easy to own.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
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Lane Gray
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John Billings
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I like the old Shobud pedals. They sound great, and just seem ergonomically correct for me. I was using an L 120, and liked it. But Eddie Rhea gifted me an old Shobud in primo condition, and I love it!
When I was foolishly using a complicated stereo rack set up, I got a Goodrich active stereo pedal. Everytime I went into the studio, the engineers complained about hum and buzz, which only disappeared when I pulled out the old pot pedal. And the engineers always said the guitar sounded much better.
When I was foolishly using a complicated stereo rack set up, I got a Goodrich active stereo pedal. Everytime I went into the studio, the engineers complained about hum and buzz, which only disappeared when I pulled out the old pot pedal. And the engineers always said the guitar sounded much better.
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Marty Broussard
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Lane I think we're on the same page. In addition, my experience is similar to Bob 's; I don't wear out many pots so I continue to use them.
RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
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Edward Rhea
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JB, you are so welcome my friend! Your friendship and advice has been well worth it to me.
Randy Tatman gave me a Marlen pot pedal(still use it), over a year ago when I started. I use my Shobud pedal with my Shobud s10. So I have two vp's and two psg's.
About 2/3 of the steel players I've met still use a pot pedal. The others almost exclusively use a Hilton or a Telonics. FWIW, I like my pot pedals and have no desire to switch to an electronic/powered type.
Randy Tatman gave me a Marlen pot pedal(still use it), over a year ago when I started. I use my Shobud pedal with my Shobud s10. So I have two vp's and two psg's.
About 2/3 of the steel players I've met still use a pot pedal. The others almost exclusively use a Hilton or a Telonics. FWIW, I like my pot pedals and have no desire to switch to an electronic/powered type.
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John Billings
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Edward Rhea
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Eric Philippsen
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I carry both a Telonics and a Goodrich 120 to gigs. Always good to have a backup.
Which one do I usually gig with? Well, I gotta say that I make up my mind when I open up my seat and see both lying there. Heck, both sound good, just different. Truth be told, lazy guy that I am, sometimes I'll throw the Goodrich down and use that rather than mess with yet another power cord. It always sounds fine.
Which one do I usually gig with? Well, I gotta say that I make up my mind when I open up my seat and see both lying there. Heck, both sound good, just different. Truth be told, lazy guy that I am, sometimes I'll throw the Goodrich down and use that rather than mess with yet another power cord. It always sounds fine.
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Lee Baucum
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I've got two Goodrich 120's and a Sarno FreeLoader and couldn't be happier. Brad puts some sort of voodoo magic in the FreeLoader. You can dial in as much or as little twang as you desire.
Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
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Paul Wade
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goodrich pedal
have three i carry since 1979
p.w
p.w