12 String Universal players!
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Bill Atwood
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12 String Universal players!
After several months of working on my new 12 string U, I have come to the conclusion that there is advantage to having the string 4&8 knee changes on the right rather than the left. The builder of my guitar advised me that the left knee was "Standard" on the universal as well as a standard 10 string E9. I suspect that the majority of Universal players have the E changes on the right knee.
Let's conduct a straw poll of as amny universal players that will respond. Which knee do you have the E changes on? I'm curious, do any of you lower on the RKR and raise LKL?
I'll compile the response later on this thread. Thanks for your input.
Let's conduct a straw poll of as amny universal players that will respond. Which knee do you have the E changes on? I'm curious, do any of you lower on the RKR and raise LKL?
I'll compile the response later on this thread. Thanks for your input.
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Pete Burak
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Lower E's on RKR.
Raise E's on LKL.
I ordered my first S12U, a Black Emmons push-pull, with Jeff Newmans S12U copedant (circa 1981), and started with his course "B6th Universal-Book 1", which shows the copedant as such.
LKV lowers B to Bb.
RKL brings 2 and 9 to D's.
No LKR.
I think he has changed it a little since then, adding D# to C# (string 2) to the E to Eb lever for B6th.
Raise E's on LKL.
I ordered my first S12U, a Black Emmons push-pull, with Jeff Newmans S12U copedant (circa 1981), and started with his course "B6th Universal-Book 1", which shows the copedant as such.
LKV lowers B to Bb.
RKL brings 2 and 9 to D's.
No LKR.
I think he has changed it a little since then, adding D# to C# (string 2) to the E to Eb lever for B6th.
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Dennis Boyd
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I have both of my E-string levers on the left which is how Sierra sets up the Universal (LKL E-F, LKR E-D#). I place these levers forward and as close together as possible for quick engagement.
Some people like to have them on separate knees so that the change from one to the other is immediate and smooth. This makes sense, but I like having the use of an extra knee lever by placing the E-string levers on the same knee.
Some people like to have them on separate knees so that the change from one to the other is immediate and smooth. This makes sense, but I like having the use of an extra knee lever by placing the E-string levers on the same knee.
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Pete Burak
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on my U12 I have the same as Mr Malone, which is really different than they were on my 10 Str E9 MSA or are on my 10 Str E9 on the ZB. both E raises and lowers are on the left knee on the 10 stringer.
(current) Zum U12, w Emmons ABC pedals: lkl=raise, rkl = lower
(current)ZB, w/Emmons ABC pedals: lkl = raise lkr= lower
(1974-1997) MSA, w/Emmons ABC pedals: lkl = lower lkr= raise
21st Century Schizoid Man<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Van Allen on 06 November 2002 at 02:40 PM.]</p></FONT>
(current) Zum U12, w Emmons ABC pedals: lkl=raise, rkl = lower
(current)ZB, w/Emmons ABC pedals: lkl = raise lkr= lower
(1974-1997) MSA, w/Emmons ABC pedals: lkl = lower lkr= raise
21st Century Schizoid Man<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dave Van Allen on 06 November 2002 at 02:40 PM.]</p></FONT>
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I raise my E's to F on the LLK and lower the low E to C# on my extended E9-E6, as Bobby Lee does.
I lower my E's to D# on the RRK, It gives more freedom to my left leg, for one thing.
I also would not do without my 9th string C# and pull it to a D on a knee lever, when I need it.
Here is my basic tuning now on my S12: I get the middle F# with a knee lever.
F#
D#
G#
E
C#
B
G#
E
C#
B
G#
E
It is a little different but it works for my style of playing........al
I lower my E's to D# on the RRK, It gives more freedom to my left leg, for one thing.
I also would not do without my 9th string C# and pull it to a D on a knee lever, when I need it.
Here is my basic tuning now on my S12: I get the middle F# with a knee lever.
F#
D#
G#
E
C#
B
G#
E
C#
B
G#
E
It is a little different but it works for my style of playing........al

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Gord Cole
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"I definitely feel that the E raise & lower should be on the same knee, as you never use them together."
Interesting how we all come from different angles on this type of stuff!
I use these levers together all the time when playing out of the A+F position (F=E's raised to F).
I also have E to F# on a lever (RKL) which, combined with the other changes on that string, gives me a good deal of motion (my current setup has string 4(E) going from D to F#).
Fun Stuff!
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pete Burak on 08 November 2002 at 12:56 PM.]</p></FONT>
Interesting how we all come from different angles on this type of stuff!
I use these levers together all the time when playing out of the A+F position (F=E's raised to F).
I also have E to F# on a lever (RKL) which, combined with the other changes on that string, gives me a good deal of motion (my current setup has string 4(E) going from D to F#).
Fun Stuff!
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pete Burak on 08 November 2002 at 12:56 PM.]</p></FONT>
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Bill Atwood
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