analog delay junkies
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Karen Sarkisian
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analog delay junkies
I just picked up a Wampler Faux Analog Echo pedal. I really like it for pedal steel. It is warm and sounds very analog but without the artifacts that the carbon copy and other analog delays I have tried have. It sounds really good !! And you can dial in a little distortion on the repeats if you want to. Brian Wampler did a great job with this pedal. I am going to hold onto my El Capistan for more complex tones on slower tunes, but I think this Wampler pedal will be my new go to delay pedal.
Emmons
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Jon Light (deceased)
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Karen Sarkisian
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i like it. easy to dial in, great tone, not very complicated. I like the El Cap but its almost too much pedal for me with all the adjustments. I may end up ditching it for the faux tape echo as i like having a pedal with tap tempo on it, but this faux analog pedal has ended my search for a basic analog delay for pedal steel.
Emmons
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Jerry Van Hoose
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Karen Sarkisian
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Ed Kelly
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Budda Delay
picked up a Budda delay awhile ago, sounds most like the analog tape echoes that I have found, I think they are a product of PV
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Dave Hepworth
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To Karen Sarkisian,
The El Cap. Does have tap function.The left hand F /S.functions as a tap tempo.Also if you hold this down the unit will self oscillate until you release it. I love mine to bits .I find it very easy to use and gives a great Hank Marvin sound for regular guitar.I am from the age where I used tape echo first time round and find the El Cap just as good sonically without the maintenance. Regards Dave
The El Cap. Does have tap function.The left hand F /S.functions as a tap tempo.Also if you hold this down the unit will self oscillate until you release it. I love mine to bits .I find it very easy to use and gives a great Hank Marvin sound for regular guitar.I am from the age where I used tape echo first time round and find the El Cap just as good sonically without the maintenance. Regards Dave
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Karen Sarkisian
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Jon Light (deceased)
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As a general statement as applies to fx units (of which I am a MAJOR fan--15 boxes on my board and trying to find space for more), I am always attracted to units that have maximum tweakability and yet I am always jealous of people who have simple two knob boxes. I sold a Fuzz Factory because I never played it. Always played with it. I built a 3 pickup guitar that could flip polarities, split coils, series/parallel, any pup combination....yep--played with it more than played it.Karen Sarkisian wrote:..... I end up tweaking it more than actually playing my guitar. I need a standard setting for it. Its can be a bit of a distraction
I forget what the moral of this story is....
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Mike Terry
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Ronald Sikes
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I've been using the Wampler Faux Analog Delay for about 6 months after Jerry recommended it. Best delay pedal I've ever used. I bought it for an easy set up with my NV112.
I run it after my volume pedal into the amp.
I run it after my volume pedal into the amp.
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
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Karen Sarkisian
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I use it after the volume pedal. theres no effects loop in my amp (I've been using it with a fender twin), so i haven't tried it there. also haven't tried it with the black box but I am sure it would sound great with the black box as the black box seems to make everything sound better.Mike Terry wrote:Karen
Do you run this pedal between your volume pedal & amp or out the steel before your your volume pedal ? Do you use a happen to use a Sarno Black Box in your setup ? How does the Wampler sound with it ?
Emmons
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Dave Hepworth
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Marty Holmes
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Paul Arntson
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A very inexpensive and good sounding backup is the venerable potato bug DL5. Even though digital, it has an analog type sound.
http://effectsfreak.com/effect/ibanez/d ... nk_series/
http://effectsfreak.com/effect/ibanez/d ... nk_series/
Excel D10 8&4, Supro 8, Regal resonator, Peavey Powerslide, homemade lap 12(a work in progress)
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Karen Sarkisian
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marty what about the secondary functions ? i think the default settings are set with a little bit of tape crinkle and tape bias. also some of the bass response is cut. the pedal sounds great dont get me wrong its just that i am constantly tweaking it looking for the perfect settingMarty Holmes wrote:Karen ditch the three little knobs and use ONLY the two big knobs turn the three small ones all the way off el cap is the utmost ultimate in reverb delay ImHO!
Emmons
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Nathan Guilford
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I agree. I picked this little potato bug up at a pawn shop years ago and it has real staying power. Somebody even described lots of available modsPaul Arntson wrote:A very inexpensive and good sounding backup is the venerable potato bug DL5. Even though digital, it has an analog type sound.
http://effectsfreak.com/effect/ibanez/d ... nk_series/
http://experimentalistsanonymous.com/di ... 20mods.pdf
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Len Amaral
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Len Amaral
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Karen Sarkisian
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David Mason
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Len, I think you better hold the left button down to clear the repeats....
One of my bedrock, here's the beef quotes is:
You get good at what you practice.
I'm not a terribly organized practicer, not like some with their 15-minutes on triplets, 15 minutes on right-hand exercises, 15 minutes on reading, etc. I did a bunch of that on underarm guitar in the 90's, and I know for sure it's the quickest way to build technique. But I still have an egg timer and stopwatch at hand - It took me almost a year to realize that what I was perfecting was the art of squeezing, unsqueezing, adjusting and fidgeting with fingerpicks.
Since right now I'm playing (steel) only for me, I'm not organized and I'll chase down the Alleys of Weird all I want (I've lately fallen into the bottomless pit of looping) but a three-minute egg timer is still good for picayune reverbs, overdrives etc. Another great money quote from looper & weird movie sound effects guy David Torn:
I end up tweaking it more than actually playing my guitar. I need a standard setting for it. Its can be a bit of a distraction
One of my bedrock, here's the beef quotes is:
You get good at what you practice.
I'm not a terribly organized practicer, not like some with their 15-minutes on triplets, 15 minutes on right-hand exercises, 15 minutes on reading, etc. I did a bunch of that on underarm guitar in the 90's, and I know for sure it's the quickest way to build technique. But I still have an egg timer and stopwatch at hand - It took me almost a year to realize that what I was perfecting was the art of squeezing, unsqueezing, adjusting and fidgeting with fingerpicks.
Since right now I'm playing (steel) only for me, I'm not organized and I'll chase down the Alleys of Weird all I want (I've lately fallen into the bottomless pit of looping) but a three-minute egg timer is still good for picayune reverbs, overdrives etc. Another great money quote from looper & weird movie sound effects guy David Torn:
"Whatever technique you have on your instrument at any given time is always good enough to say something. If you can't find the thing to say, that's what you've got to work on."
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Bob Bender
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