analog delay junkies

Amplifiers, effects, pickups, electronic components, wiring, etc.

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Karen Sarkisian
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analog delay junkies

Post by Karen Sarkisian »

I just picked up a Wampler Faux Analog Echo pedal. I really like it for pedal steel. It is warm and sounds very analog but without the artifacts that the carbon copy and other analog delays I have tried have. It sounds really good !! And you can dial in a little distortion on the repeats if you want to. Brian Wampler did a great job with this pedal. I am going to hold onto my El Capistan for more complex tones on slower tunes, but I think this Wampler pedal will be my new go to delay pedal.
Emmons
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Jon Light (deceased)
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Post by Jon Light (deceased) »

Thanks for the report. I was just discussing Wampler pedals with a friend and in fact just yesterday I ordered an Ego compressor. I like your description of this delay.
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Karen Sarkisian
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Post by Karen Sarkisian »

i like it. easy to dial in, great tone, not very complicated. I like the El Cap but its almost too much pedal for me with all the adjustments. I may end up ditching it for the faux tape echo as i like having a pedal with tap tempo on it, but this faux analog pedal has ended my search for a basic analog delay for pedal steel.
Emmons
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Jerry Van Hoose
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Post by Jerry Van Hoose »

Karen, I agree with you regarding Brian Wampler's Faux Analog Delay. It's also the closest match to the delay in the "Benado Steel Dream" that I've heard. I like using the Wampler Spring Reverb too following the delay, adds a slight echo to the repeats.
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Karen Sarkisian
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Post by Karen Sarkisian »

ive been using the wet reverb which sounds incredible also
Emmons
Ed Kelly
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Budda Delay

Post by Ed Kelly »

picked up a Budda delay awhile ago, sounds most like the analog tape echoes that I have found, I think they are a product of PV
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Tim Marcus
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Post by Tim Marcus »

I recently got a Mojo Hand FX Mirror Ball delay and I love it. Very lush analog delay pedal.
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Post by Dave Hepworth »

To Karen Sarkisian,
The El Cap. Does have tap function.The left hand F /S.functions as a tap tempo.Also if you hold this down the unit will self oscillate until you release it. I love mine to bits .I find it very easy to use and gives a great Hank Marvin sound for regular guitar.I am from the age where I used tape echo first time round and find the El Cap just as good sonically without the maintenance. Regards Dave
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Karen Sarkisian
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Post by Karen Sarkisian »

Dave, what settings do you use on the el Cap ? I know it has tap tempo, I love that feature, its just that its such a complicated pedal I end up tweaking it more than actually playing my guitar. I need a standard setting for it. Its can be a bit of a distraction :lol:
Emmons
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Jon Light (deceased)
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Post by Jon Light (deceased) »

Karen Sarkisian wrote:..... I end up tweaking it more than actually playing my guitar. I need a standard setting for it. Its can be a bit of a distraction :lol:
As a general statement as applies to fx units (of which I am a MAJOR fan--15 boxes on my board and trying to find space for more), I am always attracted to units that have maximum tweakability and yet I am always jealous of people who have simple two knob boxes. I sold a Fuzz Factory because I never played it. Always played with it. I built a 3 pickup guitar that could flip polarities, split coils, series/parallel, any pup combination....yep--played with it more than played it.

I forget what the moral of this story is....
Mike Terry
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Post by Mike Terry »

Karen

Do you run this pedal between your volume pedal & amp or out the steel before your your volume pedal ? Do you use a happen to use a Sarno Black Box in your setup ? How does the Wampler sound with it ?
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Ronald Sikes
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Post by Ronald Sikes »

I've been using the Wampler Faux Analog Delay for about 6 months after Jerry recommended it. Best delay pedal I've ever used. I bought it for an easy set up with my NV112.
I run it after my volume pedal into the amp.
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
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Karen Sarkisian
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Post by Karen Sarkisian »

Mike Terry wrote:Karen

Do you run this pedal between your volume pedal & amp or out the steel before your your volume pedal ? Do you use a happen to use a Sarno Black Box in your setup ? How does the Wampler sound with it ?
I use it after the volume pedal. theres no effects loop in my amp (I've been using it with a fender twin), so i haven't tried it there. also haven't tried it with the black box but I am sure it would sound great with the black box as the black box seems to make everything sound better.
Emmons
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Post by Dave Hepworth »

Karen,
I set the mix at 12 ,the delay at about 10.Tape age far over anticlockwise as it will go ( off)
Repeats at about 7 .wow and flutter at off.This gives a "new tape" sound.
I set multi tap and the left toggle switch in middle.
Regards Dave
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Post by Dennis Anderson »

Tried a few but settled on the Diamond Memory Lane (original version). I think one's delay is a very personal choice because it becomes woven into one's overall sound. It creates the intimate ambient space around the tone of the guitar.
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Post by John Billings »

Ahhhhhh! Love my old SonS Echoplex! Got it from Don many moons ago.
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Post by Marty Holmes »

Karen ditch the three little knobs and use ONLY the two big knobs turn the three small ones all the way off el cap is the utmost ultimate in reverb delay ImHO!
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Paul Arntson
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Post by Paul Arntson »

A very inexpensive and good sounding backup is the venerable potato bug DL5. Even though digital, it has an analog type sound.
http://effectsfreak.com/effect/ibanez/d ... nk_series/
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Karen Sarkisian
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Post by Karen Sarkisian »

Marty Holmes wrote:Karen ditch the three little knobs and use ONLY the two big knobs turn the three small ones all the way off el cap is the utmost ultimate in reverb delay ImHO!
marty what about the secondary functions ? i think the default settings are set with a little bit of tape crinkle and tape bias. also some of the bass response is cut. the pedal sounds great dont get me wrong its just that i am constantly tweaking it looking for the perfect setting
Emmons
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Nathan Guilford
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Post by Nathan Guilford »

Paul Arntson wrote:A very inexpensive and good sounding backup is the venerable potato bug DL5. Even though digital, it has an analog type sound.
http://effectsfreak.com/effect/ibanez/d ... nk_series/
I agree. I picked this little potato bug up at a pawn shop years ago and it has real staying power. Somebody even described lots of available mods
http://experimentalistsanonymous.com/di ... 20mods.pdf
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Len Amaral
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Post by Len Amaral »

I have the TC Flashback 4X delay. One thing I noticed with delays is an analog sounds more pleasing with a SS amp and a digital sounds more pleasing with a tube amp. Just my opinion with steel guitar.

Lenny
Len Amaral
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Post by Len Amaral »

Sorry about the double post. It seems to happen with my MacBook as there is no mouse just a pad.
Last edited by Len Amaral on 1 Jun 2014 6:34 am, edited 1 time in total.
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Karen Sarkisian
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Post by Karen Sarkisian »

interesting.. i think analog warms things up. I've been bringing both the el cap and the faux analog echo on gigs. the el cap is definitely more versatile but the wampler is a nice option for a basic analog sounding delay without the issues that analog delays have.
Emmons
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David Mason
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Post by David Mason »

Len, I think you better hold the left button down to clear the repeats.... :)

I end up tweaking it more than actually playing my guitar. I need a standard setting for it. Its can be a bit of a distraction
:( :eek: :lol:

One of my bedrock, here's the beef quotes is:

You get good at what you practice.

I'm not a terribly organized practicer, not like some with their 15-minutes on triplets, 15 minutes on right-hand exercises, 15 minutes on reading, etc. I did a bunch of that on underarm guitar in the 90's, and I know for sure it's the quickest way to build technique. But I still have an egg timer and stopwatch at hand - It took me almost a year to realize that what I was perfecting was the art of squeezing, unsqueezing, adjusting and fidgeting with fingerpicks. :( :eek: :lol:

Since right now I'm playing (steel) only for me, I'm not organized and I'll chase down the Alleys of Weird all I want (I've lately fallen into the bottomless pit of looping) but a three-minute egg timer is still good for picayune reverbs, overdrives etc. Another great money quote from looper & weird movie sound effects guy David Torn:
"Whatever technique you have on your instrument at any given time is always good enough to say something. If you can't find the thing to say, that's what you've got to work on."
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Bob Bender
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Post by Bob Bender »

A bit of a hybrid with an analog direct signal, the Mad Professor Deep Blue is worth checking out. Great sounding delays with no noise reduction to alter the signal. It's a little pricey but if you can find a used one well worth it.