That Sound????
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Niels Andrews
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That Sound????
I hear different players talking about a certain identifiable sound being attributed to a certain brand instrument. So let's do a poll! Is the sound more the player or the instrument?
Die with Memories. Not Dreams.
Good Stuff like Zum S-12, Wolfe Resoport
MSA SS-12, Telonics Combo.
Good Stuff like Zum S-12, Wolfe Resoport
MSA SS-12, Telonics Combo.
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Clyde Mattocks
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Mark van Allen
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I was in the studio today working on tracks playing my '71 Emmons PP, replacing and even punching in on earlier tracks done on a 2010 Williams. Same recording chain and approximate effects, but I was still amazed at how close the recorded guitars sound.
I guess I just sound like me, for better or worse!
I guess I just sound like me, for better or worse!
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Ken Byng
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Jack Stoner
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Roual Ranes
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Rick Barnhart
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Player
Clinesmith consoles D-8/6 5 pedal, D-8 3 pedal & A25 Frypan, Pettingill Teardrop, & P8 Deluxe.
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Richard Sinkler
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I didn't vote because there is no choice for both (actually, I would have preferred a "who cares" choice.
I have to agree with Jack. I could tell a slight difference after Emmons and Hughey switched to Zum's. I don't believe it is strictly in the players hands. Even listening to Emmons in the old days when he played a Sho~Bud, it was different.
I have to agree with Jack. I could tell a slight difference after Emmons and Hughey switched to Zum's. I don't believe it is strictly in the players hands. Even listening to Emmons in the old days when he played a Sho~Bud, it was different.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Roger Rettig
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I voted 'Player'; I accept that there's sometimes a marginal difference when a good player switches guitars, but that difference is insignificant and the player's special touch will predominate every time.
It's not 'insignificant' to the player, though, and if he's not hearing what he wants to hear it won't be long before that guitar becomes history.
It's not 'insignificant' to the player, though, and if he's not hearing what he wants to hear it won't be long before that guitar becomes history.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Donny Hinson
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Ben Lawson
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Roger Rettig
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Sort-of related.....
Here's a thread that appeared in 2002 after Buddy had played with Johnny Bush at the Midnite Jamboree (blimey! Is it really ten years ago???)
http://bb.steelguitarforum.com/viewtopi ... c&start=25
Clearly 'E' was having doubts about the tone he got that night and we're mostly being really diplomatic (sycophantic?) and telling him how great it was...
I can't find it now but he also referred elsewhere to his tone being reminiscent of the Afflac Duck (maybe that was in 'Ask Buddy'). For the handful of Forumites who weren't there that night, he played beautifully (not remotely duck-like).
And Smiley handed out dozens of black plastic Derbies to all the steel-players (and steel-owners) who were present to welcome BE on to the stage - he seemed to get a big kick out of that!
Here's a thread that appeared in 2002 after Buddy had played with Johnny Bush at the Midnite Jamboree (blimey! Is it really ten years ago???)
http://bb.steelguitarforum.com/viewtopi ... c&start=25
Clearly 'E' was having doubts about the tone he got that night and we're mostly being really diplomatic (sycophantic?) and telling him how great it was...
I can't find it now but he also referred elsewhere to his tone being reminiscent of the Afflac Duck (maybe that was in 'Ask Buddy'). For the handful of Forumites who weren't there that night, he played beautifully (not remotely duck-like).
And Smiley handed out dozens of black plastic Derbies to all the steel-players (and steel-owners) who were present to welcome BE on to the stage - he seemed to get a big kick out of that!
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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Fred Rushing
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The Sound
I just listened to Buddy on a Sho Bud from the sixties and EVERY NOTE TOLD YOU IT WAS BUDDY EMMONS PLAYING. He had The MYTHICAL SO CALLED TONE on the Bud just like he did every other guitar he ever played. get over it fellas. The player makes the music, not the guitar!!!!!!
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Barry Blackwood
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richard burton
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Jim Cohen
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... and then ask Buddy Emmons to sit down and play it for you and you'll see how good that crummy guitar can sound when played by a master.Barry Blackwood wrote:Using the "player" example, it appears we should all save our money and hang onto the worst guitar we've ever owned since we're never gonna sound any better.
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Ken Byng
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The initial topic was Is the identifiable sound more instrument or player?
The player's signature style and technique will always be the most critical factor in recognising the source of a piece of playing. Even when Buddy played the uniquely tonal Sierra guitar, it still sounded like him playing.
Lloyd still sounds like Lloyd regardless of whether he is on a Sho~Bud, JCH or Show Pro. Ditto Curley Chalker, whether on MSA, MCI or Sho~Bud.
The player's signature style and technique will always be the most critical factor in recognising the source of a piece of playing. Even when Buddy played the uniquely tonal Sierra guitar, it still sounded like him playing.
Lloyd still sounds like Lloyd regardless of whether he is on a Sho~Bud, JCH or Show Pro. Ditto Curley Chalker, whether on MSA, MCI or Sho~Bud.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Mike Perlowin RIP
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I forget what year it was, but some time during the 90s, Big Jim Baron produced a 2 day steel show in Sacramento with Jeff Newman, (God, I miss him,) Bobby Black, Jay Dee Maness and David Wright.
Jeff Newman brought 2 different guitars, a Carter and a Zum, and played one the first day and the other the second. I remember thinking at the time that the Zum had a little more growl on the low end. Emphasis on the word little. But basically Jeff sounded the same both days.
BTW, Bobby Black also played a Carter at the show, and his tone wasn't anything at all like Jeff's.
Jeff Newman brought 2 different guitars, a Carter and a Zum, and played one the first day and the other the second. I remember thinking at the time that the Zum had a little more growl on the low end. Emphasis on the word little. But basically Jeff sounded the same both days.
BTW, Bobby Black also played a Carter at the show, and his tone wasn't anything at all like Jeff's.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Barry Blackwood
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Exactly my point, Jim. The instrument has little to do with it, IMO ...Barry Blackwood wrote:
Using the "player" example, it appears we should all save our money and hang onto the worst guitar we've ever owned since we're never gonna sound any better.
... and then ask Buddy Emmons to sit down and play it for you and you'll see how good that crummy guitar can sound when played by a master.
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chris ivey
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