That Sound????

About Steel Guitarists and their Music

Moderators: Dave Mudgett, Brad Bechtel

Is the identifiable sound more instrument or player?

Player
84
93%
Brand Guitar
6
7%
 
Total votes: 90

User avatar
Niels Andrews
Posts: 1464
Joined: 8 Feb 2012 11:50 am
Location: Salinas, California, USA
State/Province: California
Country: United States

That Sound????

Post by Niels Andrews »

I hear different players talking about a certain identifiable sound being attributed to a certain brand instrument. So let's do a poll! Is the sound more the player or the instrument?
Die with Memories. Not Dreams.
Good Stuff like Zum S-12, Wolfe Resoport
MSA SS-12, Telonics Combo.
Clyde Mattocks
Posts: 3042
Joined: 26 May 2005 12:01 am
Location: Kinston, North Carolina, USA
State/Province: North Carolina
Country: United States

Post by Clyde Mattocks »

Need an option that says "both".
LeGrande II, Nash. 112, Fender Twin Tone Master, Session 400, Harlow Dobro, R.Q.Jones Dobro
User avatar
Mark van Allen
Posts: 6426
Joined: 26 Sep 1999 12:01 am
Location: Watkinsville, Ga. USA
State/Province: -
Country: United States

Post by Mark van Allen »

I was in the studio today working on tracks playing my '71 Emmons PP, replacing and even punching in on earlier tracks done on a 2010 Williams. Same recording chain and approximate effects, but I was still amazed at how close the recorded guitars sound.
I guess I just sound like me, for better or worse!
Stop by the Steel Store at: www.markvanallen.com
www.musicfarmstudio.com
User avatar
Ken Byng
Posts: 4329
Joined: 19 Feb 2001 1:01 am
Location: Southampton, England
State/Province: -
Country: United States

Post by Ken Byng »

Player every time.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
User avatar
Jack Stoner
Posts: 22147
Joined: 3 Dec 1999 1:01 am
Location: Kansas City, MO
State/Province: Kansas
Country: United States

Post by Jack Stoner »

I voted for the player, but I remember hearing Emmons at St Louis one year with a Sierra and although it was Emmons he didn't sound like he usually did. The next year he was back to his Emmons steel and sounded like Buddy Emmons.
Roual Ranes
Posts: 1344
Joined: 18 Jun 2004 12:01 am
Location: Atlanta, Texas, USA
State/Province: Texas
Country: United States

Post by Roual Ranes »

Gotta go with player
User avatar
Rick Barnhart
Posts: 3040
Joined: 23 May 2008 2:21 pm
Location: Arizona, USA
State/Province: Arizona
Country: United States

Player

Post by Rick Barnhart »

Clinesmith consoles D-8/6 5 pedal, D-8 3 pedal & A25 Frypan, Pettingill Teardrop, & P8 Deluxe.
User avatar
Richard Sinkler
Posts: 17878
Joined: 15 Aug 1998 12:01 am
Location: Missoula
State/Province: Montana
Country: United States

Post by Richard Sinkler »

I didn't vote because there is no choice for both (actually, I would have preferred a "who cares" choice.

I have to agree with Jack. I could tell a slight difference after Emmons and Hughey switched to Zum's. I don't believe it is strictly in the players hands. Even listening to Emmons in the old days when he played a Sho~Bud, it was different.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro (D tuning), Recording King Professional Dobro (G tuning), NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .

Playing for 55 years and still counting.
User avatar
Roger Rettig
Posts: 11177
Joined: 4 Aug 2000 12:01 am
Location: Naples, FL
State/Province: -
Country: United States

Post by Roger Rettig »

I voted 'Player'; I accept that there's sometimes a marginal difference when a good player switches guitars, but that difference is insignificant and the player's special touch will predominate every time.

It's not 'insignificant' to the player, though, and if he's not hearing what he wants to hear it won't be long before that guitar becomes history.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
----------------------------------
Donny Hinson
Posts: 21830
Joined: 16 Feb 1999 1:01 am
Location: Glen Burnie, Md. U.S.A.
State/Province: -
Country: United States

Post by Donny Hinson »

What Roger said.
Ben Lawson
Posts: 2772
Joined: 22 Jul 1999 12:01 am
Location: Brooksville Florida
State/Province: Florida
Country: United States

Post by Ben Lawson »

What Donny agreed with.
User avatar
Mike Neer
Posts: 11523
Joined: 9 Dec 2002 1:01 am
Location: NJ
State/Province: -
Country: United States

Post by Mike Neer »

How about the ears of the listener? :D
Links to streaming music, websites, YouTube: Links
User avatar
Roger Rettig
Posts: 11177
Joined: 4 Aug 2000 12:01 am
Location: Naples, FL
State/Province: -
Country: United States

Post by Roger Rettig »

Sort-of related.....

Here's a thread that appeared in 2002 after Buddy had played with Johnny Bush at the Midnite Jamboree (blimey! Is it really ten years ago???)

http://bb.steelguitarforum.com/viewtopi ... c&start=25

Clearly 'E' was having doubts about the tone he got that night and we're mostly being really diplomatic (sycophantic?) and telling him how great it was...

I can't find it now but he also referred elsewhere to his tone being reminiscent of the Afflac Duck (maybe that was in 'Ask Buddy'). For the handful of Forumites who weren't there that night, he played beautifully (not remotely duck-like).

And Smiley handed out dozens of black plastic Derbies to all the steel-players (and steel-owners) who were present to welcome BE on to the stage - he seemed to get a big kick out of that!
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
----------------------------------
Fred Rushing
Posts: 641
Joined: 7 Mar 2002 1:01 am
Location: Odin, IL, USA
State/Province: -
Country: United States

The Sound

Post by Fred Rushing »

I just listened to Buddy on a Sho Bud from the sixties and EVERY NOTE TOLD YOU IT WAS BUDDY EMMONS PLAYING. He had The MYTHICAL SO CALLED TONE on the Bud just like he did every other guitar he ever played. get over it fellas. The player makes the music, not the guitar!!!!!!
User avatar
Barry Blackwood
Posts: 7350
Joined: 20 Apr 2005 12:01 am
State/Province: -
Country: United States

Post by Barry Blackwood »

Using the "player" example, it appears we should all save our money and hang onto the worst guitar we've ever owned since we're never gonna sound any better. ;-)
User avatar
richard burton
Posts: 3856
Joined: 23 Jan 2001 1:01 am
Location: Britain
State/Province: -
Country: United States

Post by richard burton »

Wise words
User avatar
Jim Cohen
Posts: 21849
Joined: 18 Nov 1999 1:01 am
Location: Philadelphia, PA
State/Province: Pennsylvania
Country: United States

Post by Jim Cohen »

Barry Blackwood wrote:Using the "player" example, it appears we should all save our money and hang onto the worst guitar we've ever owned since we're never gonna sound any better. ;-)
... and then ask Buddy Emmons to sit down and play it for you and you'll see how good that crummy guitar can sound when played by a master.
User avatar
Ken Byng
Posts: 4329
Joined: 19 Feb 2001 1:01 am
Location: Southampton, England
State/Province: -
Country: United States

Post by Ken Byng »

The initial topic was Is the identifiable sound more instrument or player?

The player's signature style and technique will always be the most critical factor in recognising the source of a piece of playing. Even when Buddy played the uniquely tonal Sierra guitar, it still sounded like him playing.

Lloyd still sounds like Lloyd regardless of whether he is on a Sho~Bud, JCH or Show Pro. Ditto Curley Chalker, whether on MSA, MCI or Sho~Bud.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
User avatar
Mike Perlowin RIP
Posts: 15171
Joined: 4 Aug 1998 11:00 pm
Location: Los Angeles CA
State/Province: -
Country: United States

Post by Mike Perlowin RIP »

I forget what year it was, but some time during the 90s, Big Jim Baron produced a 2 day steel show in Sacramento with Jeff Newman, (God, I miss him,) Bobby Black, Jay Dee Maness and David Wright.

Jeff Newman brought 2 different guitars, a Carter and a Zum, and played one the first day and the other the second. I remember thinking at the time that the Zum had a little more growl on the low end. Emphasis on the word little. But basically Jeff sounded the same both days.

BTW, Bobby Black also played a Carter at the show, and his tone wasn't anything at all like Jeff's.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
User avatar
Barry Blackwood
Posts: 7350
Joined: 20 Apr 2005 12:01 am
State/Province: -
Country: United States

Post by Barry Blackwood »

Barry Blackwood wrote:
Using the "player" example, it appears we should all save our money and hang onto the worst guitar we've ever owned since we're never gonna sound any better.

... and then ask Buddy Emmons to sit down and play it for you and you'll see how good that crummy guitar can sound when played by a master.
Exactly my point, Jim. The instrument has little to do with it, IMO ...
User avatar
chris ivey
Posts: 12703
Joined: 8 Nov 1998 1:01 am
Location: california (deceased)
State/Province: -
Country: United States

Post by chris ivey »

i kept bending nails til i bought a stanley!