does anything else sound close to an older sho-bud?
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John Turbeville
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does anything else sound close to an older sho-bud?
I have an old sd-10 sho-bud, sounds unreal, weighs a lot. all the others sem to sound too modern, does anything else out there sound like an older sho-bud but doesnt weigh a ton????
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Ned McIntosh
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A good Marlen pull-release will come pretty close if it's played right.
The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being.
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Mike Perlowin RIP
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Maybe a Jackson?
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John Bechtel
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Some of us compare the Derby PSG, with Geo. L. 10-1 P/U's; to a Sho-Bud, with the correct Amp. EQ settinngs!
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My T-10 Remington Steelmaster
My T-10 Remington Steelmaster
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Bob Muller
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John Bechtel
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I didn't say they sounded the same! I just said we compared them! lol! Your opinion is as good as mine!
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster
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Bob Muller
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John Bechtel
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“All is Swell that ends Swell”! (Little musical pun intended.)
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster
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John Turbeville
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David Ellison
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I could be wrong, but... I think the modern pedal steel sound comes more from a combination of humbucking pickups and the amp than the guitar itself. Other steels might not sound just like a Sho Bud, but it doesn't mean they're going to make you sound like a modern Nashville player either, unless you want that from it. I don't think you'd ever get a modern tone if you used an amp like a Twin Reverb... no matter what brand of pedal steel you're playing.
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John Turbeville
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Interesting comments here. Im using a 1966 Deluxe Reverb as an amp. I have an extra 1969 sho-bud pickup and I am tempted to throw it into another guitar and give it a try. Thanks for the ideas.
The other guitar I have for lightweight gigging is a stage one, the guitar plays and sounds good, but is still a bit modern sounding for my tastes. Its had to swap pickups on these guys as there isnt enough clearance.
The other guitar I have for lightweight gigging is a stage one, the guitar plays and sounds good, but is still a bit modern sounding for my tastes. Its had to swap pickups on these guys as there isnt enough clearance.
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Mike Perlowin RIP
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I bet with today's wide variety of pickups, and things like the POD and the Sarno Black Box the new Telonics pre-amp and an EQ unit and other tone shaping devices, as well the tone controls on the amp, you can get pretty much whatever sound you want out of any guitar.
Please visit my web site and Soundcloud page and listen to the music posted there.
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Brian Henry
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John, I am not sure what you mean by the sho bud sound. For years I gigged with a Sho bud with a George L, then I got a Carter with a george l , now I play an MCI and guess what, it has a George l.
When I use the same settings with the same amps and same gadgets all three sound the same, WITH ME PLAYING. That is the key, players have their sound, but guitars do not, it depends on who is playing them.
When I use the same settings with the same amps and same gadgets all three sound the same, WITH ME PLAYING. That is the key, players have their sound, but guitars do not, it depends on who is playing them.
LOOKOUT MOUNTAIN GEORGIA
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i understand what you're all thinking, but i think just as much or more the sound comes from your style of playing...directed at what music you are trying to create. paul f. is a great example of someone who can emulate styles from other eras. and i assume most of it is done on his franklin steels. look to create the style first, then if desired hone your tone with your desired equipment.
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Kevin Hatton
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I've never heard another brand of guitar sound like the big body Sho-Buds. It's definitely in the guitar design. Zb's sound nothing like a Sho-Bud. I don't think any electronic device will get you that sound. I do agree playing styles can contribute to tone. The Fingertips also sounded nothing like the big bodies. Different guitar construction results in definitive tone characteristics. Just my biased opinion having been a big body Sho-Bud player.
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Johnny Cox
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Believe it or not my MSA Legend sounds a lot like my old Buds. I played Buds for years then went to Zum for 25 years. They had more of the Emmons characteristics but the Legends have a Bud quality. I'm going to build one with a wood neck soon and see what that does. The Jackson is a Sho-Bud, if that's the sound you want go to David and Harry, don't pass go, don't collect $20. I had a Shot Jackson model and it was a Sho-Bud.
Johnny "Dumplin" Cox
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"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
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b0b
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I'm confused. It seems to me that the Sho-Bud sound is the most country of any PSG sound. I mean, Lloyd Green and Pete Drake? They pretty much set the standard for the Nashville Sound using Sho-Buds. It's pretty hard to make a Sho-Bud sound "not country".John Turbeville wrote:I dont play country so Im not looking that modern most PSG seem to be going after
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Mike Bagwell
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Kevin, I was adressing this post John made.
"I dont play country so Im not looking that modern most PSG seem to be going after"
I didn't mean to imply a ZB sounds like a Sho Bud. I was trying to say that like a big body Sho Bud a ZB has a unique sound.
I think one of your ZB retro guitar should be a consideration for John. It has the unique sound along with light weight.
Mike
"I dont play country so Im not looking that modern most PSG seem to be going after"
I didn't mean to imply a ZB sounds like a Sho Bud. I was trying to say that like a big body Sho Bud a ZB has a unique sound.
I think one of your ZB retro guitar should be a consideration for John. It has the unique sound along with light weight.
Mike
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