What's your favorite (non-country) power ballad?
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Frank Freniere
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What's your favorite (non-country) power ballad?
"Lights" by Journey.
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Joachim Kettner
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Frank Freniere
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Thanks for the responses guys - I'm putting together a genre CD for the car.
What's a "power ballad?" I guess it's like obscenity: the definition is in the ear of the beholder, or "I know it when I hear it" kind of thing.
"More Than A Feeling" - yes
"Wonderful Tonight" - no
Here's what Wikipedia has to say: http://en.wikipedia.org/wiki/Power_ballad#Power_ballads
What's a "power ballad?" I guess it's like obscenity: the definition is in the ear of the beholder, or "I know it when I hear it" kind of thing.
"More Than A Feeling" - yes
"Wonderful Tonight" - no
Here's what Wikipedia has to say: http://en.wikipedia.org/wiki/Power_ballad#Power_ballads
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Joachim Kettner
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Joe Cocker's adaption of "With A Little Help..." by the Beatles tuned it into a powerballad, I think 
Another example would be B. Dylan's "Knocking on Heaven's Door", done by Guns And Roses.
One of my favourites is Terry Reid's interpretation of "Walk Away Renee" by the Left Banke.
http://www.youtube.com/watch?v=xGch9CQqdBQ
Another example would be B. Dylan's "Knocking on Heaven's Door", done by Guns And Roses.
One of my favourites is Terry Reid's interpretation of "Walk Away Renee" by the Left Banke.
http://www.youtube.com/watch?v=xGch9CQqdBQ
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Brint Hannay
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Dave Mudgett
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Journey, Foreigner, Boston? Yikes. I live in a different world.
To me, the ultimate power ballads were done in the 50s and 60s.
Harold Jenkins - "It's Only Make Believe"
Righteous Brothers - "You've Lost That Lovin' Feeling" and "Unchained Melody"
Ray Charles - take your choice, but "I Can't Stop Loving You" is tops with me.
Sam Cooke - again, take your choice, starting with "Bring It On Home".
Roy Orbison - again, take your choice, but "Only The Lonely", "In Dreams", "Crying", "Blue Bayou", or his (IMO) definitive version of "Love Hurts". I have a hard time even thinking about Nazareth in comparison to Roy's version, not to mention the original Everly's version.
and the grandaddy:
Santo and Johnny - Sleepwalk
Of course, there are lots more - Otis Redding and the other great soul singers, Elvis, what have you. My take, YMMV.
To me, the ultimate power ballads were done in the 50s and 60s.
Harold Jenkins - "It's Only Make Believe"
Righteous Brothers - "You've Lost That Lovin' Feeling" and "Unchained Melody"
Ray Charles - take your choice, but "I Can't Stop Loving You" is tops with me.
Sam Cooke - again, take your choice, starting with "Bring It On Home".
Roy Orbison - again, take your choice, but "Only The Lonely", "In Dreams", "Crying", "Blue Bayou", or his (IMO) definitive version of "Love Hurts". I have a hard time even thinking about Nazareth in comparison to Roy's version, not to mention the original Everly's version.
and the grandaddy:
Santo and Johnny - Sleepwalk
Of course, there are lots more - Otis Redding and the other great soul singers, Elvis, what have you. My take, YMMV.
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Brint Hannay
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I agree with you, Dave, but the term "power ballad", which it seems to me the Wikipedia article defined accurately, came into being well after the great music you refer to. I think a certain level of bombast is implicit in the genre "power ballad".
I was going to nominate a couple of forerunners of power ballads, though. What came to mind were You've Lost That Lovin' Feelin' (the Righteous Brothers, of course!) and the BeeGees' To Love Somebody.
I was going to nominate a couple of forerunners of power ballads, though. What came to mind were You've Lost That Lovin' Feelin' (the Righteous Brothers, of course!) and the BeeGees' To Love Somebody.
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Dave Mudgett
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Brint - musically and especially rhythmically, they are of the same ilk, even some of the repertoire is the same. I don't care what labels anybody else puts on 'em, not that wikipedia is the definitive source on cultural labels by any means. But they're all 'power ballads' to me. To me, the later stuff just copies the feel, I just happen to like the earlier stuff much more.
Absolutely, chas - early R&B and soul singers really forged this style, to my mind. This was stock-in-trade back then. I think the reason some of the later rockers' versions stood out at the time is how much they stood in contrast to what else was going on at the time.
Absolutely, chas - early R&B and soul singers really forged this style, to my mind. This was stock-in-trade back then. I think the reason some of the later rockers' versions stood out at the time is how much they stood in contrast to what else was going on at the time.
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Brint Hannay
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To state my point differently, a ballad that has power is not necessarily the same thing as a capital P-capital B Power Ballad.
Labels are of limited utility, of course, but I have, for example, seen ads on late-night TV for compilation albums of "Power Ballads", with the titles and artists rolling by and 3-second clips playing, and they have been of the 80's and later, Foreigner-Boston-etc. type. I certainly don't rely entirely on Wikipedia (for anything!), but in this instance it happens to match with my own experience, absorbed willy-nilly from the culture around me, from which I've formed a general impression that the term "power ballad" is generally used with that connotation.
Take a term like "Disco". To most users of the language, that signifies a particular sort of dance music that originated at a certain point in music history (though with clear antecedents in a continuum of stylistic development). Or "bebop"--same thing. The "boundaries" of any such generic term are naturally fluid and not overly specific, but they do mean something.
Labels are of limited utility, of course, but I have, for example, seen ads on late-night TV for compilation albums of "Power Ballads", with the titles and artists rolling by and 3-second clips playing, and they have been of the 80's and later, Foreigner-Boston-etc. type. I certainly don't rely entirely on Wikipedia (for anything!), but in this instance it happens to match with my own experience, absorbed willy-nilly from the culture around me, from which I've formed a general impression that the term "power ballad" is generally used with that connotation.
Take a term like "Disco". To most users of the language, that signifies a particular sort of dance music that originated at a certain point in music history (though with clear antecedents in a continuum of stylistic development). Or "bebop"--same thing. The "boundaries" of any such generic term are naturally fluid and not overly specific, but they do mean something.
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Bo Borland
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what's your favorite(non-country) power ballad?
I have a lot of favorite non-country power ballads but one takes me back to 1945 by Buddy Johnson(big band era) "Since I fell for you" first recorded by his sister Ella and most notably by Lenny Welch. I just love all the chord changes. Great song IMHO!
Dana Blodgett
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From Los Osos,Ca.
'74 ShoBud 6140 3+4, Martins HD28,D-12-28, D-15,'65 Gibson LG-1, '77 Gibson Les Paul special dbl cut p-90's, Les Paul Special p-100's,Les paul Special Hybrid(maple top) hbkr's,'68 Fender Strat reissue, Fender Squire Jazz bass,Epi mandolin,Epi Wilshire '66 reissue, Kamaka Concert uke, 70's Kamaka Soprano Uke, Fender Super amp, Ampeg ba112 bass amp,60's harmony banjo,'00 Gibson SG Supreme
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Ben Elder
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