Look at us (with clothespins)
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Carson Leighton
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Look at us (with clothespins)
Last edited by Carson Leighton on 30 Jul 2010 2:02 am, edited 1 time in total.
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Richard Damron
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I've posted this question before and in another similar thread but, since I didn't get an answer, I'll pose it again and hope for a better result.
The steeler - whoever he was - supposedly attached clothespins to the levers such that his students could see the action as he played.
My observation: - When he activated the LKR, the LKL moved in the opposite direction! Almost as if there were a simultaneous activation of BOTH levers! What gives?????????????
Oh - I should play that well.
Respectfully,
Richard
The steeler - whoever he was - supposedly attached clothespins to the levers such that his students could see the action as he played.
My observation: - When he activated the LKR, the LKL moved in the opposite direction! Almost as if there were a simultaneous activation of BOTH levers! What gives?????????????
Oh - I should play that well.
Respectfully,
Richard
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Carson Leighton
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Carson Leighton
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richard burton
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He's got the LKL clothes peg in the LKR position, and vice-versa.
What is happening is that, when he lowers the 4th and 8th strings with the LKR, the necessary slack in the raise rods on the LKL is used up, and that's why the LKL moves.
That's another reason why it's a good idea to have the E raises and lowers on the left knee (on a push-pull), because the slack in the raise lever (and the inherent movement) doesn't matter when the lower lever is activated because the players knee ain't there
What is happening is that, when he lowers the 4th and 8th strings with the LKR, the necessary slack in the raise rods on the LKL is used up, and that's why the LKL moves.
That's another reason why it's a good idea to have the E raises and lowers on the left knee (on a push-pull), because the slack in the raise lever (and the inherent movement) doesn't matter when the lower lever is activated because the players knee ain't there
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richard burton
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You can see this inherent movement perfectly in this video.
http://www.youtube.com/watch?v=hlLcgq9ixwg
I'm playing my Marlen pull-release, which is similar to the push-pull in that you need the slack in the raises to accomodate the lowers.
Watch the LKR move leftwards when I activate the LKL
http://www.youtube.com/watch?v=hlLcgq9ixwg
I'm playing my Marlen pull-release, which is similar to the push-pull in that you need the slack in the raises to accomodate the lowers.
Watch the LKR move leftwards when I activate the LKL
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Richard Damron
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Carson Leighton
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I found out that this video was done in 1991..He actually let the camera run for the whole gig...The clothespins are attached to the crossbar, and are hooked together to form and L-shape...One is vertical and the other is horizontal..Apparently they are colored as well...
He did this to show a student what pedals and levers he was using....Carson