Steel guitar, not country
Moderator: Dave Mudgett
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chas smith R.I.P.
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Steel guitar, not country
I just saw a posting of this video from Analog Live, a show at the RedCat Theatre in LA, 2007. Which was a collaborative performance of analog synthesizers, including Alessandro Cortini, Richard Devine, Gary Chang, Thighpaulsandra, Peter Grenader and myself. I was included on steel guitar and another large instrument called the Towers, because I have a synthesizer background.
This is a shortened version of Alessandro Cortini's piece where I'm playing the long tones and Gary is adding harmony with his Wiard.
http://www.youtube.com/watch?v=pavBmNdVfQY
This is a shortened version of Alessandro Cortini's piece where I'm playing the long tones and Gary is adding harmony with his Wiard.
http://www.youtube.com/watch?v=pavBmNdVfQY
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Daniel Morris
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chas smith R.I.P.
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Daniel, they don't come along very often and the logistics on that one was pretty complicated. Richard is east coast and Thighpaulsandra lives in the UK. Each of us had a piece and the idea was that it would be a collaboration. There were a couple of now-what-are-we-going-to-do rehearsals, where not much happened, huge equipment hassles, Richard was too sick to go to any of the rehearsals and Peter had to completely rewrite his piece the night before we played it, not to mention that the day before the show was an all-day load in and set up. So much for the dress-rehearsal. Still in all, it went very well and the place was packed.
Alessandro is a very bright young man. I'm sure he knew about steel guitars, beyond knowing what I do and he gets some really impressive sounds out of the Buchla. That track on Youtube is only the intro and the end.
Alessandro is a very bright young man. I'm sure he knew about steel guitars, beyond knowing what I do and he gets some really impressive sounds out of the Buchla. That track on Youtube is only the intro and the end.
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chas smith R.I.P.
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Barry Blackwood
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chas smith R.I.P.
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Barry, what's going on here is Alessandro is doing "point" loops and patterns and I'm "forcing" it into a tonality with a layering of 'long tones', if I remember correctly, that were around I and IV in F and then Gary supports and complicates that. The idea being, not to make chord patterns, but to simply have a center, at least in the beginning. Basically, if Gary was to play something like a "IV chord", I would have played a I or V to take away the specific tonality or I might have played a IV a half a fret down to muddy it up. Here, I'm playing diads and moving the bar around to keep it from getting too stationary and when Gary gets a little further out, I play a diad, straight up, to keep it centered, at least in the beginning. The Youtube has a jumpcut to the ending. Things got a lot more complicated and I spent a lot of time on the bass neck.
The thing is, once you state where you are, it kills all of the places you could be.
The thing is, once you state where you are, it kills all of the places you could be.
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Steve Hotra
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Chas,
I like it.
Pedal Steel guitar is way more versatile than people give it credit for.
Nice playing.
Steve
I like it.
Pedal Steel guitar is way more versatile than people give it credit for.
Nice playing.
Steve
Guitars: Rittenberry SD S-10, Gretsch Black Falcon. Effects: Wampler Paisley, Strymon Timeline, Sarno Earth Drive.
Fractal FM9
Amps: Mesa Express 5:25, Jazzkat Tomkat & Boss Katana head / various cabs.
Fractal FM9
Amps: Mesa Express 5:25, Jazzkat Tomkat & Boss Katana head / various cabs.
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Jerry Overstreet
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Mike Perlowin RIP
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Very cool.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Paul Graupp
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