What kills me is about 2:35 when he starts playing J.S. Bach's version of "Autumn Leaves". Look around my music room, at all this firewood....
Telecasters are so limiting, though
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David Mason
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Telecasters are so limiting, though
http://www.youtube.com/watch?v=zDuee6bl ... re=related
What kills me is about 2:35 when he starts playing J.S. Bach's version of "Autumn Leaves". Look around my music room, at all this firewood....
What kills me is about 2:35 when he starts playing J.S. Bach's version of "Autumn Leaves". Look around my music room, at all this firewood....
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Ellis Miller
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Ron Whitfield
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But, of course...
...we are talking about TED GREENE. One of the greatest pickers ever, and probably least recognized.
His #1 Tele is incredible, just to look at. The guy played every 1/4 inch of the fretboard for decades.
His #1 Tele is incredible, just to look at. The guy played every 1/4 inch of the fretboard for decades.
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Dave Mudgett
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Dean Gray
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If you've never heard it, I HIGHLY recommend Teds instrumental guitar album, "Solo Guitar". I can't remember all the tracks on it, but they are beautiful, amazing, humbling and inspiring. It starts with "Watch what happens", and there is a great version of "Danny Boy". All recorded on his old blonde Tele, all single takes, no overdubs. The way he plays with harmony and creates variations seemingly effortlessly is nothing short of brilliance. Apparently when Fender wanted to start building the '52 Reissue Tele they contacted Ted and took lots of measurements from his main Tele.
He was a dedicated teacher, who wrote several guitar instructional books, including "Chord Chemistry" (or "chord catastrophy" as I have heard it referred to! It is a bit daunting in it's sheer scope and detail).
I never met him, but from what I have read about him he was a consummate musician, relentlessy striving to learn more about the instrument, and music, and passing that knowledge on to those who were priviliged to study with him, or have his books.
He was a dedicated teacher, who wrote several guitar instructional books, including "Chord Chemistry" (or "chord catastrophy" as I have heard it referred to! It is a bit daunting in it's sheer scope and detail).
I never met him, but from what I have read about him he was a consummate musician, relentlessy striving to learn more about the instrument, and music, and passing that knowledge on to those who were priviliged to study with him, or have his books.
If it’s on the ground it can’t fall down.
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Poor Earl Erb
I guess he didn't realize that he was limited when he did this CD.
The Best Of Earl Erb on A TELECASTER
http://nashpropicker.com/earlerb/
1. All The Things You Are
2. Both Sides Now
3. Fire and Rain
4. Rainy Day - The Shadow of Your Smile
5. Going Home
6. Shenandoah
7. Steel Guitar Rag
8. Tell Me Now
9. Tenderly
10. The Way We Were
11. Touching Angels
12. Wayfaring Stranger
13. You Needed Me
The Best Of Earl Erb on A TELECASTER
http://nashpropicker.com/earlerb/
1. All The Things You Are
2. Both Sides Now
3. Fire and Rain
4. Rainy Day - The Shadow of Your Smile
5. Going Home
6. Shenandoah
7. Steel Guitar Rag
8. Tell Me Now
9. Tenderly
10. The Way We Were
11. Touching Angels
12. Wayfaring Stranger
13. You Needed Me
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Roger Rettig
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Guy!!!! Many thanks for posting that link - I believe I now have a new 'favourite guitar-player'!
Yes, the books are available. 'Modern Chord Progressions' and 'Chord Chemistry' (Dale Zdenek Publications). I have them both, and have learned much from them, while barely scratching the surface of what they contain.
I'm feeling a bit ashamed that I picked this man's brain yet, until today, had never heard him actually play. He kind-of pushes everyone else one step down the ladder, doesn't he?
The Telecaster? While I started to learn to play in 1957, I didn't 'discover' the Telecaster until maybe ten years later. Once I had one, everything else I owned (including a gorgeous '58 Gibson Super 400 CES) was 'retired'. The Telecaster seems to point you in a certain direction, yet retains its 'neutrality', tonally speaking. The guitar is perfect, and provides a solid base on which we can express ourselves without interference.
Bear with me here....
The other day my wife returned home and overheard me practicing in my music room. Before coming in the room she said, 'Oh, lovely - you're playing the Gibson! I love that tone...' (She was referring to my ES-355). She was amazed to see that I was actually playing my new "'62" Thin Skin Fender Tele, switched to the neck pick-up....
Needless to say, this led to a good-natured argument about - 'Then WHY have you got all these different guitars???', but it was a huge affirmation of the Telecaster's tremendous versatility.
Yes, the books are available. 'Modern Chord Progressions' and 'Chord Chemistry' (Dale Zdenek Publications). I have them both, and have learned much from them, while barely scratching the surface of what they contain.
I'm feeling a bit ashamed that I picked this man's brain yet, until today, had never heard him actually play. He kind-of pushes everyone else one step down the ladder, doesn't he?
The Telecaster? While I started to learn to play in 1957, I didn't 'discover' the Telecaster until maybe ten years later. Once I had one, everything else I owned (including a gorgeous '58 Gibson Super 400 CES) was 'retired'. The Telecaster seems to point you in a certain direction, yet retains its 'neutrality', tonally speaking. The guitar is perfect, and provides a solid base on which we can express ourselves without interference.
Bear with me here....
The other day my wife returned home and overheard me practicing in my music room. Before coming in the room she said, 'Oh, lovely - you're playing the Gibson! I love that tone...' (She was referring to my ES-355). She was amazed to see that I was actually playing my new "'62" Thin Skin Fender Tele, switched to the neck pick-up....
Needless to say, this led to a good-natured argument about - 'Then WHY have you got all these different guitars???', but it was a huge affirmation of the Telecaster's tremendous versatility.
Roger Rettig: Emmons D10, B-bender Teles, Martins, and a Gibson Super 400!
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R.I.P. Ted... a great guitarist and a kind soul.
Here's more Tele jazz... Canadian guitarist Ted Bickert, who I first heard in a quartet with Paul Desmond.
http://www.youtube.com/watch?v=bxPBvDYVX2w
Here's more Tele jazz... Canadian guitarist Ted Bickert, who I first heard in a quartet with Paul Desmond.
http://www.youtube.com/watch?v=bxPBvDYVX2w
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Mike Neer
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Hey, what about Joe Pass? He played a Jaguar, Jazzmaster and maybe even a Strat on a bunch of the Pacific recordings in the 60s. And how about Jim Hall? Played a Les Paul for a while....and Roy Lanham on a Jazzmaster. The list could go on and on.
Ted Greene was one-of-kind. Make sure you visit the Ted Greene website--there are tons of lessons there for download.
Ted Greene was one-of-kind. Make sure you visit the Ted Greene website--there are tons of lessons there for download.
Links to streaming music, websites, YouTube: Links
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