"Third Way" tunings...
Moderator: Dave Mudgett
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Ulric Utsi-Åhlin
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"Third Way" tunings...
My simple way of sub-grouping PSG set-ups goes:
Standard(represented D-10 /S-10),Universal & Third
Way,which is what I play ; it´s basically a "Texas
C 6th" with a few subtle changes & extras that really open doors in every direction,but it´s still
a proud 6th-based set up,without "Universal" pre-
tentions...the "Uni" concept dictates that You should
be able to have just about ALL of the combined possi-
bilities of C 6th & E 9th at Your disposal,but that´s
a lofty goal..."Uni" works perfectly for a
lot of pickers,but I believe a C 6th,slightly exten-
ded,will cut it within any musical idiom...McUtsi
Standard(represented D-10 /S-10),Universal & Third
Way,which is what I play ; it´s basically a "Texas
C 6th" with a few subtle changes & extras that really open doors in every direction,but it´s still
a proud 6th-based set up,without "Universal" pre-
tentions...the "Uni" concept dictates that You should
be able to have just about ALL of the combined possi-
bilities of C 6th & E 9th at Your disposal,but that´s
a lofty goal..."Uni" works perfectly for a
lot of pickers,but I believe a C 6th,slightly exten-
ded,will cut it within any musical idiom...McUtsi
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Twayn Williams
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Ulric Utsi-Åhlin
- Posts: 618
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- Location: Sweden
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Third way copedant...
Absolutely,I´ll just find the easiest way of doing
it,I´m useless at making charts and such like on
the PC...I´ll be back...McUtsi
it,I´m useless at making charts and such like on
the PC...I´ll be back...McUtsi
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Ulric Utsi-Åhlin
- Posts: 618
- Joined: 28 Dec 2008 9:12 am
- Location: Sweden
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C 6th Copedant...
This fairly simple set-up offers endless possibili-
ties,but many of them don´t surface until You play
it "in the flesh",like P2 & RKL,in combination w/
bar movement produce great "Nashville"-type licks ;
the top 4 strings(non-pedal heritage)provide You w/
B&C-type harmony without pedals and they´re the key
element to a lot of speed picking ; all-in-all...it´s
the tuning I´m linked to,and IF,by chance,anybody
should be interested,I´ll explain my way of using
some of these changes...Gotta Go,my wife & I are
goin´ shoppin´...McUtsi
[/img]
ties,but many of them don´t surface until You play
it "in the flesh",like P2 & RKL,in combination w/
bar movement produce great "Nashville"-type licks ;
the top 4 strings(non-pedal heritage)provide You w/
B&C-type harmony without pedals and they´re the key
element to a lot of speed picking ; all-in-all...it´s
the tuning I´m linked to,and IF,by chance,anybody
should be interested,I´ll explain my way of using
some of these changes...Gotta Go,my wife & I are
goin´ shoppin´...McUtsi
[/img]-
Ulric Utsi-Åhlin
- Posts: 618
- Joined: 28 Dec 2008 9:12 am
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What´s it sound like..?..
For a sample of this tuning You might listen to
Earl & Dallas´ "Higher Level"...really laid-back
steel-playing...I´m on "Changes" too,even more
low-key,but we all play simple in the studio,don´t
we..?..http://www.myspace.com/earlanddallas
Earl & Dallas´ "Higher Level"...really laid-back
steel-playing...I´m on "Changes" too,even more
low-key,but we all play simple in the studio,don´t
we..?..http://www.myspace.com/earlanddallas
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Ulric Utsi-Åhlin
- Posts: 618
- Joined: 28 Dec 2008 9:12 am
- Location: Sweden
- State/Province: -
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Not forgetting...
...the fact that "Higher Level" will be included on
Earl & Dallas´ next CD,featuring harmony vocals by
Romi Mayes,Canada.McUtsi
Earl & Dallas´ next CD,featuring harmony vocals by
Romi Mayes,Canada.McUtsi