Did you read what Bobbe says about guitars?
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Ray Montee (RIP)
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Did you read what Bobbe says about guitars?
Just read Bobbe Seymour's latest news letter.
Did YOU read that paragraph where he dispells ALL rumors about g'tar basics?
He says: "The BLACK LAQUER or BLACK MICA does absolutely NOTHING to enhance the TONE". How about that? How about all you guys that have Black Mica Emmons'? Do you feel short-changed now?
Did YOU read that paragraph where he dispells ALL rumors about g'tar basics?
He says: "The BLACK LAQUER or BLACK MICA does absolutely NOTHING to enhance the TONE". How about that? How about all you guys that have Black Mica Emmons'? Do you feel short-changed now?
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Joshua Grange
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Ray Montee (RIP)
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Good to hear that SOMEONE............
Good to know that there are some of you Forumites out there that will knowingly and willingly step into an arena of HOT controversy just determined to find that better sound/tone.
There's been too many good things said about "Black Guitars", BLACK SUV"s" and "Black Helicopters" for it to be all wrong. Big John Bechtol spray painted his Fender and he says it sounds much better now that it's black!
I've got to move some stuff to get to my BIGSBY but it's next! BLACK Rustoleum, eh? You did say you did the strings too?
There's been too many good things said about "Black Guitars", BLACK SUV"s" and "Black Helicopters" for it to be all wrong. Big John Bechtol spray painted his Fender and he says it sounds much better now that it's black!
I've got to move some stuff to get to my BIGSBY but it's next! BLACK Rustoleum, eh? You did say you did the strings too?
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George McLellan
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Ben Jones
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thats funny Josh cause i just purchased a fender 1000 where someone had actually painted the rod levers and turnbuckles black. Cant tell how that affects the tone till I get it in playable condition.Joshua Grange wrote:Well Ray I just spray-painted my Bud with black RustOleum and it sounds much better now.
I also sprayed the strings and they sound better too, so....
why someone would paint threaded metal parts that move and rub against each other and arent even visible except on the underside of the guitar is a mystery to me, but my best guess is a tone enhancement modification.
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Ken Byng
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There may not be a difference in tone, but I think the black mica Emmons P/P's look far classier than the rosewood mica. Just my opinion but if I had a choice between the two - no contest.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Ben Lawson
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George McLellan
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Mark van Allen
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Hi, Ray... I have to admit having always been of the persuasion that the idea of color affecting guitar tone was obviously ridiculous.
Many people consider Jimmy Crawford to be one of the pre-eminent builders and repairmen of Emmons guitars. Here's his take from a lengthy interview I did with him Dec. 17, 2003, when we got to talking about the body coverings:
JC: I had a green leatherette covered Emmons, the one I did “Ton of Steel” with,
and the covering was pretty thick, you couldn’t beat sound out of that guitar
with a sledgehammer. You’ve often heard that great sound comes out of either a
rosewood or a black Emmons...
M: Now there’s a conversation starter!
JC: Well it was often attributed to the color- or to a psychological factor, but no,
it should be attributed to a certain thickness of backing on the mica, thinner
than some of the other colors.
M: We’ve all heard the argument that there’s a real difference, and that no, it’s
just a myth. But there really was a difference in the dimensional thickness of
the black Formica?
JC: Yeah, and that had everything to do with that, the thickness, not the color!
The critical ears are going to be the ones to pick that out.
M: Do you experiment with those minute factors with the JCH, like different
ways of laminating the mica to the cabinets, different glues, and so on?
JC: Funny you should ask that- Wilson Arts glue is different than the others,
and we found a particular brand of Formica that was a different thickness.
M: But you pretty much have to have the guitar assembled to find out about
that right?
JC: Oh, yeah, you have to finish it on out. I just sent a guitar with carbon fibre-
that was the design of the mica- to a fellow in New York. I measured it with the
calipers and it was 37/1000ths thick- you talk about a great sounding guitar,
that thing barked! Your other micas, even the rosewood and black, are going to
measure around 45/1000ths. Some of the decorative micas will measure on up
to 60/1000ths, and it does make a difference.
M: So the thinner the mica, the better the sound?
JC: Exactly, and then pressing that mica into the wood too, with the glue
selection, has everything to do with that.
I really think he knew a lot more about it than I did.
Many people consider Jimmy Crawford to be one of the pre-eminent builders and repairmen of Emmons guitars. Here's his take from a lengthy interview I did with him Dec. 17, 2003, when we got to talking about the body coverings:
JC: I had a green leatherette covered Emmons, the one I did “Ton of Steel” with,
and the covering was pretty thick, you couldn’t beat sound out of that guitar
with a sledgehammer. You’ve often heard that great sound comes out of either a
rosewood or a black Emmons...
M: Now there’s a conversation starter!
JC: Well it was often attributed to the color- or to a psychological factor, but no,
it should be attributed to a certain thickness of backing on the mica, thinner
than some of the other colors.
M: We’ve all heard the argument that there’s a real difference, and that no, it’s
just a myth. But there really was a difference in the dimensional thickness of
the black Formica?
JC: Yeah, and that had everything to do with that, the thickness, not the color!
The critical ears are going to be the ones to pick that out.
M: Do you experiment with those minute factors with the JCH, like different
ways of laminating the mica to the cabinets, different glues, and so on?
JC: Funny you should ask that- Wilson Arts glue is different than the others,
and we found a particular brand of Formica that was a different thickness.
M: But you pretty much have to have the guitar assembled to find out about
that right?
JC: Oh, yeah, you have to finish it on out. I just sent a guitar with carbon fibre-
that was the design of the mica- to a fellow in New York. I measured it with the
calipers and it was 37/1000ths thick- you talk about a great sounding guitar,
that thing barked! Your other micas, even the rosewood and black, are going to
measure around 45/1000ths. Some of the decorative micas will measure on up
to 60/1000ths, and it does make a difference.
M: So the thinner the mica, the better the sound?
JC: Exactly, and then pressing that mica into the wood too, with the glue
selection, has everything to do with that.
I really think he knew a lot more about it than I did.
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Bobbe Seymour
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Mark van Allen
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Well, Bobbe, as I said, I've always thought color=tone to be ridiculous on the face of it. And Jimmy was a nut, and while there was a lot of banter and joking that day (I'll fondly remember all my life), we talked for hours in great detail about mechanics, building, parts, metals, contruction details and their effects on the final guitar.
I really think he was serious about this.
As for me, I've owned 4 or 5 Emmons guitars and the best sounding ones, to me, were rosewood and plank maple mica. I think it has a lot more to do with the particular build quality and adjustment of individual guitars.
I really think he was serious about this.
As for me, I've owned 4 or 5 Emmons guitars and the best sounding ones, to me, were rosewood and plank maple mica. I think it has a lot more to do with the particular build quality and adjustment of individual guitars.
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Ronnie Boettcher
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Re: Did you read what Bobbe says about guitars?
Since when did Bobbe become the expert?Ray Montee wrote:...He says: "The BLACK LAQUER or BLACK MICA does absolutely NOTHING to enhance the TONE". How about that? How about all you guys that have Black Mica Emmons'? Do you feel short-changed now?
Anyway, I'm not taking any chances. I'm staying with black. Besides, it matches my Steeler's Choice Seat, my leather sofa, my bar and my pool table felt.
HagFan
Emmons Lashley LeGrande II
Emmons Lashley LeGrande II
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Paul Graupp
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Larry Bressington
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Colour has visual 'illusions of grandure' in one's mind, has nothing to do with tone, the better it looks, the better you play it, black mica dont sound any better than white mica! 
Swig a shot of 'Canadian whiskey' before you play it, that red one will sound just as good as the black one under stagelight!
Proven.
Swig a shot of 'Canadian whiskey' before you play it, that red one will sound just as good as the black one under stagelight!
A.K.A Chappy.
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Ron !
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I have been over this several times here on the forum and many times I said that the color of the guitar has nothing to do with the sound of it.
All these fables about black Formica having more carbon in it.........%^$# for the birds.
Sure....a black guitar might look better then a regular color in most peoples opinion.
What I do think is very weird though is the fact that we have been arguing over this for so long now and Bobbe Seymour said it's a hoax and finally people believe it.
Ron
All these fables about black Formica having more carbon in it.........%^$# for the birds.
Sure....a black guitar might look better then a regular color in most peoples opinion.
What I do think is very weird though is the fact that we have been arguing over this for so long now and Bobbe Seymour said it's a hoax and finally people believe it.
Ron
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Joey Ace
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Bobbe Seymour
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b0b
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Re: Did you read what Bobbe says about guitars?
Bobbe is absolutely wrong.Ray Montee wrote:Just read Bobbe Seymour's latest news letter.
Did YOU read that paragraph where he dispells ALL rumors about g'tar basics?
He says: "The BLACK LAQUER or BLACK MICA does absolutely NOTHING to enhance the TONE".
Everyone knows that black guitars sound best. It's a scientifically proven fact.
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Ron Whitfield
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