Country Music Question
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Rick Campbell
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Country Music Question
Listen to the YouTube of the Tammy Waynette Medley as an example. Is there a reason why in concert the songs are faster tempo than the recordings were? This is especially true of the ballads. I've heard a lot of country singers do this. Also, the concert versions of their hit songs seem to be overproduced with a lot of extra chords and riffs added...it's almost like a novelty version of their hit song. Maybe they're trying to create more energy in the concert setting, or something. And, don't bother to name me individual singers that don't do this. I know about them. I'm asking about the ones who do it, and the reason why. I've heard Johnny Paycheck do this live also.
In the case of Tammy's video, Mikey kicked off Apartment #9 at a one tempo, but by the time Tammy started singing, it was up to about Apartment #11.
I've seen a lot of ballads ruined this way in a live show, and I always wondered why. Whatever the reason, it's a major turn off to me.
In the case of Tammy's video, Mikey kicked off Apartment #9 at a one tempo, but by the time Tammy started singing, it was up to about Apartment #11.
I've seen a lot of ballads ruined this way in a live show, and I always wondered why. Whatever the reason, it's a major turn off to me.
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Michael Douchette
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Lousy drummers...
Adrenaline tempo.
Too much speed for too many years.
All of the above.
Adrenaline tempo.
Too much speed for too many years.
All of the above.
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
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Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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Charles Davidson
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One consideration is that there may be a dozen or so players on the session, including two acoustic guitars, maybe two keyboards. They will sometimes
try to make up for the "fullness" or energy by
speeding the tempo up slightly. It's an old trick
thats been around I know since the 60s.
try to make up for the "fullness" or energy by
speeding the tempo up slightly. It's an old trick
thats been around I know since the 60s.
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Ellis Miller
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Michael Douchette
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We had one drummer, his deal was to speed up the second line of every chorus, then drop back a bit.
IHNFC...
IHNFC...
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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Larry Bressington
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Cal Sharp
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When you've played the same songs with the same artist a few thousand times musicians sometimes throw in extra chord substitutions and riffs, out of boredom or just because they want to show off their latest lick. Leroy VanDyke used to urge his band members to listen to the original records once in a while to (hopefully) ensure that this didn't happen on his show.
As for tempos, you couldn't get Buddy Harman to come out and work for $200 a day and help drive the bus, so you had to to settle for someone who would.
Artists sometimes change the lyrics, again, out of boredom or in an attempt to get the crowd going. I would post some of Faron's creative lyrics, but this is a family forum. LOL
Bob Wills, for one, would move the tempos up or down at a dance gig, depending on his reading of the dancers.
And, yes, a lot of artists will perform their songs faster in a concert setting because it seems to add a little more energy and excitement to the show.
But when you go see an artist do you really want to hear exactly what was on the record? Shoot, you might as well have them performing to tracks. How 'bout a little on-the-spot creativity and inspiration. Look at all the fantastic creative acts who were/are liable to do anything at a live performance - Dean Martin, Miles Davis, Willie Nelson, The Texas Troubadours, Buddy Emmons...
As for tempos, you couldn't get Buddy Harman to come out and work for $200 a day and help drive the bus, so you had to to settle for someone who would.
Artists sometimes change the lyrics, again, out of boredom or in an attempt to get the crowd going. I would post some of Faron's creative lyrics, but this is a family forum. LOL
Bob Wills, for one, would move the tempos up or down at a dance gig, depending on his reading of the dancers.
And, yes, a lot of artists will perform their songs faster in a concert setting because it seems to add a little more energy and excitement to the show.
But when you go see an artist do you really want to hear exactly what was on the record? Shoot, you might as well have them performing to tracks. How 'bout a little on-the-spot creativity and inspiration. Look at all the fantastic creative acts who were/are liable to do anything at a live performance - Dean Martin, Miles Davis, Willie Nelson, The Texas Troubadours, Buddy Emmons...
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Me: Steel Guitar Madness
Latest ebook: Steel Guitar Insanity
Custom Made Covers for Steel Guitars & Amps at Sharp Covers Nashville
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Rick Campbell
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Yeah, I guess I understand that, but in the case of the "tear you heart out" ballads, too much speed and improvising take all the feel out of it for me.
I worked for the King of Bluegrass, Jimmy Martin, for a couple of years and he too stayed on the band about keeping it close to the records, especially the timing. He really knew his sound and wanted it to stay that way. However, I didn't have to copy the records note for note. I could play about any kind of break I wanted, as long as it was in his style of playing. He'd say "play anything you want to in the Orange Blossom Special, but my stuff I want to hear Jimmy Martin licks" He was the boss, so that's what I did and never had one complaint. I heard him tell one guy "if you want to play hot licks, get your own show".
I worked for the King of Bluegrass, Jimmy Martin, for a couple of years and he too stayed on the band about keeping it close to the records, especially the timing. He really knew his sound and wanted it to stay that way. However, I didn't have to copy the records note for note. I could play about any kind of break I wanted, as long as it was in his style of playing. He'd say "play anything you want to in the Orange Blossom Special, but my stuff I want to hear Jimmy Martin licks" He was the boss, so that's what I did and never had one complaint. I heard him tell one guy "if you want to play hot licks, get your own show".
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