Acoustic pedal steel
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Jacek Jakubek
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Acoustic pedal steel
Did anyone ever try building an acoustic pedal steel guitar?
I think it would be a great idea to design a pedal steel guitar that, unplugged, would sound as loud as a dobro or acoustic flat-top guitar.
This type of guitar would probably have an interesting tone and might make the steel more appealing in different types of music, such as bluegrass.
To have the loud acoustic tone, you would need some sort of chamber under the guitar. There is not that much room under a normal pedal steel, with all the metal rods and knee levers, but I'm sure someone could design a different body that would be suitable.
Maybe you could even install a metal cone like in a resonator guitar, for even louder volume. Or maybe you could use a SD body and have the sound chamber just under the fret board part, and the knee levers would be under the pad portion, so the chamber would not interfere with the knees, you'd just have to sit a little farther from the guitar.
The only limitation I can think of is that you would not be able to use a volume pedal when you're not plugged in. But, there could also be a pickup installed in this acoustic PSG and you'd be able to plug into an amp and volume pedal, as well. It would have amplified, acoustic PSG tone that would still sound unique compared to a regular electric PSG.
With all the mechanisms already used in building pedal steels today, and with all the great builders and designers of these guitars, making an acoustic version should not be that hard, unless I'm missing something.
I love the sound of an acoustic guitar and think it would be an interesting thing to hear an acoustic pedal steel.
I think it would be a great idea to design a pedal steel guitar that, unplugged, would sound as loud as a dobro or acoustic flat-top guitar.
This type of guitar would probably have an interesting tone and might make the steel more appealing in different types of music, such as bluegrass.
To have the loud acoustic tone, you would need some sort of chamber under the guitar. There is not that much room under a normal pedal steel, with all the metal rods and knee levers, but I'm sure someone could design a different body that would be suitable.
Maybe you could even install a metal cone like in a resonator guitar, for even louder volume. Or maybe you could use a SD body and have the sound chamber just under the fret board part, and the knee levers would be under the pad portion, so the chamber would not interfere with the knees, you'd just have to sit a little farther from the guitar.
The only limitation I can think of is that you would not be able to use a volume pedal when you're not plugged in. But, there could also be a pickup installed in this acoustic PSG and you'd be able to plug into an amp and volume pedal, as well. It would have amplified, acoustic PSG tone that would still sound unique compared to a regular electric PSG.
With all the mechanisms already used in building pedal steels today, and with all the great builders and designers of these guitars, making an acoustic version should not be that hard, unless I'm missing something.
I love the sound of an acoustic guitar and think it would be an interesting thing to hear an acoustic pedal steel.
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A. J. Schobert
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Ernie Pollock
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But wouldn't it be fun!!
I can just hear the bluegrass boys squawking when you drug that acoustic pedal steel in, I would love to have one myself, I like playing bluegrass songs but they slam the door in electric steel players faces everytime they try to get in!! That would be something to try to build, thats for sure, at least making it loud enough to hear would be a problem.
Ernie
http://www.hereintown.net/~shobud75/stock.htm
Ernie
http://www.hereintown.net/~shobud75/stock.htm
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Bill Hatcher
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Been done. Here is a link. Scroll down a bit too see it. VERY cool.
http://www.bradivarius.com/pedalsteel.html
http://www.bradivarius.com/pedalsteel.html
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Per Berner
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...can't understand why bluegrass players wouldn't want a steeler to join them.
The results can be very, very good – a nice example is Buddy Emmons playing E9th bluegrass with Benny Martin & Lester Flatt, on Martin's ´76 album called "Tennessee Jubilee", if memory serves me right.
IMO, BE's steel fits perfectly in that sonic landscape of banjos, fiddles, mandolins and ringing D-28s. But maybe it takes someone of Buddy's caliber to make it work?
The results can be very, very good – a nice example is Buddy Emmons playing E9th bluegrass with Benny Martin & Lester Flatt, on Martin's ´76 album called "Tennessee Jubilee", if memory serves me right.
IMO, BE's steel fits perfectly in that sonic landscape of banjos, fiddles, mandolins and ringing D-28s. But maybe it takes someone of Buddy's caliber to make it work?
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Bobby Caldwell
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Tony Dingus
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Didn't Paul play an acoustic pedal steel on a Don Williams song? I've been Loved by the Best or something like that. If that'a correct, maybe the acoustic pedal was part of the building block to the ped-a-bro. I like both of them and have been tring to think of a way of building one myself. Time will tell.
Tony
Tony
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Les Anderson
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I jam with a blue grass bunch about three times a month: however, they do not want my steel at their gigs. They have a sound that they want to hold onto and a steel guitar is an intrusion as far as they are concerned.Per Berner wrote:...can't understand why bluegrass players wouldn't want a steeler to join them.
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b0b
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Here's Paul Franklin Sr.'s Pedabro patent:
http://www.google.com/patents?id=5jguAAAAEBAJ
He also made one called "The Box" that doesn't have a resonator.
The Pedabro played by Paul Franklin Jr. was featured on Randy Travis' hit "Forever And Ever, Amen". I think that was the first commercial recording of it.
I've been told that only 25 Pedabros were made. Forum members Dan Tyack and Peggy Green each have two of them.
http://www.google.com/patents?id=5jguAAAAEBAJ
He also made one called "The Box" that doesn't have a resonator.
The Pedabro played by Paul Franklin Jr. was featured on Randy Travis' hit "Forever And Ever, Amen". I think that was the first commercial recording of it.
I've been told that only 25 Pedabros were made. Forum members Dan Tyack and Peggy Green each have two of them.
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Ernie Pollock
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Wow!!
Bill: that is one kool looking pedal dobro, I would trade one of my steels for that any time!! It looks really neat!! Is that by chance your pedal dobro??
Ernie Pollock
Ernie Pollock
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Mark Eaton
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b0b didn't bother to mention that you can purchase an extraordinary CD here on the Forum, entitled The Resocasters.
Mike Auldridge and Jimmy Heffernan on resonator guitars, and the late Hal Rugg on the Franklin Pedabro.
You can listen to an entire song on the record label's website by clicking below:
http://tinyurl.com/38wfeq
On the above track, "Rock Bottom," you can hear Hal take the break on the Pedabro about halfway through the song. Jimmy and Mike aren't too shabby on the dobro, either!
My favorite track on the CD is the Hoyt Axton tune, Evangelina. Hal plays an incredible solo on that one. When I'm driving in my car listening to the song, I have to hit the reverse button so I can hear that solo three or four times!
And a couple of small photos of the Pedabro from Paul Jr's website:
http://www.paul-franklin.com/bio.html
Mike Auldridge and Jimmy Heffernan on resonator guitars, and the late Hal Rugg on the Franklin Pedabro.
You can listen to an entire song on the record label's website by clicking below:
http://tinyurl.com/38wfeq
On the above track, "Rock Bottom," you can hear Hal take the break on the Pedabro about halfway through the song. Jimmy and Mike aren't too shabby on the dobro, either!
My favorite track on the CD is the Hoyt Axton tune, Evangelina. Hal plays an incredible solo on that one. When I'm driving in my car listening to the song, I have to hit the reverse button so I can hear that solo three or four times!
And a couple of small photos of the Pedabro from Paul Jr's website:
http://www.paul-franklin.com/bio.html
Mark
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A. J. Schobert
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Mark Eaton
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Pedabros, though they have a nice tone - are not especially loud.
One of the reasons that modern resonator guitars have been developed is that traditional Dobro brand Dobros, due to the construction of the "innards" weren't very loud in competing with a banjo in a bluegrass situation.
Dobros intially were developed in the 1920's to be louder than an acoustic flattop guitar, which couldn't compete in volume with for example, horn instruments.
Perhaps a Pedabro type instrument with construction more along the lines of a Scheerhorn reso, with its baffle system for sound projection, would be even louder.
One of the reasons that modern resonator guitars have been developed is that traditional Dobro brand Dobros, due to the construction of the "innards" weren't very loud in competing with a banjo in a bluegrass situation.
Dobros intially were developed in the 1920's to be louder than an acoustic flattop guitar, which couldn't compete in volume with for example, horn instruments.
Perhaps a Pedabro type instrument with construction more along the lines of a Scheerhorn reso, with its baffle system for sound projection, would be even louder.
Mark
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Jacek Jakubek
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That dobro/PSG combo looks interesting and I plan on listening to those songs listed to hear more.
Anyone know about a PSG based on a regular acoustic guitar?
And also have it look like a regular PSG, rectangular in shape.
Maybe I will build one someday just to see how it sounds, since it looks like there's not that many acoustic PSGs out there. It's probably because the electric version already sounds so good.
Anyone know about a PSG based on a regular acoustic guitar?
And also have it look like a regular PSG, rectangular in shape.
Maybe I will build one someday just to see how it sounds, since it looks like there's not that many acoustic PSGs out there. It's probably because the electric version already sounds so good.
Last edited by Jacek Jakubek on 30 May 2007 4:31 pm, edited 1 time in total.
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Marlin Smoot
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http://www.steelguitar.net/audio/bobro.wmvAl Sato wrote:A Bobro is a dobro emulator for the steel guitar built into a Boss effect pedal enclosure made by Bobbe Seymour...
I thought of building one until I heard the above demonstration of the BoBro. You can do just what you want electronically without building a new instrument.
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Mark Eaton
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You can play that Bobbe Seymour BoBro demo for me until I'm blue in the face - but it still sounds like an electric instrument attempting to simulate a dobro, and barely getting into the ballpark.
I have the utmost respect for Mr. Seymour as a great player and a leader in the steel guitar world, but I'll never own one of those things.
I have the utmost respect for Mr. Seymour as a great player and a leader in the steel guitar world, but I'll never own one of those things.
Mark
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Jack Stoner
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Mark, unfortunately what I heard, Bobbe is only using it as an "effect" rather than playing dobro licks and thus does a disservice to the unit.
I have an original model MatchBro and I've fooled a lot of people, including several Bluegrass pickers (one of them worked for Bill Monroe for a year). But, when I use the MatchBro I go for dobro licks and think "dobro". Obviously the MatchBro is not a real "resophonic" but the next best thing, if played correctly.
I have an original model MatchBro and I've fooled a lot of people, including several Bluegrass pickers (one of them worked for Bill Monroe for a year). But, when I use the MatchBro I go for dobro licks and think "dobro". Obviously the MatchBro is not a real "resophonic" but the next best thing, if played correctly.
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Jerry Hayes R.I.P.
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I don't remember what his name was/is but the guy who used to be in Keith Whitley's touring band had a double neck instrument which was an E9th neck on the inside and a PedaBro on the outside. It was cool having both things on one instrument. I've never seen another like it. He played it on a segment of "Austin City Limits" which featured Keith. I imagine it was built by Franklin but I'm not sure....JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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Jack Stoner
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I'll be darned. I was listening to that song on the radio today and never would of guessed it was anthing other than an "ordinary" dobro...b0b wrote:
The Pedabro played by Paul Franklin Jr. was featured on Randy Travis' hit "Forever And Ever, Amen". I think that was the first commercial recording of it.
I'll pay closer attention next time! Can you tell if notes are being pedaled?
Dennis
"Bucks Owin"
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Mark Eaton
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If you go up to my earlier post, where I provide the link to get you to the sample song from the CD The Resocasters, and you follow the instruction to pay attention in about the middle of the song, you will hear Hal Rugg making obvious use of pedals on the Pedabro.
Damn - now I sound like a middle school teacher!

Damn - now I sound like a middle school teacher!
Mark