steel rating
Moderator: Dave Mudgett
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Ben Godard
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steel rating
These are some of the top notchers from what I can see here on the forum. I would like to know everyone's opinion by ranking these guitars in order, what order would they be in from best to just good (can't say worst because all of these guitars don't deserve that word)
By the way let this be just for all pulls:
Franklin
Zum
Emmons
MSA
Fesseden
Carter
Rains
GFI
Derby
You can add any suggested others
Thanks
Ben
By the way let this be just for all pulls:
Franklin
Zum
Emmons
MSA
Fesseden
Carter
Rains
GFI
Derby
You can add any suggested others
Thanks
Ben
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A. J. Schobert
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Tommy Young
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Steel ratings
BEN DIDN'T CHECK TO SEE HOW LONG U BEEN HERE BUT I CANT BELIEVE U DIDN'T PUT THE TOP RANKED MULLEN ON THERE but just what kind of ranking are U looking for
TONE
playability
durability
beauty
weight
JUST what are YOU wanting us to RANK they all have their good and not so good attributes so hope U will be more specific with this ranking stuff there is no way even the builders could rank each other here tell me so i can think about it TOMMY
PS: could be other stuff to rank as well some don't even smell good hahaha
TONE
playability
durability
beauty
weight
JUST what are YOU wanting us to RANK they all have their good and not so good attributes so hope U will be more specific with this ranking stuff there is no way even the builders could rank each other here tell me so i can think about it TOMMY
PS: could be other stuff to rank as well some don't even smell good hahaha
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Moon in Alaska
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Hi, Ben...
I don't think there is a real answer to your questions. There is probably 10 + professional
Pedal steel builders out there that make very good instruments.
Now, you might get some of the guys to tell you which
brand they like the best ...
Moon
I don't think there is a real answer to your questions. There is probably 10 + professional
Pedal steel builders out there that make very good instruments.
Now, you might get some of the guys to tell you which
brand they like the best ...
Moon
<<Moon>>
==Carter S-10==
1962 Fender 400
== Evans FET 500 Custom LV ==
http://www.geocities.com/moon9999610/alaska.html
==Carter S-10==
1962 Fender 400
== Evans FET 500 Custom LV ==
http://www.geocities.com/moon9999610/alaska.html
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richard burton
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Ernie Pollock
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Good Way to hurt someones feelings!!
I would go with:
GFI
EMMONS
FRANKLIN
DERBY
AND THE REST OF EM THAT ARE NOT ON HERE!!
Ernie Pollock
GFI
EMMONS
FRANKLIN
DERBY
AND THE REST OF EM THAT ARE NOT ON HERE!!
Ernie Pollock
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James Morehead
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A. J. Schobert
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Jack Stoner
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Donny Hinson
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Ben, not to try and discourage you, but there really is no "best" guitar. What's best depends on the player, and what he's looking for, and even most of the very top players (the ones who seldom post here) all play different brands.
Luckily, there's no "duds" out there now. Any pro-level guitar made today (there's at least 25 brands) will play better than you or I ever could, it's that simple. No guitar made will make you a star, no guitar made will keep you from being a star.
Nobody hires a guitar, they hire the player.
The player makes the music, and the player makes it sound good - not the guitar! The guitar is nothing more than a tool, and once you have a good one...the rest is up to you.
Players here constantly say..."Well, if I have the best guitar, I'll probably play better." That's bullhockey. If I took a guy out of a Chevrolet or a Dodge, and gave him a Rolls Royce or a Bentley, would that make him a better driver?
Nope, sorry. It don't work that way.
Luckily, there's no "duds" out there now. Any pro-level guitar made today (there's at least 25 brands) will play better than you or I ever could, it's that simple. No guitar made will make you a star, no guitar made will keep you from being a star.
Nobody hires a guitar, they hire the player.
The player makes the music, and the player makes it sound good - not the guitar! The guitar is nothing more than a tool, and once you have a good one...the rest is up to you.
Players here constantly say..."Well, if I have the best guitar, I'll probably play better." That's bullhockey. If I took a guy out of a Chevrolet or a Dodge, and gave him a Rolls Royce or a Bentley, would that make him a better driver?
Nope, sorry. It don't work that way.
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john widgren
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Jody Sanders
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Ben Godard
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I guess you are right fellas. Thanks for the advice. I wish that I could go try a few out but the only one close to me is Emmons(3hrs away). I know they are good but I still would like to hear and play some other psg's. I am just gonna have to take a leap of faith in choosing one, either that or planning a trip to a convention.
I cant believe I forgot to put Mullen on the list. Oh well there are probrably others I missed too.
I've only played steel for about 10 yrs and I just joined the forum a couple months ago. I honor you veteran players as there was no forum back then in your days. No tutor CD's or talk tapes or anything at all. MAybe a book or two. Nope. Just iron will and determination and love of the instrument is what made the sound we love. So many people right here on the forum have met the greatest steel players, and some of the greatest are right here on the forum!
WOW. I think this forum that B0B has created has been the best thing a steel guitarist could ask for.
I cant believe I forgot to put Mullen on the list. Oh well there are probrably others I missed too.
I've only played steel for about 10 yrs and I just joined the forum a couple months ago. I honor you veteran players as there was no forum back then in your days. No tutor CD's or talk tapes or anything at all. MAybe a book or two. Nope. Just iron will and determination and love of the instrument is what made the sound we love. So many people right here on the forum have met the greatest steel players, and some of the greatest are right here on the forum!
WOW. I think this forum that B0B has created has been the best thing a steel guitarist could ask for.
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A. J. Schobert
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Bob Knight
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Ben Godard
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I guess the main qualities I'm looking for is.
1.Tone I like the sound of Paul Franklins steel
a lot. His playing after all is what
inspired me to even start playing.
His sound to me seems more modern
and just is smooth and clean. Of course his
hands have a lot to do with it too.
2.Playablity This is a big one for me. I am still playing a Marlen S10 and it's playability isn't the best althought he tone is pretty good. I like playing a lot of the fast stuff, not to say I don't play slow stuff too. But pedal/lever action is extremely important to me. Another thing is that I have lots of pulls. My set-up is pretty much like PF's set-up.
3. Durability This one is pretty impoertant too. I want a good rugged guitar that stays in tune with very little cab drop. The extra weight doesn't bother me too bad.
4. Beauty I hate to be spoil but this one is impoetant to me. I like a cool looking guitar. It doesn't have to be detailed all over with inlays but I like a decent amount of chrome. I like the traditional keyed tuner look too.
1.Tone I like the sound of Paul Franklins steel
a lot. His playing after all is what
inspired me to even start playing.
His sound to me seems more modern
and just is smooth and clean. Of course his
hands have a lot to do with it too.
2.Playablity This is a big one for me. I am still playing a Marlen S10 and it's playability isn't the best althought he tone is pretty good. I like playing a lot of the fast stuff, not to say I don't play slow stuff too. But pedal/lever action is extremely important to me. Another thing is that I have lots of pulls. My set-up is pretty much like PF's set-up.
3. Durability This one is pretty impoertant too. I want a good rugged guitar that stays in tune with very little cab drop. The extra weight doesn't bother me too bad.
4. Beauty I hate to be spoil but this one is impoetant to me. I like a cool looking guitar. It doesn't have to be detailed all over with inlays but I like a decent amount of chrome. I like the traditional keyed tuner look too.
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Michael Douchette
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"Coop" Sho-Bud
Franklin
Zum
Show-Pro
Franklin
Zum
Show-Pro
Mikey D... H.S.P.
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
Music hath the charm to soothe a savage beast, but I'd try a 10mm first.
http://www.steelharp.com
http://www.thesessionplayers.com/douchette.html
(other things you can ask about here)
http://s117.photobucket.com/albums/o54/Steelharp/
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Mike Perlowin RIP
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So many factors are completely subjective. How do you measure tone or appearance?
But one factor that's objective is weight. I live on an incline and have to climb about 15 stairs to get from my front door to the street. I'd be happy playing any of the major brands, but I got an MSA Millennium because wanted the lightest steel possible.
Now my back thanks me every time I take the guitar out of the house.
But one factor that's objective is weight. I live on an incline and have to climb about 15 stairs to get from my front door to the street. I'd be happy playing any of the major brands, but I got an MSA Millennium because wanted the lightest steel possible.
Now my back thanks me every time I take the guitar out of the house.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Bill Hatcher
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Billy Carr
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guitars
I don't look at the brand, I look at who's sitting behind it playing. The one thing that I do look for in a PSG is what it sounds like w/o any effects other than a little reverb. Same way with a player, just a guitar and amp. Everybody's building good products.
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Dave Mudgett
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I have found, in the 12 or so all-pulls I've had in the last 8 years, that there are definitely differences between makes. But I think what is "best" depends entirely on an individual player's very subjective weighting of what's most important in an instrument. That said, I agree with Donny and others that I haven't played a modern pedal steel that I didn't think was a fine instrument. We should consider ourselves lucky - obviously PSG building is a labor of love, and it shows. No ranking needed, let's leave that for the academics - yes I'm a college teacher, I give grades all the time, and even I wouldn't attempt this here. 
BTW, I'd add BMI to the list. I've got a Zane Beck creation, and it's arguably as "good" as anything I've played.
All IMO, of course.
BTW, I'd add BMI to the list. I've got a Zane Beck creation, and it's arguably as "good" as anything I've played.
All IMO, of course.
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John Billings
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Richard B., I find guitars like that very interesting. I have a 1938 or 9 Gibson Grande Console D-7, that had some sort of homemade pullers on the inside neck. Most of the mechanism was gone when I got it, but steelers back then did some interesting things to put pedals on non-pedal guitars!
And I would add Performance Steel Guitars to the list.
JB
http://steelguitaramericas.com/
And I would add Performance Steel Guitars to the list.
JB
http://steelguitaramericas.com/






