Which Foot to you pat to keep in time?
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Ray Montee (RIP)
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Which Foot to you pat to keep in time?
Just curious: After many years of watching my steel playing friends and countless strangers as well, patting their foot to keep time with the music, I began to realize there are as many different methods for performing this "feat" as there are steel players.
Lap steel players do it with great finess so as not to cause the slick backed little guitar to slide off their lap and/or to cause them to lose control of the bar. It's always embarassing to hear that heavy little bar as it rolls faster and faster across the stage as it attempts to distance itself from the player.
Some pedal steel players use their RIGHT Foot and quite often the end result is the irritating surging and fading of volume as they pump their right foot ON THE VOLUME PEDAL.
Some, who use their left foot, leave it flat on the floor where they stomp it enthusiastically until they need to smash a pedal. At that time, the more practiced will lift the foot off the floor, then plant it furiously on the pedal bar in an attempt to keep up with the beat all the while trying to make sure they found the A & B pedals and NOT, the B & C pedal combination. This will often cause a "delay" in playing the planned notes at the precise time.
Others use the humerous Jerry VanDyke (banjer technique) where it's obvious they have yet to manage accurately the movement of either or both feet while keeping in time with the music.
What method do YOU use and why?
Lap steel players do it with great finess so as not to cause the slick backed little guitar to slide off their lap and/or to cause them to lose control of the bar. It's always embarassing to hear that heavy little bar as it rolls faster and faster across the stage as it attempts to distance itself from the player.
Some pedal steel players use their RIGHT Foot and quite often the end result is the irritating surging and fading of volume as they pump their right foot ON THE VOLUME PEDAL.
Some, who use their left foot, leave it flat on the floor where they stomp it enthusiastically until they need to smash a pedal. At that time, the more practiced will lift the foot off the floor, then plant it furiously on the pedal bar in an attempt to keep up with the beat all the while trying to make sure they found the A & B pedals and NOT, the B & C pedal combination. This will often cause a "delay" in playing the planned notes at the precise time.
Others use the humerous Jerry VanDyke (banjer technique) where it's obvious they have yet to manage accurately the movement of either or both feet while keeping in time with the music.
What method do YOU use and why?
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Rick Nicklas
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Nothing has to move on my body to keep me in rhythm. I just use the bass and drummer for my timing. In fact, they are in charge of that after the kickoff of the song. You can break meter and jazz things up a bit but always come back to their tempo. I do find myself rocking my head sometimes if I really enjoy what I am playing.
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Rick
Williams & Kline U-12's, Session 500
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Rick
Williams & Kline U-12's, Session 500
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Sometimes, if your hands are busy and each foot IS occupied, you have to go somewhere else--like to kick-off on a song--I'll nod my head--2,3,4, Then once it's underway, I'm liable to use anything that moves, even my tongue flappin time...like when the tempo stops, then goes--what else is there?
Ray is famous for using the Rayletts as his tempo-keepers..what was it, 'If you want to be a RAYLETT, you had to LET RAY!'..Keep that backbeat, that is.
Ray is famous for using the Rayletts as his tempo-keepers..what was it, 'If you want to be a RAYLETT, you had to LET RAY!'..Keep that backbeat, that is.

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Roger Rettig
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Ray Charles' foot indicated where he wanted '1' to be, and it was vital that the drummer, above all, could see Ray's feet.
That fluctuating 'time' was an essential part of his uniqueness, and the drummer who couldn't accommodate his whim didn't last long! There was an interestinf 'thread' here on the Forum about Ray's musical peculiarities not too long ago.
Ray didn't stomp his feet for himself - it was for the band.
Has anyone watched Albert Lee play live? He uses either foot, and either the heel or the ball of either foot, most vigorously when he plays, and yet I doubt there are many players with a better 'clock' in their head than Albert has. His time is, for me, the most outstanding facet of his playing.
I do find myself involuntarily keeping time with my left heel when playing steel, but only occasionally (I think!); strangely, I believe it happens when I'm particularly comfortable with the rhythm section, and I'm enjoying the proceedings.
RR
That fluctuating 'time' was an essential part of his uniqueness, and the drummer who couldn't accommodate his whim didn't last long! There was an interestinf 'thread' here on the Forum about Ray's musical peculiarities not too long ago.
Ray didn't stomp his feet for himself - it was for the band.
Has anyone watched Albert Lee play live? He uses either foot, and either the heel or the ball of either foot, most vigorously when he plays, and yet I doubt there are many players with a better 'clock' in their head than Albert has. His time is, for me, the most outstanding facet of his playing.
I do find myself involuntarily keeping time with my left heel when playing steel, but only occasionally (I think!); strangely, I believe it happens when I'm particularly comfortable with the rhythm section, and I'm enjoying the proceedings.
RR
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Ray Montee (RIP)
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Les Anderson
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If I play a piece from tabs I rarely keep time with my foot (tapping to the beat). If I am just sitting there playing, I tend to start tap with my left foot. If I am listening to music on the radio or sitting back and listening to a band, I just start tapping with my left foot without even thinking about it.
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(I am not right all of the time but I sure like to think I am!)
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(I am not right all of the time but I sure like to think I am!)
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Al Marcus
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Ray-Ernest says it. I don't believe I can remember when Jeff Newman was ever wrong!
But your post asked "which foot do you pat to keep in time". I don't use either and I am sure most pedal steel players are too busy with both feet to do it.....al

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My Website..... www.cmedic.net/~almarcus/
But your post asked "which foot do you pat to keep in time". I don't use either and I am sure most pedal steel players are too busy with both feet to do it.....al

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My Website..... www.cmedic.net/~almarcus/
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Les Green
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David Wren
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Strangley enough I tap my toes on my pedals when I not using any, and my heel on the floor when using pedals, and I don't even think of it, just notice myself doing this for time to time.
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Dave Wren
'95Carter S12-E9/B6,7X7; Session500; Hilton Pedal
www.ameechapman.com
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Dave Wren
'95Carter S12-E9/B6,7X7; Session500; Hilton Pedal
www.ameechapman.com
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Charles Davidson
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Ray Montee (RIP)
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The symphony violin teacher that fired me as a Hawaiian Steel Guitar 'student' with the Gibson Guitar Course...........suggested early on, that I simply tap my big toe INSIDE my shoe or boot.
It works fine for me but of course, to each his own. There is more drama to really stomping that left foot. Ah-Haaaaa!
It works fine for me but of course, to each his own. There is more drama to really stomping that left foot. Ah-Haaaaa!
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Charlie McDonald
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