I can't figure out any other way to answer all the emails asking about our various pickups ... and my cast steels.
Last nite ... I figured I'd run a test for myself ... comparing and contrasting these rascals.
Same exact amp and settings ... same "flattie" bar ... same BIAB backup (acoustic piano only) ...
All volume pots (1 meg audio taper) wide open ...
Only one steel (Sierra) has a tone control ... 1 meg pot / 0.022 mfd cap ... it's wide open.
No volume pedal ...
All steels are recorded on a frypan stand ...
Basically ... I unplugged from one steel ... plugged into the next ... blah, blah, blah
4 songs ... 1 take ...
No reverb, effects, editing or processing (compression, normalization, EQ, etc) ...
Just a dry signal comparison ...
I apologize for the crappy playin' ... I would love to take a few days and do these over and over ... and pick the best versions ... but I don't have that kinda time anymore ...
Enough excuses ...
First up ... an All Original Rickenbacker 1937 A25 (long scale frypan). Magnets fully charged ... original bobbin.
I don't have a finer sounding vintage steel guitar than this one.
Kilima Waltz
Next up ... my Dustpan with a neodymium based H-Shoe pickup ... Lollar pole piece bobbin.
Across the Sea
Next ... my prototype Dustpan ... with a neodymium based MRI magnet assembly ... featuring a Lollar Pole Piece-less bobbin ...
Wailana (Drowsy Waters)
Last ... a Sierra Laptop 8 ... with a neodymium based MRI (Thin Line) magnet assembly ... Lollar pole piece bobbin.
Akaka Falls
Again ... sorry about the bad timing, bad intonation, scratchy bar sounds and crappy recording techniques.
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<font size=1> Aiello's House of Gauss</font>
<font size=1>
My wife and I don't think alike. She donates money to the homeless and I donate money to the topless! ... R. Dangerfield</font>
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Rick Aiello on 02 March 2005 at 01:06 PM.]</p></FONT>
Look's like someones got some




