Goodrich LDR 2 Volume Pedal
Moderator: Dave Mudgett
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Goodrich LDR 2 Volume Pedal
Has anyone had an opportunity to try the new Goodrich LDR 2 volume pedal? I recently got one of these, and I have a bunch to say about it, but I would like to see if anyone else has tried one of these new pedals yet, and if so, what your thoughts and opinions are on this new pedal.
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Okay guys, here's the scoop on the new Goodrich LDR2 volume pedal...
In a conversation I recently had with the folks at Goodrich, they say that for the past 35 years they have been focused on something that's been a bit of an illusive target... building a worry-free volume pedal that would perform perfectly everytime, all the time, and would be "fail-safe" and from what I've seen and experienced with this new pedal so far, I believe they just might have accomplished their goal.
The requirements Goodrich wanted to achieve was to build a volume pedal that would exceed all other units in areas such as, no change in tone of the signal going through it at ANY frequency, or at any volume level that doesn't distort the signal, the correct volume taper, is maintenance free, and most importantly... is "fail-safe."
Here's where the "fail-safe" part comes in. The new LDR2 pedal has 2 light sources in parallel. If after a very long time one of these light sources should ever fail, there's a back up light source built into this pedal that will automatically take over, and the pedal will continue to function as if nothing happened at all. The way you'll notice that there is a problem is that you will notice a slight difference in the pedals response, which will alert you to check these light sources through the top of the pedal. If one of them isn't lit, you will know then to return the pedal to Goodrich for replacement. Until such time though, you will still be able to use the pedal as you normally would.
Personally speaking, considering the inherent problems associated with practically anything electronic, I think incorporating a "fail-safe" device was a great idea, and if nothing else, it indeed does offer a little more peace of mind. Now if we could just find a way to do the same thing with amplifiers.
The LDR2 pedal features "selective inputs" allowing you to choose between Normal, and Full Frequency mode. The impedance of the Normal input jack is adjustable by rotating a Blue pot labeled TONE, in doing this it allows the user to obtain a particular desired sound. When you plug into the the Full Frequency jack, jacks 3 and 4 then become isolated outputs to drive 1 or 2 amps, or you can use one output to go directly to a mixing board with absolutely no losses or noise. There's also a gain pot on the bottom of this pedal which is adjustable. In addition, if you want to still have some volume when the pedal is in the Off position, there's also an adjustment for that.
Here again, the LDR2 pedal has no internal moving parts, no racks or pinions, no pot, and no battery. This is an extreamely quiet pedal, and it is free of distortion no matter what volume level you play at, and no tonal change whether the pedal is full on or full off, regardless of what input is being used, and no clipping no matter of how hard you pick the strings.
Another interesting thing I found with this new pedal is it has an adjustable tensioning device that allows the user to set this until he gets the "feel" he's looking for. With this, no matter what brand of pedal you're use to using, you can find a setting that will have the feel you're use to.
In any case, guys, I am very impressed with the new Goodrich LDR2 volume pedal. It looks like the folks at Goodrich covered all the bases with this one, and it's the best I've seen or used compared to just about anything else, and I've had them all!
In a conversation I recently had with the folks at Goodrich, they say that for the past 35 years they have been focused on something that's been a bit of an illusive target... building a worry-free volume pedal that would perform perfectly everytime, all the time, and would be "fail-safe" and from what I've seen and experienced with this new pedal so far, I believe they just might have accomplished their goal.
The requirements Goodrich wanted to achieve was to build a volume pedal that would exceed all other units in areas such as, no change in tone of the signal going through it at ANY frequency, or at any volume level that doesn't distort the signal, the correct volume taper, is maintenance free, and most importantly... is "fail-safe."
Here's where the "fail-safe" part comes in. The new LDR2 pedal has 2 light sources in parallel. If after a very long time one of these light sources should ever fail, there's a back up light source built into this pedal that will automatically take over, and the pedal will continue to function as if nothing happened at all. The way you'll notice that there is a problem is that you will notice a slight difference in the pedals response, which will alert you to check these light sources through the top of the pedal. If one of them isn't lit, you will know then to return the pedal to Goodrich for replacement. Until such time though, you will still be able to use the pedal as you normally would.
Personally speaking, considering the inherent problems associated with practically anything electronic, I think incorporating a "fail-safe" device was a great idea, and if nothing else, it indeed does offer a little more peace of mind. Now if we could just find a way to do the same thing with amplifiers.

The LDR2 pedal features "selective inputs" allowing you to choose between Normal, and Full Frequency mode. The impedance of the Normal input jack is adjustable by rotating a Blue pot labeled TONE, in doing this it allows the user to obtain a particular desired sound. When you plug into the the Full Frequency jack, jacks 3 and 4 then become isolated outputs to drive 1 or 2 amps, or you can use one output to go directly to a mixing board with absolutely no losses or noise. There's also a gain pot on the bottom of this pedal which is adjustable. In addition, if you want to still have some volume when the pedal is in the Off position, there's also an adjustment for that.
Here again, the LDR2 pedal has no internal moving parts, no racks or pinions, no pot, and no battery. This is an extreamely quiet pedal, and it is free of distortion no matter what volume level you play at, and no tonal change whether the pedal is full on or full off, regardless of what input is being used, and no clipping no matter of how hard you pick the strings.
Another interesting thing I found with this new pedal is it has an adjustable tensioning device that allows the user to set this until he gets the "feel" he's looking for. With this, no matter what brand of pedal you're use to using, you can find a setting that will have the feel you're use to.
In any case, guys, I am very impressed with the new Goodrich LDR2 volume pedal. It looks like the folks at Goodrich covered all the bases with this one, and it's the best I've seen or used compared to just about anything else, and I've had them all!

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Danny,is this the Goodrich pedal that has a power cord plugged in under the heel? I hear that it continually gets unplugged by the heel when playing.
It seems to me that the features "off point","signal strength" and "tone" are inovations used in the Hilton pedal before Goodrich decided to add these features. Did Goodrich copy these features?
Just my thoughts: I prefer to use a pedal made by the original inovator of these features. I prefer the Hilton pedal rather than choosing a "knockoff" from another manufacturer.
These are my opinions only and were added to this topic in an effort to balance the equation. I am in no way affiliated with a pedal manufacturer. However,I am sold on the integrity and quality support and service by Keith Hilton............JD
It seems to me that the features "off point","signal strength" and "tone" are inovations used in the Hilton pedal before Goodrich decided to add these features. Did Goodrich copy these features?
Just my thoughts: I prefer to use a pedal made by the original inovator of these features. I prefer the Hilton pedal rather than choosing a "knockoff" from another manufacturer.
These are my opinions only and were added to this topic in an effort to balance the equation. I am in no way affiliated with a pedal manufacturer. However,I am sold on the integrity and quality support and service by Keith Hilton............JD
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John. Those are interesting thoughts and questions you have there. Regarding where the pedal plugs in, there's a strap on the back that keeps the cord from pulling out of the back of the pedal, and it seems to work very well.
Regarding the Hilton pedal, I have one of those as well, and I think it's a great pedal too. However, I wasn't comparing the two against each other, but moreover, giving my professional and personal opinion on the new Goodrich LDR2 pedal. Like a lot of things in this industry, it's many times a "to each their own" kind of thing, and the only intentions in this post was to share a bit bit of info about "what's new" and my opinion of the product.
Regarding integrity, quality, support and service, I believe it's safe to say that these two companies are equal in these areas, and for the most part, I seem to find the same with practically all manufacturers involved in the steel guitar market.
I believe the steel guitar industry is a very unique industry, and I think we are all very fortunate to have the close-knit community we have with each other, including the ability in many cases to be able to communicate with the builders directly.
Regarding the Hilton pedal, I have one of those as well, and I think it's a great pedal too. However, I wasn't comparing the two against each other, but moreover, giving my professional and personal opinion on the new Goodrich LDR2 pedal. Like a lot of things in this industry, it's many times a "to each their own" kind of thing, and the only intentions in this post was to share a bit bit of info about "what's new" and my opinion of the product.
Regarding integrity, quality, support and service, I believe it's safe to say that these two companies are equal in these areas, and for the most part, I seem to find the same with practically all manufacturers involved in the steel guitar market.
I believe the steel guitar industry is a very unique industry, and I think we are all very fortunate to have the close-knit community we have with each other, including the ability in many cases to be able to communicate with the builders directly.
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I had been using a Hilton for about a year or so, and got an LDR2 for a backup pedal. As nice as the Hilton sounds, I prefer the Goodrich now, the Hilton has become my backup. I like the slightly higher profile of the Goodrich too. And there's that killer green light emitting diode...is it cosmetic or is the LED also the light dependent resistor?
Anyway, I love this pedal.
Anyway, I love this pedal.