5 string banjo pickup?
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Len Amaral
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5 string banjo pickup?
What type of pickup is good for a 5 string banjo?
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Gary Lee Gimble
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Pete Burak
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Garth Highsmith
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Jon Light (deceased)
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Michael Brebes
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www.stewmac.com
They sell a pickup for banjo that isn't too expensive.
They sell a pickup for banjo that isn't too expensive.
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Jon Light (deceased)
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Len--my guy got back to me and here is his response----
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>My secret (and I do highly recommend it) is a highlander gooseneck
condenser mic specifically made for acoustic guitars that I custom
installed inside the banjo - it takes custom modifications but is not
hard to do if you are good with solder - it has a built in preamp that
gives great level.
Other than that I would recommend trying one of the clip on mics out
there prob made by AKG or something
For a banjo I have no interest in anything that is considered a pickup,
for I feel it is impossible to capture the sound of a banjo without an
actual mic
I'm very picky though, there are traditional pickups you can get
installed also - but they sound too 'direct' for me..and they also need
a preamp because they have low - passive - output</SMALL><HR></BLOCKQUOTE>
<BLOCKQUOTE><font size="1" face="Verdana, Arial, Helvetica">quote:</font><HR><SMALL>My secret (and I do highly recommend it) is a highlander gooseneck
condenser mic specifically made for acoustic guitars that I custom
installed inside the banjo - it takes custom modifications but is not
hard to do if you are good with solder - it has a built in preamp that
gives great level.
Other than that I would recommend trying one of the clip on mics out
there prob made by AKG or something
For a banjo I have no interest in anything that is considered a pickup,
for I feel it is impossible to capture the sound of a banjo without an
actual mic
I'm very picky though, there are traditional pickups you can get
installed also - but they sound too 'direct' for me..and they also need
a preamp because they have low - passive - output</SMALL><HR></BLOCKQUOTE>
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Len Amaral
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Thanks to all for the feedback. The Ford F250
and the Jeep are worth considering also..
Jon, the mike installed in the banjo sounds interesting. However, the Highlander gooseneck mike is an acoustic mike and wonder how that would sound front miking the banjo? Also, our PA has preamp gain inputs and would that suffice rather than using a seperate preamp?
Thanks,
Lenny
and the Jeep are worth considering also..

Jon, the mike installed in the banjo sounds interesting. However, the Highlander gooseneck mike is an acoustic mike and wonder how that would sound front miking the banjo? Also, our PA has preamp gain inputs and would that suffice rather than using a seperate preamp?
Thanks,
Lenny
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Larry Behm
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Jerry Roller
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Hi Len, please pardon me for being serious.
I know the banjo is a different application than a Dobro but I tried pickups on my Dobro and never could get anything that was not boomy, feeding back or unnatural sounding until I tried a GHS mic. The box is in my vehicle but if you are interested I can give you the information. This is an absolutely great little mic with no feedback, plenty of volume and very natural sounding. It has a small platform which has an elastic loop that you can attach to about anything, the little platform has velcro and the mic has a flex gooseneck attached to a transformer with velcro on the bottom of it. The mic is about the size of an average copperhead. The word really needs to get out on this mic for a Dobro. I run a chord from the mic into a Boss Rev3 and from output of the Rev3 into input of a stage tuner and from it into the mic chord for low impedence or I use a transformer adapter for high impedence. I use the tuner obviously for tuning but also as a on/off control. I bet this would work very good for a banjo also.
Jerry
I know the banjo is a different application than a Dobro but I tried pickups on my Dobro and never could get anything that was not boomy, feeding back or unnatural sounding until I tried a GHS mic. The box is in my vehicle but if you are interested I can give you the information. This is an absolutely great little mic with no feedback, plenty of volume and very natural sounding. It has a small platform which has an elastic loop that you can attach to about anything, the little platform has velcro and the mic has a flex gooseneck attached to a transformer with velcro on the bottom of it. The mic is about the size of an average copperhead. The word really needs to get out on this mic for a Dobro. I run a chord from the mic into a Boss Rev3 and from output of the Rev3 into input of a stage tuner and from it into the mic chord for low impedence or I use a transformer adapter for high impedence. I use the tuner obviously for tuning but also as a on/off control. I bet this would work very good for a banjo also.
Jerry
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Len Amaral
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Alvin Blaine
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I've been using an AKG C-411 micro-mic on banjo. I put it inside of the banjo and it sounds great and can get up to 98db before feedback.
You can get it with a battery pack that can also run off of phantom power or you can get it in a wireless transmitter(so you can run all over the stage playing your banjo louder the H***)
AKG C-411 L
You can get it with a battery pack that can also run off of phantom power or you can get it in a wireless transmitter(so you can run all over the stage playing your banjo louder the H***)
AKG C-411 L
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Michael Brebes
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Brian Davis
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Mcintyre pickups is worth a shot. Weber is using their feather in their mandolins. I think that a mic is generally considered the better way to go, but this may be cheaper for you. You will need a preamp...LR Baggs Paracoustic DI is recommended. Good luck!
http://www.mcintyrepickups.com/macindex.html
Brian
http://www.mcintyrepickups.com/macindex.html
Brian
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Robert Parent
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