Carol Kaye Website: Awesome
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Jim Cohen
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Carol Kaye Website: Awesome
Amazing musical insights and tips at her website. Go to http://www.carolkaye.com and click on Education. The tips are fabulously instructive for anyone playing in any band.<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Cohen on 29 November 2005 at 06:48 AM.]</p></FONT>
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Jim Cohen
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Herb Steiner
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I don't see as how I need to go to her website, Jimbeaux. I've already done those things numerous times. For example, I was continuously getting lost just the other night. But I finally called the bandleader on the cell phone and eventually made it to the club, only a half hour late.<SMALL>soloing, whether to comp during the bass or drum solo, trading 8's with the drummer, getting lost, and all kinds of tips like that are really very helpful. </SMALL>
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Herb's Steel Guitar Pages
Texas Steel Guitar Association
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Dyke Corson
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Rick McDuffie
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I don't want to rehash it either, BUT...
You tell me how someone could accurately remember what specific sessions they played on 40 years ago, when that's what they did all day long EVERY day. For example, what were YOU doing on July 24, 1965?
I believe Carol was the bassist on the Quincy Jones/Bill Cosby "Hickey Burr" cut. She's got an awful lot of soul for a white girl. She is, no doubt, one of the most influential bassists in rock and roll.
And what about Joe Osborne, the other great LA bassist of the 60's and 70's. Add up the total hits that those two played on.
Jamerson was fairly late to arrive on the LA scene, having spent most of his career in Detroit. <font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 30 November 2005 at 09:54 AM.]</p></FONT>
You tell me how someone could accurately remember what specific sessions they played on 40 years ago, when that's what they did all day long EVERY day. For example, what were YOU doing on July 24, 1965?
I believe Carol was the bassist on the Quincy Jones/Bill Cosby "Hickey Burr" cut. She's got an awful lot of soul for a white girl. She is, no doubt, one of the most influential bassists in rock and roll.
And what about Joe Osborne, the other great LA bassist of the 60's and 70's. Add up the total hits that those two played on.
Jamerson was fairly late to arrive on the LA scene, having spent most of his career in Detroit. <font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 30 November 2005 at 09:54 AM.]</p></FONT>
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Greg Simmons
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Many muscicians keep detailed log books of all the sessions they've done. I'm sure Mr. Green would be able to tell us what songs and what musician's he recorded with in August 1975 (just picked that date out of a hat). <font size="1" color="#8e236b"><p align="center">[This message was edited by Chris Forbes on 30 November 2005 at 10:22 AM.]</p></FONT>
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Craig Stock
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I read somewhere on her site once that she started out on an old cheap lap steel that guys used to sell door-to-door with lessons when she was growing up on the West Coast.
If you want to see a musician with detailed notes on his career, read Bill Wyman's "Stone Alone" Book.
My friend, Dennis Kelly does an internet radio show on Luxuriamusic.com called 'Heros and Villians" -(Beach Boys and Surf related music) and has interviewed Carol on the show and says that she is a great gal.
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Regards, Craig
<font size="1" color="#8e236b"><p align="center">[This message was edited by Craig Stock on 30 November 2005 at 07:00 PM.]</p></FONT>
If you want to see a musician with detailed notes on his career, read Bill Wyman's "Stone Alone" Book.
My friend, Dennis Kelly does an internet radio show on Luxuriamusic.com called 'Heros and Villians" -(Beach Boys and Surf related music) and has interviewed Carol on the show and says that she is a great gal.
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Regards, Craig
<font size="1" color="#8e236b"><p align="center">[This message was edited by Craig Stock on 30 November 2005 at 07:00 PM.]</p></FONT>
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Rick McDuffie
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It was my 10th birthday, Greg. That's why I picked the date! 
Many preachers keep detailed logs of all the funerals and weddings they do... and then there's me
Did ya'll see that video clip of her playing guitar on "Just Friends" with someone else on bass (apparently in the Ibanez booth at the NAMM Show). She's not too shabby on guitar, either! (Didn't they have a George Benson model in the booth??) I believe Carol started out as a guitar player, then discovered she could get more gigs on bass. I made a similar discovery in the early 70's.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 30 November 2005 at 07:03 PM.]</p></FONT>

Many preachers keep detailed logs of all the funerals and weddings they do... and then there's me

Did ya'll see that video clip of her playing guitar on "Just Friends" with someone else on bass (apparently in the Ibanez booth at the NAMM Show). She's not too shabby on guitar, either! (Didn't they have a George Benson model in the booth??) I believe Carol started out as a guitar player, then discovered she could get more gigs on bass. I made a similar discovery in the early 70's.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 30 November 2005 at 07:03 PM.]</p></FONT>
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Jim Cohen
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Jon Bergh
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A few years ago I was getting my Fender Jazz bass worked on by a really sweet and talented man in Brooklyn... he did some stuff and tuned it up and then played one of the most bizzare bass lines I'd heard.
He said, "what?!? You don't know that? It's a great Carol Kaye Line! You know, from that Doublemint commercial in '78 or something!"
Not really adding to the thread, but I liked the story...
-jon
He said, "what?!? You don't know that? It's a great Carol Kaye Line! You know, from that Doublemint commercial in '78 or something!"
Not really adding to the thread, but I liked the story...
-jon
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Mike Winter
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Carol Kaye...a GREAT bassist.
As far as keeping logs of session dates, I know Hal Blaine -- "The Most Recorded Drummer Of All Time" -- kept precise notes ofdates and sessions. He said he had to in order to make sure he got paid correctly. Keeping a log was common practice, at least with the Wrecking Crew session players.
Along the lines of Kaye's claim regarding Motown bassist James Jamerson, drummer Bernard Purdie claims to have done a lot of the drumming on early Beatles tunes: http://www.jimvallance.com/03-projects-folder/purdie-project-folder/pg-purdie.html
Interesting stuff...
Mike
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Blue Moon Highway
(Country Music...and then some.)
www.bluemoonhighway.com
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Winter on 30 November 2005 at 10:40 PM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Winter on 30 November 2005 at 10:45 PM.]</p></FONT>
As far as keeping logs of session dates, I know Hal Blaine -- "The Most Recorded Drummer Of All Time" -- kept precise notes ofdates and sessions. He said he had to in order to make sure he got paid correctly. Keeping a log was common practice, at least with the Wrecking Crew session players.
Along the lines of Kaye's claim regarding Motown bassist James Jamerson, drummer Bernard Purdie claims to have done a lot of the drumming on early Beatles tunes: http://www.jimvallance.com/03-projects-folder/purdie-project-folder/pg-purdie.html
Interesting stuff...
Mike
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Blue Moon Highway
(Country Music...and then some.)
www.bluemoonhighway.com
<font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Winter on 30 November 2005 at 10:40 PM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Winter on 30 November 2005 at 10:45 PM.]</p></FONT>
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Jussi Huhtakangas
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A Finnish tv-producer who lives in LA has done a great one hour documentary of Carol Kaye. It has aired twice here and it's one of the most enjoyable documentaries ever made of a musician, no talking heads doing the nonsense praising, mostly just Carol telling her story, playing the famous bass lines from the hits, etc. And yes, her first instrument was a lap steel and she is a darn good jazz guitarist. Her cd "Guitars 1965, California Creamin'" is very cool.
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David L. Donald
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Lloyd Green, most likely can...<SMALL>You tell me how someone could accurately remember what specific sessions they played on 40 years ago, when that's what they did all day long EVERY day. For example, what were YOU doing on July 24, 1965?</SMALL>
If he had a session that day it was no doubt logged and he STILL has the book.
Carol Kaye was a super player for so long,
that we take her for granted.
I bet there are some "Jamerson" songs, she actuially played on,
that they all think HE did.
Same same.
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Dan Sawyer
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David L. Donald
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Well speaking of Mr. Green...
With Lloyd's kind permisions I post this:
Hi David,
Very interesting post for session players such as Carol Kaye, Hal Blaine and me, all of who kept accurate session notes.
On Thursday, July 24, 1975 I recorded at 10AM, Columbia Studio B with Tony Joe White (Warner Bros.), 2PM, Woodland Studio A with Earl Thomas Conley(GRT Records), at 6PM Jack's Tracks with Crystal Gayle(United Artists) and finally at 10PM Moe Bandy(GRC Rec.).
I trust you are happy in your newest home.
Best regards,
Lloyd Green
[ In a follow up email with Lloyd,
I noted that it was 1965 in Ricks post above. And asked if I might post the above, and the 1965 if available, if perchance might send it.
I also noted that was a pretty darned good muscal day by any standards]
David,
Unfortunately for me I discarded the session books for my first two years as a session musician; 1964 & 1965. It was at that time Dot insisted I keep the historical record of what I was doing. Thank goodness I have all the rest of them, 1966 - 1988. And of course I have my session books of the past 3 years since returning to the studios. But by looking at almost any given session date I can visualize conversations, where each player was sitting and much of the construction of the songs recorded. Those books provide me with a "virtual" mental movie of certainly the more important sessions which produced big records, but equally important to me, the personalities of the singers, writers, engineers, producers and the musicians.
Yes, please add this to the discussion if you don't mind, along with the previous email data.
Glad to hear of your less stressful life. It sounds like a glorious part of the world in which to live.
Best regards,
Lloyd Green
Lloyd makes some great points about session logs.
Logs as memory jogs.
I bet he really re-lives some fine moments when he browses throught then from time to time.
Many thanks to Dot Green for leaning on her Mr.
to keep the records intact too.
Well Rick how about July 24th 1966...
<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 01 December 2005 at 07:40 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 03 December 2005 at 05:17 AM.]</p></FONT>
With Lloyd's kind permisions I post this:
Hi David,
Very interesting post for session players such as Carol Kaye, Hal Blaine and me, all of who kept accurate session notes.
On Thursday, July 24, 1975 I recorded at 10AM, Columbia Studio B with Tony Joe White (Warner Bros.), 2PM, Woodland Studio A with Earl Thomas Conley(GRT Records), at 6PM Jack's Tracks with Crystal Gayle(United Artists) and finally at 10PM Moe Bandy(GRC Rec.).
I trust you are happy in your newest home.
Best regards,
Lloyd Green
[ In a follow up email with Lloyd,
I noted that it was 1965 in Ricks post above. And asked if I might post the above, and the 1965 if available, if perchance might send it.
I also noted that was a pretty darned good muscal day by any standards]
David,
Unfortunately for me I discarded the session books for my first two years as a session musician; 1964 & 1965. It was at that time Dot insisted I keep the historical record of what I was doing. Thank goodness I have all the rest of them, 1966 - 1988. And of course I have my session books of the past 3 years since returning to the studios. But by looking at almost any given session date I can visualize conversations, where each player was sitting and much of the construction of the songs recorded. Those books provide me with a "virtual" mental movie of certainly the more important sessions which produced big records, but equally important to me, the personalities of the singers, writers, engineers, producers and the musicians.
Yes, please add this to the discussion if you don't mind, along with the previous email data.
Glad to hear of your less stressful life. It sounds like a glorious part of the world in which to live.
Best regards,
Lloyd Green
Lloyd makes some great points about session logs.
Logs as memory jogs.
I bet he really re-lives some fine moments when he browses throught then from time to time.
Many thanks to Dot Green for leaning on her Mr.
to keep the records intact too.
Well Rick how about July 24th 1966...
<font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 01 December 2005 at 07:40 AM.]</p></FONT><font size="1" color="#8e236b"><p align="center">[This message was edited by David L. Donald on 03 December 2005 at 05:17 AM.]</p></FONT>
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Rick McDuffie
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The point is well taken, David and Lloyd.
She is one funky granny. Does anyone know if that was Carol on "The Streetbeater" (Sanford and Son theme)?
Where would modern electric bass playing be without CK, Jamerson and McCartney? They are the big 3, in my opinion. Of course, they built on what came before them.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 01 December 2005 at 07:43 PM.]</p></FONT>
She is one funky granny. Does anyone know if that was Carol on "The Streetbeater" (Sanford and Son theme)?
Where would modern electric bass playing be without CK, Jamerson and McCartney? They are the big 3, in my opinion. Of course, they built on what came before them.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 01 December 2005 at 07:43 PM.]</p></FONT>
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Chris Forbes
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David L. Donald
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Rick McDuffie
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You're right, Chris. Before the 60's, bass was very much a background instrument. The 60's were a decade when you heard new sounds on every new album, and bringing bass to the forefront was certainly a component of that. Things we take for granted now, and which can be done on your home computer or with a couple of cheap stomp boxes, were mind-blowing back then.
I agree with your additions, David!
This may seem silly, but I would add Mel Schacher with Grand Funk. That cat was bad, too. Because GFR recorded "Locomotion," I think people have forgotten how "heavy" they were at the outset. They were a great trio and were HUGE in '70-'71.
Interestingly, the same thing happened with Three Dog Night. They started out to be a serious, heavy, rock band and were accepted by both the critics and the heads. Then they strayed over into "Joy To The World" "Shambala" and "Never Been To Spain" and that's the way people remember them. They were a great band early on, though... go back and listen to "Chest Fever" "Easy To Be Hard" and "One"... killer stuff. (It would've also helped if they'd had a serious writer in the band.)
But I digress... sorry.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 03 December 2005 at 07:28 AM.]</p></FONT>
I agree with your additions, David!
This may seem silly, but I would add Mel Schacher with Grand Funk. That cat was bad, too. Because GFR recorded "Locomotion," I think people have forgotten how "heavy" they were at the outset. They were a great trio and were HUGE in '70-'71.Interestingly, the same thing happened with Three Dog Night. They started out to be a serious, heavy, rock band and were accepted by both the critics and the heads. Then they strayed over into "Joy To The World" "Shambala" and "Never Been To Spain" and that's the way people remember them. They were a great band early on, though... go back and listen to "Chest Fever" "Easy To Be Hard" and "One"... killer stuff. (It would've also helped if they'd had a serious writer in the band.)
But I digress... sorry.<font size="1" color="#8e236b"><p align="center">[This message was edited by Rick McDuffie on 03 December 2005 at 07:28 AM.]</p></FONT>